Bob Fosse's Oscar-winning 1972 musical, "Cabaret" bows tonight. Starring Liza Minelli and Joel Grey, "Cabaret" documents the lives of singers and dancers struggling to survive in Nazi Germany during World War II. Presented in conjunction with the Film/Video Studies Department, "Cabaret" screens this evening at 6:30 and tomorrow at 7 p.m. Admission is $5. 9A Monday November 24, 1997 JNXS frontman Michael Hutchence dies of apparent suicide in Sydney SYDNEY, Australia (AP) - INXS lead singer Michael Hutchence apparently committed suicide Saturday at a Sydney hotel, leaving fellow band mem- bers waiting at a rehearsal studio where they were &eparing for the rock group's 20th-anniversary tour. A worker at the Ritz Carlton found the body short- ly before noon after Hutchence failed to appear for a morning appointment with the Australian Broadcasting Corp. Hutchence's father and girlfriend Paula Yates confirmed it was the 37-year-old singer. Australian TV stations and the Australian Associated Press reported that Hutchence was found hanged. Investigators removed a leather belt from the scene. No illegal drugs were found, although there were "a mber of prescription medications," Inspector Christopher Hogg said. An autopsy will be carried out today. The death of the singer prompted daylong radio tributes to INXS, which sold 20 million records since 1981, peaking in the late 1980s. Rock music commentator Ian "Molly" Meldrum said Hutchence's death came as a complete surprise. "I saw Michael and Paula with their baby daughter in Los Angeles around about eight weeks ago, and I've never seen Michael more peaceful and happier in his life," he said. Hutchence had flown from his London home to Sydney earlier this week to prepare for the band's 20th anniversary "Lose Your Head" tour, which was to start tomorrow. The tour- which was to have been the group's first in their homeland of Australia for more than three years - has been canceled, according to concert pro- moter Michael Gudinski. Yates' lawyer, Anthony Burton, said the singer's girlfriend was being comforted by friends at the cou- ple's London home. They have a daughter, Heavenly Hiraani Tiger Lily. Last month, Hutchence said he planned to marry 37-year-old Yates on the Tahitian island of Bora Bora in January. Formed in Perth in 1977, INXS shot to internation- al success a decade later with the album "Kick," which sold 9 million copies. It featured four hit sin- gles: "Never Tear Us Apart," "Need You Tonight," "New Sensation" and "Devil Inside." The band toured throughout the world and per- formed its stylish dance-rock at major charity con- certs, including the Live Aid series in the 1980s. The group once cranked out a hit album every year or two, but Hutchence remained self-deprecating about his success. "I basically just stumble through all this," he told the Associated Press in an interview earlier this year. "I am a tenacious, ambitious person, it seems, if I have to admit it to myself, but I didn't notice at the time." Record sales for the group had fallen in recent years, but Hutchence remained a celebrity in Australia, largely because of his high-profile romances with Australian pop star Kylie Minogue, model Helena Christensen and Yates, the former wife of rock star Bob Geldof. INXS lead singer Michael Hutchence, center, was found dead of an apparent sui- cide Saturday morning In a Sydney hotel. Eastwood's 'Midnight' can't overcome own evils By Neal C. Carruth Daily Arts Writer Clint Eastwood's "Midnight in the Garden of Good and Evil," adapted from John Berendt's best-selling book, is the most compellingly flawed film of 1997, and the most offbeat work of its R1 director's long R career. idnigh John Cusack of stars as John Kelso, a fictionalization of Berendt and a free- lance writer from New York enlisted by Town and Country magazine to cover an elite gala thrown by one of the wealthi- est residents of Savannah, Ga., the enig- matic Jim Williams (Kevin Spacey). In the hours after Williams' bash, Williams shoots Billy Hanson (Jude Law), a hot-tempered hustler, and claims self-defense. At this point, Kelso realizes that his Town and Country arti- cle is small potatoes. He could have a book on his hands. So Kelso stays in Savannah, where he investigates the shooting and works in cahoots with Williams and his attorney Sonny Seiler (played by the delightful Australian actor Jack Thompson). Eastwood opens the film with color- ful glimpses into the folkways of Savannah, with its rigid social hierarchy and twisted Old South customs. The first hour plays like a comedy of man- ners, in which a bemused Cusack runs up against some lovably eccentric char- EVIEW t in the Garden f Good and Evil acters. This motley crew includes a transvestite named the Lady Chablis, who plays herself