Jt £idft~wn ltiu Want to see some great dancing? Check out Impact Dance Theatre at the Mendelssohn Theater tonight and tomorrow at 7 p.m. Impact, UAC's dance company, will present its annual show featuring jazz, lyrical and funk performances. Tickets are $4 in advance or $5 at the door. For more information, call UAC at 763-1107. Friday February 21, 1997 5 .X-FILES' MARKS THE SPOT Sci-fi thriller is the place to be on TV By Michael Zilberman 1Daily Arts Writer By the time "The X-Files" effortless- ly swept three major categories at the ' Iden Globes last month, the paranor- 1 drama has officially transcended its dubious tag of "TV's hottest show" for a status of, quite simply, the best. Over the course of its 3 1/2 years, the series has pulled off a rare stunt ha ing risen from a bottom-dieo Nielsen oddity to a frequent T Z0 vis- itor without spilling a drop of artistic credibility. TV critics will perhaps spend more time than that trying to pin- int the magic formula concocted by 'Trmer surf-mag writer Chris Carter, Cookie-cutter "X-Files" clones a already descending on prime time likv. the parachuting Elvises ofr "Honeymoon In Vegas." The only real purpose they serve, however, is to mag- nify the strengths of the original - the sharp writing, the cinematography that's moodier and more stylish than a weekly show is permitted to be, and the nique intellectual chemistry within the lst. Not the least of all, the series owes its success to a bevy of first-rate support, ing actors. There are discoveries like Zeljko Ivanek and effective cameos from talented, if purposely oddly cast, guests: Peter Boyle as a doomed clair- Wacky Giants tealr UP psl anti UBy Use Harwin Daily Music Editor , When They Might Be Giants are headliners, you can always be sure that you'll get your money's worth and Wednesday night was no exception. Playing no less than 25 songs, the Giants kept up a high-speed pace throughout the evening, bringing new fe to Ypsilanti. From the start, the show was a treat not to be missed. Opening with "Spider," from the album "Apollo 18" the Giants started off on a decidedly weird note which carried through to the rest of their performance. Though there were no impromptu performances of ditties such as Elvis' "Burnin' Love," which the R Giants have been known to do on zcasion, the band still managed to Pease A have enough tricks up their proverbial sleeves to keep the audience amused throughout the two hour show. The show's material was split fairly equally between songs off of the band's latest album, "Factory Showroom," and older favorites. Though the audience was not as familiar with the new tunes, main- y due to the fact that the singles have received virtually no airplay as yet, the response to previous hits like "Birdhouse In Your Soul" "The Guitar" and "She Us Actual Size" was stupendous. Other songs from previously released albums were "Dig My Grave," "Twistin', "Istanbul" and "Sleeping In the Flowers." The rest of the show was comprised pri- marily of songs off of "Factory Showroom" with some unreleased tracks rown in for good measure. In fact, it was these songs from the newest album with which the Giants had the most fun. Take, for example, "Exquisite Dead Guy," which was sung, well, by two ventriloquist puppet heads. You see, the two Johns (Flansburgh and Linnell) had these two heads mounted voyant and Jodie Foster as a disembod- ied killer voice, for instance. And then, there are the recurring actors. As an old Hollywood maxim goes, a good sidekick and villain equal a good hero. "The X-Files" gives u :;hetor- tured A.D. Skinner ( i ||||ggO, an FBI functionay trt. .nduty and discipii ia 1-written bad asionally e g the tragic- bero realm; and K one Gunmen, professior ing itheprota every othe at Complyig The Mihigan e rs Wose ci a|| |an1ythe vide the sho, tion: an intr comic relieft ' . gor paranoiacs assist- (and bunghig e ave nixim, interewed two - Cancer Man Wicker -pro- cril mbina- villain q < god tuoso, he had just managed to squeeze in an evening performance between two back-to-back shoots on the series' Vancouver set. Haglund never knows when his fraz- zled alter ego will appear in an episode. So far, Langly was featured in more than 20, sometimes written in at the last minute and forced to react on fairly short notice. Haglund's contract with the show has a clause that probably makes :im booking nightmare for comedy ubs ross the continent - he has a _ht fo pull out of any theatrical com- mitment if it conflicts with the shoot. No matter how tight and controlled the show's schedule, the producers