The Michigan Daily - Wednesday, September 17, 1997 - 9 Insane Clowns posse up for new 'Milenko' RECORDS Continued from Page 8 Insane Clown Posse The Great M ilenko island Records Lately it seems as though rap groups that sing about topics such as drugs, violence and urban decay fall into the same mold. This isn't the case with the Insane Clown Posse's new release, "The Great Milenko." While it may seem rather strange to picture voodoo clowns rapping, it offers a refreshing change from the usual urban sound. Musically this album offers a solid mix of"offensive" lyrics, hip hop and heavy metal. It also has appearances by Steve Jones (formerly of the **1 Sex Pistols), Slash and the original horror rocker Alice Cooper. This Detroit-based band definitely shakes up the stereotypes of a rap group. The CD begins with its title track, "The Great Milenko," who is apparently "an ancient sorcerer of Necromancy." The song offers numerous samplings as well as shouts and background screams. The album also contains numerous songs of social criticism, including "Piggy Pie" the Posse's rage about alco- holism and white collar crime. Another song of social conscience, "How Many Times," takes aim at police brutality and the desensitization of America toward violence. "Under the Moon," a more somber track, takes a deep look the problems of revenge when justice isn't served. This is by far the most powerful track on the album because it captures the rage that is felt by those who are close to crime victims. There are also numer- ous songs on the occult, such as "Southwest Voodoo," "House of Horrors" and "Hokus Pocus." The songs talk of rituals, chants and "a hair from a goose, a wing from a bat, a tongue from a snake." The album also takes a humorous turn, with many short sketches tacked on at the end of songs. They give a bizarre twist to such topics as teen suicide, middle class "gangbangin"' and circus accidents. If not taken lightly, these sections could offer hours of protest to the easily offended. While "The Great Milenko" certainly isn't the best rap album ever made, it is definitely a shift from the same old sound. It does gives the listener a deep look at the problems America's inner cities, as well as a few laughs. - Curtis Zimmermann Violent J and Shaggy 2 Dope are the action figures of Insane Clown Posse. "I Lote ICP Barbie" sold separately. Comedy, insult, injury reside in 'South Park' By Melanie Cohen Daily Arts Writer Threatening to cross the boundaries of good taste in households across *merica with unprecedented vulgarity, 'South Park" will not remain a relative- ly unknown cartoon for long. Although it can be nasty, "South Park" forces viewers to experience uncontrollable bouts of laughter. The cartoon began as a video greet- ing card, "The Spirit of Christmas", sent out by a Foxlab executive. The video enjoyed a large cult following as it filtered down from Hollywood execs to young adults and students all over the untry. All the attention culminated in "South Park", a weekly cartoon fea- tured on Comedy Central. "South Park" takes the animated car- toon series, typified by "Beavis and Butthead" and "The Simpsons," to another level, pushing the boundaries only cable television would feature. With its flare for beastiality, racism and homosexuality, its attacks on every- thing from the NRA to politics to child molestation, large television net- works could not air this rude car- toon. However, geared for adults, few people could take real offense by the crude RE S Cot Wed antics of the cartoon's main characters - four third-grade boys - making the show amusing instead of insulting. The cartoon is set in South Park, a small town in the Colorado Rockies. The four boys are confronted with bizarre and disturbing characters and situations in their small town each week. Stan is the group leader who pon- ders deep issues including the homo- sexuality of his dog. Kenny, whose face is hidden behind his hood, does not speak intelligible English and dies in every episode. Kyle, the brains of the bunch, is Jewish although he is not VIEW sure what that means. Cartman, the ;outh Park fat, disgusting, bel- rnedy Central ligerent mama's boy, is a know it all who nesdays at 10 p.m.. knows nothing. At constant odds with Kyle, Cartman tells him to, "go back to San Francisco with all the Jews." It is not surprising that "South Park's" notoriety is quickly spreading, as it remains the only town where "big gay animal sanctuaries" exist, Jesus has his own talk show, volcanoes erupt, strange creatures dwell, UFOs are con- stantly spotted and celebrities including Elton John and Brian Boitano frequent- ly visit. In fact, the Chef (voice by Isaac Hayes) moved to South Park for all of its UFO sightings. A friend and confi- dant to the four boys, Chef works in the school cafeteria. The chubby, lovable man often breaks into Barry White songs and becomes overly sensual with footballs. When Kyle and Cartman want to cross-breed an elephant with a pig, they go to the Chef for help. With alcohol and R&B rhythms, the Chef helps the pig and elephant realize they want to have sex after all. The unusual and perhaps grotesque characters and situations in South Park ensure viewers will crack up each week. The absurd cartoon is rapidly entering more homes in Ann Arbor as the word gets passed along. Chef (voice by Isaac Hayes) teaches four third-graders about living life and making love In Comedy Central's hilariously vulgar "South Park." 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