The Michigan Daily - Weekend etc. - Thursday, March 3, 1994 - 5 'Eye-gas, instructions and genitals Over "Spring" Break, 1 got an eye infection, known sometimes as a sty. This presented a prob- lem because I was returning to school in only a few days and I knew that if I trusted my care to health services I would probably be blind within a week. So I called A Up TI RA ER up amy old M pediatrician in the hopes that he w o u I d simply call in a prescription without my having to come in for an examination. I described my problem to him over the phone and, miraculously, he agreed to call in a prescription without seeing me. You see, my pediatrician always took a very skeptical attitude about children's complaints. I guess so many times kids would come in complaining of aches and pains and grand mal seizures and paralysis and blood spurting out of their mouth and it would turn out to be nothing. So when I complained about something, he would smile at me and say, "Oh yeah, you're the worrier," and give me a wink. "It's probably just gas," he would say, smiling, as he forced me out of his office into the parking lot. "Let me know about your gas," he would call after me. I would love to hear what my pediatrician had to say after taking his medical board exams. "What did you guys put for number eight? I put GAS. What? Hypertension? No, man, that sounded like gas. He had all the symptoms ... Well, some people get headaches from gas." Actually, at first he did try the gas thing on me again and I had to remind him that my discomfort was in the eye. He still persisted with the gas theory. "Sounds like eye-gas." Finally he said he'd call in the prescription. I thought I was home free. Shortly, however, I received a call back from him with instructions as to how to use the medication. "The drops should go in every three hours. And you're going to want to put a hot compress on your eye for 15 or 20 minutes every hour." This was not the first implausible instruction I'd had or heard about. Doctors think you've got nothing better to do than follow their instructions all day. "Apply this to your genitals four times a day," they'll tell you. While most people -thanks to the Civil Rights movement - nowadays do have constant free access to their genitals in their place of work, I think there are still at least some occupations where frequent genital access can be awkward. As far as doctors are concerned, you don't even exist outside of their office. You just sit in the waiting room attending elaborately to your ailments until suddenly you have a new medical problem and then go into their office. Then (if you aren't sent out with a case of "eye-gas") you come out with lots of "samples" and instructions to "let unguent dry by remaining naked for nine hours" and to "put oatmeal on your head" and to "avoid breathing" and to "eat wood." But let's go back to genitals for a moment. Up until the age of 16. genitals are a medical liability and I'll tell you why. If any other body part malfunctions, gets injured or blackens and falls off, you can simply go to your mom and say. "Mom I need you to drive me to the doctor." But what if the problem happens to be, as they say in the physical education world, in the groin area? Then, when your mom says, "What's the matter. dear?" youjust have to back down and live with it. For this reason, fatalities from jock itch are the highest in the 16 and under age group. Can you imagine if John Wayne Bobbit had been unable to drive himself to the hospital, but had to call his mom? "What's the matter, dear?" Uh, never mind. (I realize this genital discussion has been gender- biased in its assumption that all penises are male genitals. From now on I will say, "his or her penis.") To digress further, I think our language breaks down around genitals. There is simply no word which is neither too clinical nor too vulgar nor too infantile for comfortable usage. For this reason, I suggest we return to the tradition of ancient epic poetry and revive the more majestic word "loins." As in "a generation of mighty warriors sprung forth from his loins" or "the fever of his loins" - that is, "his or her loins." Then we could say, "I think I have loin itch" and "apply this to your loins." Unfortunately, I don't have the slightest idea what we were talking about before "loins." Anyway, don't rush yourself. Then when you feel ready, just slip "loins" into a casual conversation. and before you know it, it will be second nature. Adam Sandler, known for SNL roles, will soon appear on the silver screen. Sandler 'doing alright' Strong characters keep 'Waterdance' afloat # SANDLER Continued from page I Sandler still keeps in touch with many of his high school and college friends, calling them after each SNL episode to get their opinions. He laughs triumphantly when asked how * dating has changed since his pre-SNL days, and reveals that he does indeed have a girlfriend. Although he has no formal musical training, Sandler may owe some of his comedic-musical genius to the rock band he played guitar and sang in during high school. "We had different stupid names," he said, somewhat embarrassed, "Spectrum, and Stormin' and what everyone else named their bands." Despite the bright future he was sure his band had, Sandler said he always knew that comedy was his true calling. "I didn't think about getting famous but I thought about getting to do my comedy somewhere. I knew I wanted to get on SNL," he said. His older brother talked him into going for it when he was 17. Before "Saturday Night Live," Sandler appeared as Stickpin and Studboyon MTV's "Remote Control" and also got himself invited to Theo's prom on an episode of "The