A new look at life on campus So, now we are all back into the groove of school, which is all too familiar to some of us and all too unknown for others. And now that everyone has once again descended g ust aTouh *on Ann Arbor, I am left with many thoughts and observances. "Being a senior gives me a new gerspective on life here at the Univer- ty which I find most interesting. It's bs if I were seeing everything with a "dew set of eyes. Suddenly, things which I have observed or experienced many times before take on a whole iew meaning. --Take for example the herds of kt-year students who can be found traversing the streets in groups no smaller than 10. At one point in my college career I would have identified with the pack mentality, the whole idea of safety in numbers and all. However, now I fear the night I meet up with one such group and get swept up in a cloud of plaid. Maybe it is because the usual pur- *se of these groups is to seek out free beer at parties that I find them so obnoxious. (Now that I am 21, beer comes with greater ease.) Or maybe it is just that these groups are simply an unwelcome reminder of those clueless days of yore. Whatever the reason, I find my- self thankful that I have a valid I.D. and a fantastic set of friends (you ow who you are) who free me from oup travel. Having spent the summer in Ann Arbor for the first time, it is clear that something definitely happens to those people who make it their lives to work for the University, both negative and positive. Suddenly, those employees who staff such places as the academic ad- vising and the financial aid offices se the lilts in their voices. It is no longer their pleasure to serve you but apparently a major pain in the ass. This strikes me as being contrary to their job descriptions. Aren't they supposed to be helpful instead of rude? Now, I am speaking generally of course. I know there must be some helpful people in those offices; it's just that their colleagues must keep m tied up and away from the stu- nts. One of the best examples of be- havior transformation happened in our very own president, James J. Duderstadt. I heard tell of our es- teemed leader handing out free ice cream to students and parents as they moved into the residence halls. This is my favorite example because it is all too rare occasion to see "the de" interacting with us common students. I can only hope he keeps it up. But for me the most disturbing change in how I see things comes from being a senior. This September is not just any September - it is the last one of my college career. The Notre Dame victory is not just any victory - it is the last Notre Dame 'ctory I will experience as a student. Not only will I be spending the next eight months experiencing my lasts as a student, but I will be trying to figure out what I will be doing with the rest of my life. That's a lot of pressure. Hence, I will be looking at things not just as a college student, but as someone who will go on to have a life and find her place in the world at large. S So, that is what I hope I will share with you this year in my column. We'll explore how I see things on campus, in the world and just in gen- eral. Hopefully we'll be serious, sad, random and, most importantly, we'll have a few laughs. Games chains play change the faces If you left Ann Arbor last spring then you left Ann Arbor with a music store cadre not too changed from what it had TED WATbeen for the last few years. But change is never far away in a world as rag tag chaotic as one with Presley-Jackson y TED WAnuptials as part of its space time continuum. You are now in a city being molded into the chain store world's vision of their music world. Welcome to a world of interior design, the new face of massive music stores in Ann Arbor. Let's go through the ups and downs, the ins and outs of these redesigned places, and let's go alphabetically. Borders hotos by MOLLY used to be a small, unassuming bookstore. This is a lie, of course. Borders seems to have always been immense. An ocean of books, it was marginally less daunting than the stacks of the UGLi. Now it is only marginally less daunting STEVENS than the Grad. Borders is impeccably decorated in the tastefulness of a wooden rec-room (or, more aptly, of a wooden private library) instead of the basement-like qualities more associated with the bibliocroples of our university. From ts disgustingly pretentious in-house coffee shop to the fact that it resides in the old residency of oh-so-snobbish k Jacobson's, the new Borders Books and Music exudes as much "class" as it can muster. So, with Borders exposed in its attempt at respectability, look at the music section. There are two wooden entryways on the second floor to it, one labeled "Music," one labeled "Multimedia." "Music" y. enters closer to the classical and jazz sections. As one wanders away from these sections, the