in the film. Chablis is the movie's most Eastwood's daughter Alison), but the shooting by Williams is so engrossing that the romance is only a distraction. It is Spacey who truly owns this film. He can pack more nuance and sugges- tion into a single glance than Cusack has packed into his entire career. In Spacey's hands, Jim Williams is utterly beguiling. We want to believe him, though we know we shouldn't. Cusack consistently falls flat in "Midnight." He seems unsure of the proper attitude to strike in relation to the fantastic and aberrant goings-on in Savannah. And though the film is never boring, its running time of two hours and 40 minutes is certainly not an asset. Eastwood allows certain scenes to drag on too long, such as the ostensibly important but ultimately unsuccessful scenes involving a voodoo priestess named Minerva (Irma P Hall). Eastwood's career as a director is somewhat puzzling. His films run the entire gamut from predictable ("Firefox" and "Sudden Impact") to pio- neering ("Bird" and "White Hunter, Black Meart"). While "Midnight in the Garden of Good and Evil" falls somewhere in the middle of this continuum, at least We have the pleasure of spending an evening in the enchanting city of Savannah. Thank goodness it's not Madison County. I At Showcase affecting character, and she carries her- self with grace and confidence. But the film turns a little too conven- tional in its second half. We get some shopworn courtroom sequences, and even a corny scene where Cusack instructs Chablis to create a diversion so he can sneak into the morgue and play detective. Eastwood's innovative spirit collapses and he begins to rely upon established forms. Nonetheless, the film's early scenes constitute some of the best work Eastwood has done behind the camera in his 20-film directorial career. In the film's most uninspired turn, Kelso falls in lust with a local singer named Mandy Nichols (played by Adam Sandier let a late-night Hill crowd down with his short, raunchy set. Sandier disappoits wit sloppy show Gabriel Smith Daily Arts Writer The witching hour. , The time of night when weird things happen. When a full moon can trans- form young, unsuspecting college stu- dents into wild, raving party animals. An the wee hours of Saturday morn- ing, at the stroke of Mme midnight, amidst the 'lght snow that was *alling, the most A unlikely of outcomes m i ! E d came true. Adam Sandler finally showed his face in Ann Arbor. The comedian/musician from Saturday Night Live and such movies as "Billy ;Madison" and "Happy Gilmore" had cancelled his previous engagement last month due to a bout of laryngitis. But n the final stop of his tour promoting his new album, "What's Your Name?," Sandler iade it on stage ... for one - hour. Yes, Sandler played for all of an hour in front of 4,000 screaming fans in , Hill Auditorium, who shelled out upwards of $15 to listen to eight songs. Do the math. Frankly, not every song was good. Sandler is a man who is definitely not known for his musical prowess, so he must rely on his quirky humor and cre- ativity. But when that creativity delves into songs concerning human male anatomy, as did the songs of the middle portion of the con- cert, it turns into V I E i garbage. Sandler's musical career has am Sandier been built upon his liii A uditoriumquirky tunes on "SNL," as he's suc- Nov. 21, 1997 cessfully been able to take a simple topic and expound on it, injecting his brand of craziness into his work. Songs such as "Red Hooded Sweatshirt," "Thanksgiving" and "Hannukah" are extremely recognizable. If you approach any person on the street, you will find them knowing the lyrics to the upcoming Holiday song: "A turkey for me, a turkey for you. I like to eat my turkey in a big brown shoe." See SANDLER, Page 10A Ios 2Yise74~use 7I 4 REcORDS real music.- lo , am 1 i i e : i STAY OUT LATE. SEE MOVIES. GET PAID. i'll mew 11!Ai ]aJ* Pr w sch uledfor (t~s d ) -L Y aaavuvca.- , 40 CPEATIVE EnTERTAImEfT GRouP PPE snTs SFQ lovEmBEP 28 THAnKsoVinc WEEKEnD PAPTY WITH 2 sets @ midnight witht speial guestMs. o%; doufi I4 i*Y nnotrlCA' A&r+ L Working at a Star Theatre is no ordinary job. You'll enjoy a great work environment and work with good people. Every Star Theatre offers advancement opportunity, flexible hours, health benefits, 401K and college tuition reimbursement. Now hiring fillpart-time, and seasonal cast members. Apply in person at any Star Theatre or online at www.star-theatres.com. '% \ /1rciI W] x Vpj' U- a o1~i D,& jlii a a -rflT r.. 1 t L -4 . ?I % & m 77-777-77A a -1 Nqam r PATV / o v V.1998 release dates subject to change without notice, sorry. ge ite t0 ~t 0. il ' Star Theatre Locations: Southfield, Mt.Clemens, Rochester, Madison Hts., 9 an AAons.T o ,triv e A lz. 110: Tc. Cuk e oh ifs is '4