Cosby Show." Sandler will show up on the big screen in June in the comedy "Airheads," co-starring Brendan Fraser and Steve Buscemi. "It's about a rock band that couldn't get their song on the air so they kidnap a bunch of people in a radio station and hold them hostage until they get their demo played," he summarized. He is currently working on two other movies as well: a Nora Ephron Christmas movie with Steve Martin, and another movie for this summer, where he gets "to be the guy in it." "Yeah, I'm doin' alright!" Sandler exclaimed. Not bad at all for a former dishwasher and busboy. "Alright" is, in fact, an understatement. "They're all gonna laugh at you!" has so far sold more than 220,000 copies (a respectable number for a comedy album), and three starring movie roles in the works are sure to catapult him into what some may call cinematic overexposure. Sandler, who was recommended to SNL by Dennis Miller, does not share that comedian's trademark smugness. He never comes off as overconfident. Actually, he does not seem to have any idea at all how exceptionally funny he is. "You tell me how funny I am," he r.equested, "I wanna know." Ah, but Sandler must return to rehearsal. There are not enough words to describe how funny he is. Nor enough time. ADAM SANDLER will perform Saturday night at Hill Auditorium at 8p.m. Tickets are $12, $10 for students. By SARAH STEWART There is nothing worse than a film that confronts a sensitive topic and chooses to sentimentalize it. On the, flip side, there is nothing more satisfying than watching a movie like "The Waterdance," that seeks to do more than stimulate the audience's pity. Thanks to an array of characters, "The Waterdance" reveals the surprising intricacies of a paraplegic rehabilitation ward. Joel Garcia (Eric Stoltz), injured in a hiking accident, is the Iain focus of the film and a narrator of sorts, but he by no means dominates the screen. The, audience learns of Joel's trials more through his verbalized introspection than through any outward behavior, while the other characters' public actions clearly display their unspoken feelings. Two other patients in the ward are a constant reminder to both Joel and the audience that he is not alone in his pain. Raymond Hill (Wesley Snipes) is a big talker as devastated by the loss of his wife and daughter as he is by the loss of his legs, and Bloss (William Forsythe) is a tough-guy biker whose blatant prejudices gradually diminish thanks to Raymond's influence. By the end, they all have forged a bond not unlike that of war survivors who consider themselves part of a unique brotherhood. Character development is clearly the strong point of "The Waterdance." Joel's character is realistically unpredictable, especially in the company of his girlfriend Anna (Helen Hunt). At the same time, Hunt is wonderfully believable in her portrayal of a woman who wants to do all she can to comfort her boyfriend Both Snipes and Forsythe are excellent in their respective roles and are especially effective when in each other's company. while still maintaining a sense of normalcy in their relationship. Both Snipes and Forsythe are excellent in their respective roles and are especially effective when in each other's company. In the scene that eventually draws them together, they end up side by side on the ground, chuckling and unconcerned with their The Waterdance" demonstrates both the incredible abilities of the patients and the inescapable difficulties of their disabilities. previously irreconcilable differences. At this point, there is little doubt that the two actors invested much more in the portrayal of their characters than learning to control their wheelchairs. Beginning with the opening scene of the film, directors Neal Jiminez and Michael Steinberg introduce the use of unorthodox camera angles and stylistic ploys that ensure the audience will not escape being part of Joel's experience. While Joel wears the "halo," a cumbersome metal device that keep his head from moving, he is always shown from the same close- up, straight-on angle, giving his eyes an almost unfeeling appearance. Even more effective, the audience is frequently put in Joel's angelic position, as the camera looks up at the people and surroundings from his restricted view. Similarly successful examples appear throughout the film. With appropriate subtlety, "The Waterdance" demonstrates both the incredible abilities of the patients and the inescapable difficulties of their disabilities. When Joel, Bloss and a young Korean patient venture to a strip joint, it is refreshing to learn that they are capable of such adventure but simultaneously frustrating to witness the immense effort required to complete it. In this scene and throughout "The Waterdance," Jiminez and Steinberg remind us of all we take for granted without pointing a preachy finger. MINORITY HEALTH CARE IS FAILING I . V Department of Recreational Sports INTRAMURAL SPORTS PROGRAM 3' aR ~1 I TABLE TENNIS TOURNAMENT (Singles and Doubles) Entry Deadline: Thursday 3/10 4:30 p.m. IMSB Main Office Tourney Date: Saturday 3/12 For Additional Information Contact IMSB 763-3562 A UmgE OPPORU ITtY TO INVESTIGATE MEDICAL SCHOOS... What are the admissions requirements? Who are the successful applicants? Where should you apply? wThe MedicalSchool I NF OR MAT I ON F A IR Saturday, March 5, 1994 10:0AM- 1:00 PM Michigan Union . Summer internships in Health Administration for undergraduate minority students atthe University of Michigan School of Public Health Contact: Dr Richard Lichteinstein or Natalie Smith Summer Enrichment Program Department of Health Services Management & Policy T T-n *rS~-c'r o-f A Pbianri I m