.L'.J *I? IY11rflflnt T UarT7- ItniZar~JWIatuc?7 sv .L iJ HARLEM SPIRITUAL ENSEMBLE SINGS SONGS FROM THE LAND 'Vid Grid' scrambles past and future fun By BRIAN A. GNATT Geffen records has launched itself into the multimedia world of interactive soft- ware with their CD ROM rock-video- moving-puzzle- game "Vid Grid." The idea behind "Vid Grid" is the same as puzzles have been for hundreds of years - take an image, break it into a number of pieces, and then put it back together. However, when that image is an actual music video that is playing while you're trying to piece it together, it seems clear that the traditional card- board puzzle needs to catch up with the 90s, and walk itself down to the nearest recycling center. Plain and simple, "Vid Grid" is an awesome, ass-kicking piece of soft- ware that any music fan should own. The game features 10 top name videos including Peter Gabriel's "Sledgeham- mer," Guns N' Roses' "November Rain," Red Hot Chili Peppers' "Give It Away" and a rare video of Jimi Hendrix's "Are You Experienced?" There are five levels to "Vid Grid," Level 1 being the easiest. To begin, players choose from any of the nine regular videos (excluding one that can only be seen after completing all five levels), and the game breaks the video into nine pieces (three by three). After the video begins to play, use the mouse to pick up, and then drop the pieces in their correct position. The video is the time limit, and when it is over, so is your time. The first level is fairly easy, and being familiar with the videos also helps. For example, most people have seen Aerosmith's "Cryin"' on MTV more times than they would like to remem- ber, but finally it all pays off. Matching up parts of Alicia Silverstone's head is actually fun, and gives the video new life. After the first level though, the game gets exponentially more difficult. The puzzles increase from nine pieces, to 16 and 25, and the game also adds new playing twists. When the game begins to screw with the video's orientation, it starts to get tricky. In one mode, the entire video is pl.yed upside down, and in another the video plays right side up, but some of the pieces are upside down, and you have to figure which those are, flip them, and then solve the puzzle. However, these are still solvable. Then puzzle movement moves away from the simple pick up and move mode to a perfection mode, where ev- ery piece has to put in its correct place orelse the entire puzzle scrambles again. There is alsoaslider mode, wherepieces cannot be picked up. They have to be slid around the puzzle only through open spaces. This makes the game ex- tremely difficult, and sometimes even virtually impossible. Although some modes are more diffi- cult than others, some videos are also t/)'q 4 .\ h much easier than others. Van Halen's "Right Now" is easier than most because the words in the video can be matchedup easily in the puzzles. However, Soundgarden's "Spoonman" is the most difficult, because of the constantly mov- ing shots andcinematography. Metallica's live track for "Enter Sandman" is also difficult because of the dark background in the video. If you just want to play around with the game, there is a custom mode where the player chooses the combination of videos and levels of difficulty. How- ever, the only way to find the hidden 10th video is to get through all ive levels of "Vid Grid." Thevideoquality ofthegame isexcel- lent for CD ROM, but the sound isn'i- as good as an audio CD, because the audio had to be compressed to fit both video and audio onto the one disc. However, "Vid Grid" is an excellent and essential game foranymusicenthusiast,andclearlypoints to what the future of puzzles will be made of. MINIM c 0 In honor of the 1995 celebration of Martin Luther King, Jr. Day, the University Musical Society presents the Harlem Spiritual Ensemble which will perform a concert FREE to the the public at Hill Auditorium at 7 p.m. on Sunday. Founded in 1986 by Francois Clemmens, the Harlem Spiritual Ensemble is dedicated to preserving the sounds of the traditional Negro spirituals. In the nine years since its founding, the Harlem Spiritual Ensemble has garnered dozens of international praises and awards for its presentation of the American slave legacy through songs sung using a type of vernacular and emotional spirit unparalleled by all except for the slaves themselves. The Harlem Spiritual Ensemble - comprised of six singers, a pianist and a percussionist - does not perform gospel songs; the members sing spirituals. "There is a difference between spirituals and gospels," Clemmens explains. "Spirituals are folk songs - music from slavery - and depend on the rich, natural texture of the human voice for its power. (Gospel music) is more urban, more composed and employs more instrumentation. Spirituals are, esentially, songs from the land." The FREE tickets may be picked up today or Friday inside the Burton Memorial Tower from 10 a.m. to 6 p.m. or on Saturday from 10 a.m. to 1 p.m. Tickets may also be picked up on Sunday at Hill Auditorium from 5:30 p.m. until the start of the concert at 7 p.m. There is a four-per-person ticket limit.' 0 01 Ical"h'" '%:rry::clatrs by ~ +Hew lett-Packard T aOINS I 'M mj" .qI 5sjmhvwi / f1l jajl