notes of Brahms will suddenly pick up a heavier underlying beat until the classical strains melt ~~ away into whatever more modern composition is being spun in the section containing pop/rock, indie/imports and soundtrack CDs as well as movies and computer a software. < < = _ So, what's the selection like? The indie/imports section is pretty slim, but it has some bold choices. One might find a better use of funds than three Borbetomagus CDs, but for a small section it contains some y .very good, harder to find material. The omissions are far outweighed by the inclusion of things like imports of Boredoms' records. The really special thing is that the r section has vinyl. The new Liz Phair 7" resides there amongst several other noteworthy slabs of f music, thumbing its nose at those who call for the death of vinyl. So The soundtrack section is as normal as anyone could reasonably expect from a national chain. The things you are likely to find in most places can be found here. Nothing to rack of CDs at Borders, write home about. The pop/rock section has some striking similarities to the 'en above, is not really allorer. indie section, only on a different scale. There are a few very odd aty d n o B .omissions of albums that a current music store should not be out of stock on, but for the most part the standard record store stock is there. And, as with the indie section, there are some very tasty yet not usually available discs on the racks. A r Of course, the selection reaches nowhere near Tower's. The space is b . ultimately smaller and the store has not had the experience to build an entirely acceptable stock. They have ugly and unwieldy plastic squares covering their compact discs. And, finally, the fact that the books section and the music/ multimedia section have different check out counters gives the music section an unnecessary feeling of sequesteredness. You can't just get a CD, wander around and get a book and then go back and get another CD without making s a multiple stops at the cash registers. Well, unless you like setting off alarms. Its corporateness makes it lose some of the organic feel you might get in a more independent record store. It is hardly a laid back place. Nevertheless, Borders Borders and Tower in the See GENERAL, Page 10 realmof an older fine art By MATT CARLSON At first glance, Tower Records and Borders Books and Music appear to be directly opposite each other on the retail food chain. Tower is prima- rily a record store with a small section of books, while Borders is a book store with a separate music section. Upon closer examination, how- ever, one similarity that the two stores share seems to stand out. Both classi- cal music sections appear to be the same size and hold roughly the same amount of classical compact discs, video tapes and laser discs. Both offer the same perks like a Muze computer/encyclopedia that offers a listing of virtually every re- cording ever printed in the United States or a listening station where you can hear a selection of, say, the new Van Cliburn or the latest Kronos Quar- tet disc before you make your final purchasing decision. Both also seem to be swept up in the 3 Tenors mania that's sweeping the nation, but that's another story. And, in a city as culturally rich as Ann Arbor is, with many great local and national orchestras, choruses, operas and soloists paying visits to Hill Auditorium, the Power Center and other venues, it's exciting to know that U students have the opportunity to take advantage of these musicians' recorded works in stores such as Bor- ders and Tower. Not to mention the completely classical store SKR Clas- sical. As far as ambiance goes, Borders wins the blue ribbon. Their plush car- peting beats Tower's hard tile any day. But as far as selection goes, both are equally good, although Tower has a wonderfully large section of budget classical compact discs. Beautiful pieces by lesser known artists or out- of-print recordings for roughly one- third the amount that you would pay for a new release. Tower Records and Borders Books and Music are both excellent stores housing two of the best classical mu- sic selections in Ann Arbor. So, whether you're in the mood for music and books or books and music, try your luck at Tower or Borders. You're sure to find what you're looking for, and if you don't, they both special order products. Borders, seen above, has only recently moved. B~ooks:How they staci By Kirk Miller After K-Mart bought out Borders last year, I had fears of badly lit aisles stacked a mile high with the latest bestsellers of Oprah's diet guru or "Rat- Q of a; Madi,,n C n .hint At first glance the Tower book "department" seems like an after- thought. It's in a very small section of the store near the classical music sec- tion. There is little consistency; I can't .h-nlr of nn-my .nrP Paal o t-s. nrn thta .da I m