Jean Luc Godard's classic shown in a newly restored version. This French film with English subtitles explores the life and times of a troubled woman whose husband is struggling with troubles at work. The power of emotion is at work in this classic drama. Renowned director Fritz Lang also makes a cameo as himself. Find yourself in 'Contempt' beginning at 9 p.m. at the Michigan. Wednesday January 21, 1998 5 Bloom blossoms in latest novel By Amy D. Hayes Far the Daily Psychotherapist and author Amy Bloom has reinvented love. Expanding on a previously pub- lished short story, Bloom's debut novel, "Love Invents Us," explores often-overlooked aspects of love found in everyday life. The seemingly-effortless expansion on loom's recurrent themes found in "Love ents Us" were read by the author herself in front of aR 50-member audience at Shaman Drum Bookshop Monday. The shift from short story to novel has not been with- out some difficulties for Bloom. "Novels are very different," Bloom said at the reading. "It's a big ayground, and there are a lot more rides. It has different shape and has to stay connected in different ways." Despite her concerns about the transition, Bloom has woven the most delightful elements of her popular short stories - believable human characters, idiosyncratic plots, sharp wit - into "Love Invents Us" seamlessly. After reading an excerpt from her novel, Bloom read a new short story, tentatively titled "The Gates Are Closing." This may be included in the current collection on which Bloom is working. Bloom's career in EVIE W Amy Bloom Shaman Drum Bookshop January 19, 1998 tion: Bloom's short writing has, until now, been confined to a col- lection of short stories, 1993's "Come to Me" and some unpublished poetry that she describes as horrible, Her work in print, brief as it may have been, has not gone without critical atten- stories have been pub- tuous love affairs, adultery, transsexual and bi- racial love have all been portrayed with under- standing and acceptance in Bloom's work. Although Bloom says she does not see her train- ing as a psychotherapist as affecting the tone of her fiction. ("I don't think anybody can be trained to be nonjudgemental.") she does acknowledge this inherently compassionate aspect of herself that led her to pursue both writ- ing and psychology. This sympathetic nature is part of what makes Bloom's first attempt at a novel so endearing to her readers. The focus on sexuality has been a common thread throughout Bloom's writing. "People are what I find interesting," she said. "I think if you are going to write about people between the ages of 17 and 60, sexuality is going to figure promi- nently." "Love Invents Us" documents the varieties of love that protagonist Elizabeth Taube discovers throughout her early adolescence and adulthood. Bloom treats her readers to a barrage of emo- tions in her slim volume. The comic aspects of one of Elizabeth's obsessive lovers are por- lished in "The New Yorker," two subsequent collections of "Best American Short Stories," and the "0. Henry Prize Story Collection." Bloom has turned her nonjudgemental eyes on situations often seen as unacceptable; inces- MALLORY SE. FLOY/DAiy Author Amy Bloom reads from her novel "Love Invents Us" Monday at Shaman Drum. trayed alongside the tragic death of his oldest "Literature, I think in some ways, can't be as son. important now, because you get your pictures Acknowledging the declining importance of from other sources. Now it seems to me, if a literature to today's society as well as her own book actually moves somebody, that's a real substantial impact on modern prose, Bloom said, accomplishment." Mayfield maintains stellar groove in 'Superfly' special edition Curtis Mayfield fuperfly Deluxe 25th Edition Anniversary Rhino Records So it's been 25 years. One quarter of a century has passed since the "El D" rolled up and a man known simply as Priest stepped out, with relaxed hair tied back in a pony-tail, furry collar and a bag of dope from "The Man." Yes, ladies and gentlemen, it's Curtis Mayfield's landmark undtrack "Superfly." He proves that he has not fallen off the face of the planet, and with the recent release of the "Superfly Deluxe 25th Anniversary Edition" he reminds listeners that his talent should not be overlooked. Long after the rise and fall of Ron O'Neil's acting career, his title character, the pusherman, lives on in the hearts and ears of funk/disco/rock fans. Thanks to the continuing popu- larity of many songs and the modern fascination with kitsch, this record has always been a popular one. But