still encourage actors to create their own twists on individual lines and situations. Some of Langly's features are pure Hag . "The Ramones T-shirt is rd the actor. "I just wore it the and now they keep bringing it back. The costume designer now proba- bly has a closet full of identical Ramones T-shirts." The shooting of all the scenes involv- ing the Lone Gunmen is a convoluted process, as one of the trio, Frohike (Tom Braidwood), also happens to be the show's assistant director. "It's funny," Haglund commented, "he will be acting in a scene one moment, run- ning around with his cellular phone Sa g v David Duchovny and Gillian Anderson pay a visit to Dean Haglund on "The X-FlIes." The first ::nversation w|||| t|ean Haglund lasted about 15 seconds, but provided an i trtoig visual. "Sorry," efp1ained the actor playing the part of Langly, the flipped-out computer hack- er. "They're calling from the set. Gotta go sit in the sewer with a lap-top for another five hours." Sixteen hours later, Haglund sounded vaguely apologetic but happy. A work- ing stand-up comedian and improv vir- shouting 'We need more lights!' or something like that a moment later, then immediately return to character and do another take." The "X-Files" insiders are under- standably prohibited from divulging the information on the show's not-yet- broadcast episodes, as Haglund proudly pointed out. Several minutes later, how- ever, he got a little carried away. "The Gunmen are helping Mulder in the field. He has to break into this top- secret medical facility, and we hack its security system." Medical facility? Could it have something to do with the much-discussed new plot development, Scully getting cancer? Haglund imme- diately clammed up, which was taken as a "yes." The toll the Lone Gunmen mentality is taking on the popular consciousness can be seen in the eponymous conspira- cy-obsessed magazine available on the Internet. "Yeah, I've heard about 'The Lone Gunmen' on the Web," said Haglund. "I think it's great. I myself maintain a homepage with some show- related stuff. It's at http://ww deanx.com. I also answer all my e-mail." Haglund's live performances boast an "X-Files"-themed improvisation involving members of the audience, "The people shout out plotlines, and I play most of the characters," explained the actor. "You know how in the first, minute of every episode, some shmoe dies and then they roll the title sequence? I play that guy, then Mulder, Skinner, whoever." Could anything taken from the improv end up in an episode? "Doubtful. The ideas people are throw- ing at me are pretty far-fetched. Last See X-FILES, Page 8 'U' Bands celebrate anniversary with concert By Stephanie Love Daily Arts Writer On February 22, 1897, the premiere performance of a University band was celebrated by a parade through the mud on State Street. Tomorrow night, the world-renowned Symphony Band, under the direction of H. Robert PR Reynolds, director of University Bands, commemo- Sy rates that first per- formance with a Centennial Concert in Hill Auditorium. The performance marks the kickoff event in a year long series of concerts and celebrations in honor of the 100th anniversary of Michigan Bands. Saturday's concert features the first of four commissioned works, Michigan faculty composer Evan Chambers' "Polka Nation." In addition, more than 60 band alumnus will return to take part in the final piece of the concert, Grainger's "Irish Tune from County R1 mp Derry." Other commissioned com-' posers from University faculty include William Albright, Michael Daughterty and William Bolcom. According to Reynolds, a band member from 1952-56 and 1957-58, "perhaps the greatest tradition the band maintains is E u Ethat of change. The band has been University evolving and >hony Band changing constant- Saturday at 8 p.m. ly throughout the Hill Auditorium, Free eras. Now it has become a tradition to be current, and a leader in innova- tions, creativity and new thinking while honoring the contributions of those who have given so much to the Michigan Bands." The fall of 1897 marked the first appearance of the band at football games, and after the historic win over the University of Chicago in 1898, Louis Elbel decided that the band needed a new song besides "A Hot Time in the Old Town Tonight." "The Victors" was written to commemorate the occasion. Between 1906 and 1915 football crowds saw the formation of the first block "M" at halftime, and in 1915, the band was officially incorporated as a part of the University. 