12 -- The Michigan Daily - Wednesday, September 30, 1998 PHOTO-ACTIVE VISITING ARTIST SERIES Allen introduces series of guest art lectures By Jeff Druchniak For the Daily Last Friday night at 7 p.m., many University students had already begun partying in preparation for the football game and the rest of the weekend. But not all of them. A crowd, composed mostly of stu- dents, turned out at the Art &' Architecture Building on North Campus to see guest lecturer Paula Allen discuss and display her pho- tographs. Allen's appearance and lec- ture, which took place in the School of Art & Design Auditorium, inaugurated a year-long program under the auspices of the Art & Design Photo-Active Feminist Visiting Artist Lecture Series. Allen is a visiting artist from New York, where she bases her career as a photog- rapher of international fame. Her com- ments were interspersed with examples of her work, and afterwards, she also answered question asked by those in attendance. Allen a worked as a photo editor for the Central Park Journal and was a photographer for Newsweek and U.S. News and World Report. Much of the work shown, how- ever, was from Allen's book "Ladies," a collection of photographs representing women from a New York homeless shelter. This project illustrates a theme in Allen's body of work. Allen primarily uses women and girls as her subjects. She is interested in the "marginaliza- tion" and exclusion of individuals in various ways, as a result of broader pub- lic struggles between genders, classes and ethnicities. As a result, Allen's lec- ture was an appropriate first installment for a lecture series sponsored by the National Endowment for the Arts and arranged in conjunction with the University's Year of Diversity. Seven more visiting artists will lecture between I Photo- Active Power Center now and March. They will consti- tute a mix of local, national and international artists, including M acArthur Award recipient Wendy Ewald. The project is being coordinat- ed by Profs. Carol Jacobsen and Joanne Leonard. According to Jacobsen, the Yr ' , Sept. 25.1998 school regularly arranges lectures with important artists, but this year was able to organize them into a yearlong themat- ic program with the support of the NEA and the University's administration. She expects subsequent lectures to follow the same format as Allen's, except for that of Kathy Constantinides, who will be joined by a panel of speakers on sex- ual exploitation. couresty oNBC The cast of last year's mid-season "Just Shoot Me" is still drawing viewers. S de s 'JustShot Me' still onlj target ADRIANA YUGOVICH/Daify Paula Allen, visiting artist, speaks before a crowd at the School of Art. Would you like to increase the size of your wardrobe? Come to the Daily Arts office in the Student Publications Building, 420 Maynard between 12:30 and 2 p.m. today and name three movies that feature charac- ters originally created on 'Saturday Night Live.' Your reward: a free "A Night at the Roxbury" T-shirt. Supplies are extremely limited. The W~ashington Post What is it about "Just Shoot Me"', NBC's comedy started as a mid-sea- son replacement, but does anyone remember that? Mid-season shows are usually not expected to fare well, as they've been delayed from a. fall debut'for one reason or another. Not in this case. "Just Shoot Me" has done so well in its short liftapan -Sept. 22 marked the start of the third season - that NBC moved it into "Frasier's" Tuesday-at-9 times- lot so the latter could step into "Seinfeld's" place on Thursday. During the summer reruns, "Just Shoot Me" drew more viewers than "Seinfeld" in a temporary move to Thursdays, and outpaced "Frasier" when it moved to Tuesdays on Sept. 15. Viewers are still finding the show, and when they do, they discover it's genuinely funny. (But not this week - it's pre-empted for baseball play- offs.) "It was really an incredible year," said "Just Shoot Me" producer Steve Levitan. "We went from barely mak- ing it on the air to being the number- one show" in 18-49 adult demo- graphics. Levitan credits the show's success to a combination of factors, starting with the actors who play the staff of a Cosmopolitan-like magazine. George Segal plays the sexist edi- tor of Blush magazine; Laura San Giacomo is his intellectual daughter, forced to take a writing job there; David Spade is the office secretary; Wendie Malick is the former super- model who, despite staying slim, has to work behind the scenes because of her age; and the photographer who dates the models he shoots is Enrico Colantoni. Together they cavort, complain and plan practical jokes, making the offices of Blush the most enjoyable place to work on TV But a cast isn't funny without good writing. And "Just Shoot Me's" writers have a lot of TV experience, which is why the series never had the kinks of a rookie show even when it first aired. "We have a lot of different kinds of people in the writers' room, and we like the stories to reflect every- one's tastes," Levitan said. The writ- ers bring all their story ideas togeth- er in a group, which adds to the crc- ativity. "Sometimes we stumble on ideas that are really wacky poignant, and we go with it." Beside the solid acting and writ- ing, other incidents have generated buzz that has lured people to give "Just Shoot Me" a shot. Take last season's Woody Allen episode. Allen die a voiceover for a closing scene with San Giacomo's character that proved to be an unexpected bonus. "We never in a million years thought that he would do that and* didn't have that last part in the show, and then we filmed it and thought it was really special,' Levitan recalled. "And someone said, Why don't you send it off to him? And I said he'd never do it." But Allen did. He taped his lines for the episode where San Giacomo's Maya reveals that Allen is her idea of a dream date, then mailed them in. Other guest stars have added As as well as comedy. Brian Dennehy played Spade's father, who incor- rectly believes his son is gay. "We really liked that dynamic" between the characters, said Levitan, who has invited Dennehy back for this season. "Just Shoot Me's" guest stars seem strategically chosen, but Lewitan claims that's just good fortune. 'e try not to be cast driven. We come up with a funny character and then come up with who would work in it." Levitan is optimistic about this year. "I think we have wonderful sto- ries planned for the season and they're really funny. And everybody's clicking." He claimed that the staff doesn't feel pressure to work any harder than they always have, now that they're in the high-profile timeslot forn'y held by 'Frasier." It's all in the numbers, he explained. "The 18-to-49 demo- graphics, we've always excelled in those. If you look at the audience we're attracting, we're really hitting good mark right now ... The show is perhaps more successful than, it appears. That was true from the t, Levitan said. "When we app' e opposite 'Arsenio,' we immediatel) did well, and people expected us, t( be crushed" I O .0 (hair gels/shampoo) / We make a lot of things b re re" /- (blueprint paper) (uv sunscreen) (n-line skates) (helmet) (sports apparel) (blue jeans) - ~ (sneakers) Especially C8arer S '1 (tires) 1999 -2000 (hiking boots) Residence Staff Selection 4 r We're BASF, the company that makes the products you buy better. Indigo that makes your blue jeans blue. Light absorbers that help your sunglasses protect your stare from the glare. Materials that give your tennis shoes more bounce to the ounce. Even the performance plastics that make your bicycle helmet hard on knocks. 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