credit should go where credit is due: Curtis Mayfield created one of the reatest and most prolific soundtracks of all time. He gave gitimacy to the blaxploitation genre, which is otherwise so vulnerable to attack. r The first CD contains all of the original soundtrack mater- ial and two added gems. As before, the soundtrack opens with "Little Child Runnin' Wild," the only song not specifically written for the film. Organs and percussion lead into this lament about growing up in the ghetto. The strings, cutting guitar riffs, and horns - typical of blaxploitation music - come in as Curtis sings his falsetto line. Ah, and then "Pusherman." This tune, stronger in legend than in music, stands out - even today - as the anthem to inner-city life. Riddled with percus- sion and a bass line the size of Priest's money roll, this piece sets up a cool, smart mood and brings in important themes such as "drugs are good, baby" and "The Man made me do it!" "Freddie's Dead," which was released prior to the debut of the movie in order to attract crowds, is also known as the "Theme From Superfly." Once again, the bass line pounds listeners into melody-induced submission. Mayfield's lyrics are even moren important here than the music, as he tells a tale of a small time junkie/pusher who gets smoked by "The Man." This song is not "anti-dealer;" rather, it takes pity on Freddie for being such a weak loser in the dog-eat-dog world Curtis Mayfield jams on the streets. On the first CD, the bonus material includes remixes of "Freddie's Dead" and "Superfly," the tune from the ending credits. The only difference between these versions and the original cuts is the length. All in all, it's a rather lackluster showing from the bonus front, but there's yet another CD. The second CD largely includes alternate versions of the classic songs, which were either used in the movie as background sound and not put in the soundtrack, or simply never were heard in theaters. "Pusherman" from the second disc, is quite a shock for fans of the original, as Mayfield throws horns into the mix. They sound a bit out of place, but after the initial shock, they add new depth to the layers of vocals, bass and percussion. Ar At one point the horns show the delirium of the pusher better than ever before. "The Underground," a song described in the liner-notes as "Superfly- esque," never appeared in the film, but it fits nicely. A sweet "wa-wa" guitar plays n "Superfly." over a strong bass line. This intoxicating number tells a rather apocalyptic story of the rise of the ghet- to and the incidental fall of civilization. Musically, this is one of the best pieces on this soundtrack - old or new. This CD includes two of the original radio spots with Mayfield himself reading proto-rap poetry lyrics and inspir- ing the masses to keep their noses clean. This is not a plug for the film per se, as he never mentions the title of the film. Savvy listeners know that when Mayfield talks about a man named Freddie, it can only mean one thing. As a final thought, Mayfield speaks in an interview about all that went into the creation of the soundtrack, and how it holds up 25 years later. This is a great bit for fans of the soundtrack and especially for Mayfield followers. The best part about this new edition is that it pulls pieces from many sources to create a more complete musical story. Perhaps such a re-issue was not necessary. Most of the tunes can be found in one form or another on various recordings and, honestly, the original soundtrack stands up well on its own. But in the end, this new deluxe edition is simply added fun. It puts listeners back into the era when "The Man" just wanted to make a score from the brothers and platform shoes and afros were as commonplace as chicken soup. With this release, Curtis Mayfield reminds fans that - to use his own words - he has "the baddest bitches in the bed!" -Aaron Rich is or On the road to your future, Read become a part of history. Q00 *Weekenii Maaine I Summer sessions for 1998: May 4-9 May 11-16 August 23-28 . . .FRATERNITY L E Applications available at: tom orrow " Dean of Students Office 3000 Michigan Union AT THE UNIVERSITY OF MICHIGAN u "~ * 1240 Lurie Engineering Center, North Campus Shttp://www.umich.edu/-mli/leadershape/ " Student Activities and Leadership Office, m o e2209 Michigan Union a Leadershape Mass Meeting: Wednesday, January 21, 1998 UrnversPty Pound Room, Michigan Union aCtiViSt Applications Due at any pick-up site: Friday, February 13, 1998.5 :00 pm For more information, contact Susan Burke @ 647-7013 or saburke@umich.edu Ao1