1915 also marked the band's first performance-in the newly built Hill Auditorium. "The standards of the bands have been well-known for generations and have set bench marks for bands throughout the country and the world. Well-known for their high level of musicianship and standards were Nicholas Falcone and William Revelli, both former Directors of Bands at Michigan," Reynolds said. Under Falcone's leadership, the band increased in size as well as beginning the transformation into a symphonic organization. Revelli continued that tra- dition, expanding the band program even further. Under his direction, the Michigan Marching Band became a household name. The Symphony Band will mark the centennial with a variety of events. The group will tour in Pennsylvania and Virginia, culminating with a concert at Carnegie Hall on May 9. Saxophonist Timothy McAllister, a School of Music graduate student, is the featured soloist on the tour. "If organizations such as the Michigan Bands are to be consistent with the philosophies of the great uni- versities, they must not only look'to their rich heritage but also to the innov- ative contributions they make to the future," Reynolds said. They Might Be Giants - NOT! on 10-foot poles which "sang" when they pulled on the mouth strings. Sounds bizarre? It was truly something that words can't describe, but this is the kind of craziness that EVIEW They Might Be Giants uditorium, EMU Feb. 19, 1997 makes the Giants' shows so amusing. You never know what they're going to do next or how they're going to top what they just did. Case in point: After the heads on I W-M" the sticks, they set off a cannon filled with confetti for "James K. Polk." Other songs from "Factory Showroom" includ- ed more mundane versions of "Your Own Worst Enemy," a super-fast "Until My Head Falls Off" and a sizzling ver- sion of "S-E-X-X-Y" which was natu- rally dedicated to John Flansburgh's "one true love - the ladies" All humor and fun aside, true They Might Be Giants aficionados do have much to look forward to in the future. As the Johns reminded everyone, there will be a CD coming out in approxi- mately three weeks which contains 72 songs (the first two albums plus many, many B-sides), and if our luck holds out, the unreleased songs heard at the concert (one in particular about the band getting lost driving) may well be found on CD in the coming year. But, until then, die-hard fans can always go visit the Giants in New York City. As both John Flansburgh and the song "New York City" suggest, "Why don't you come to stay?" VARSITY TENNIS CENTER The University of Michigan School of Music Friday, February 21 University Choir and Chamber Choir Jerry Blackstone and Theodore Morrison, conductors James Kibbie, organist * Kodaly: Missa Brevis * music of Schubert, Dohnanyi and Chatman Hill Auditorium, 8 p.m. Saturday, February 22 Symphony Band UM Bands 100th Anniversary Concert H. Robert Reynolds, Kevin Sedatole, Tania Miller, conductors * Chambers :"Polka Nation" - Shostakovich: Festive Overture " Hoist: Suite No. I in E-flat " Tanese/Falcone: Grand Symphonic March * Grainger: Lincolnshire Posy * Grainger: "Irish Tune" from County Derry Hill Auditorium, 8 p.m. Music Link Contemporary Concert McIntosh Theatre, E. V. Moore Bldg., 3 p.m. Tuesday, February 25 University Symphony Orchestra Kenneth Kiesler, conductor Xiang Gao, violin, Concerto Competition winner Heather Zimmerman, violin, Concerto Competition winner " Wagner: Prelude to Die Meistersinger " Prokofiev: Violin Concerto No. 2 * Elgar: Violin Concerto (first movement) " Britten: "Four Sea Interludes" and "Passacaglia" from Peter Grimes Hill Auditorium, 8 p.m. Thursday, February 27 Music Engineering Seminar Series "Exploring Instrument Consistency in Synthetic Instrument Design" ,- ,---.nrt-r-1 T. ' vrc.. yof AAMi[hiorn SIEMENS Engineering Information & Recruiting Sessions University of Michigan February 24th & 25th Siemens Energy & Automation, Inc, the world leader in the design and installation of postal automation equipment, is recruiting Michigan graduates. Based out of Southeast Michigan, we are currently seeking Software, Controls, and Mechanical Engineers who work well in a team environment and have excellent technical, organizational, and interpersonal skills. As part of our team, you will travel 50-70% of the time in the US working with senior engineers in designing and integrating postal and package automation systems. We offer excellent career growth opportunities at the forefront of technology with a competitive salary and attractive benefits. Please stop by n, i nfnrmatnno C-ccinn andi andi learn more about ie menrouirpnoduc't,