8 - The Michigan Daily - Wednesday, February 16, 1994 'Ventura' lacks substance By JOHANNA FLIES A guy biting another guy is funny. Jokes about little dicks are funny. Falling off roofs is funny. If you are nine. Or drunk. Or both. There is a definite limit to the humor that can be squeezed out of a story about a detective with a wacky hairdo, even if said detective searches for lost pets and wears striped pants with flowered shirts. On par with the ever-popular Police Academy series, Ace Ventura: Pet Detective Directed by Tom Shadyac; written by Jack Bernstein and Tom Shadyac & Jim Carrey; with Jim Carrey, Sean Young and Courtney Cox. "Ace Ventura: Pet Detective," has the requisite football star playing himself, the endearingly zany yet amazingly sharp-witted main character and the beautiful, well-pro- portioned female sidekick who, for some reason, finds the hero too damn kooky to resist. Jim Carrey, the white guy from "In Living Color" who is known to "get a little crazy," has the dubious honor of bringing Ace to life on the big screen. A finder of disturbingly ugly lost animals, Ace is called on by the Miami Dolphins to find their kidnapped mascot, Snowflake, before the Super Bowl. When quarterback Dan Marino is taken hostage as well, things get pretty dicey. With the help of Dolphins' em- ployee Melissa (Courtney Cox), Ace uncovers a horrible "kill Dan" plot and gets laid in the process. Carrey's antics, meant to be the crowning feature of this flick, are for the most part lame. OK, so his hair sticks out all over the place and wow, he can make a funny face when he yuks it up and neat-o, he can bend over and make it look like his butt is asking for a mint. But there are just so many times a person can joke about his penis before you want to chop it off. Granted, there are a few funny parts in the movie: one is that Tone-Loc is arguably the best actor in the cast. Another is Carrey's impersonation of "Star Trek" characters (which can just as easily be seen on old episodes of "Saturday Night Live") and yet another is the spoof on "The Crying Game," which, replete with Boy George's song, deserves a grin or two until it goes overboard with homophobic references. However, those three gems are not quite enough to push the rest of the hijinks over the top. Considering that director Tom Shadyac was once a joke writer for Bob Hope, "Ace Ventura" is, in a twisted way, somewhat of an accomplishment. Heck, if the pro- duction designer's resume isn't impressive enough, Sean Young in dirty gray underwear certainly should be. There was one spark of genius in this film, however, that cannot go unnoted. Mrs. Finkle, some dude's mother, says, "Dan Marino should get gonorrhea and suffer in hell." The words themselves might be empty, but the delivery is unbelievable. That utterance alone might be worth suffer- ing through the rest of the show but better take a book in case you get bored. Better yet, take a bunch of fifth graders. They'll let you know when to guffaw and kick the person in front of you. It'll be a scream. ACE VENTURA: PET DETECTIVE is playing at the State Theater. The life of a New York City subway operator can be quite daring as a Daily Arts staffer discovered. IViI~UL 1Iti/uaIIy Motorwoman on the subway. By MICHAEL BARNES In many ways the subway is the life of New York City. It takes you anywhere you want to go, from the East Village to the Bronx, 24 hours a day, seven days a week. A model of urban efficiency? Many New York- ers would laugh at this description maligning the subway system as a dangerous, rat-infested hellhole. We get a frightening somewhat paranoid picture of the subway system, from lascivious bureaucrats and deranged killers to malodorous bums, through the eye of Motorwoman Helen McGrail, captain of the A line. Daily: Could you describe to us your job as a motorwoman? Helen McGrail: I drive a train, basically that's what I do is stop and go. You have a throttle and a break valve and you open and close the break valve to apply or release the brakes. Daily: In your opinion is the New York City subway system relatively safe? HM: No. It is not a fail-safe sys- tem operation wise; that is why you have so many draggings, accidents, derailments. It's not so much what happens but the potential of what could happen. Daily: Could you elaborate'? HM: Well, there are curves that have no signals or stopping devices to slow us down before we derail. As in the case of Rocko Ray, he was evi- dently asleep. I don't believe he was drunk. Daily: Who is Rocko Ray? HM: Rocko Ray was the motor- man who derailed the Number 4 train at Union Square. It happened August 28, 1991. He survived ... but five people were killed and 205 people injured. Daily: How safe is the subway from crime? HM: We have shootings every day on the subway. It is not as bad as it was. They corrected that - they have a lot of police down there. Daily: Are there any precautions to keep people from bringing guns into the subway? HM: There are no precautions from people bringing guns into the subway. Your best safety is to be alert. You can not have a policeman on every car of every train. They cannot be there when the crime is going down. Daily: Have you ever witnessed a homicide? HM: I've had people mugged on my train. Stuart Abramowitz (a sub- way conductor) was shot in the throat trying to help someone. Daily: Could you explain the inci- dent? HM: There was estranged lovers and the girl went to the conductor for help. The lover shot the girl and the bullet went into Stuart's throat and severed his spinal column and now he is a quadriplegic and he got fired by Transit because he could no longer do his job. Transit holds no allegiance for us. They do not protect us. They do not care about us. Daily: I take it you have problems with the bureaucracy? HM: My husband and I refer to them as kneeholes ... they work a kneehole to get their position, kind of like the casting couch. Daily: A knee hole ... It's a peg going into a hole? HM: Use your imagination. Daily: Other problems the sub- way system faces? HM: Right now there is a bo homeless problem on the subway. People turnaround and say that transit isn't doing enough to help the home- less, but excuse me, our name is tran- sit not social service. We are trains. We are not mobile hotels. Daily: I've heard homeless people sleep on the tracks. Have you ever run any one over? HM: No. I've seen them raci across the tracks and scampering around. It's hard to tell difference between them and the rats. The home- less are going to crawl into any space or form. You can't fault them for that. We can not be responsible for them and we get very callous. I have kicked people away from my position be- cause I couldn't operate because of their smell. Daily: What kind of smell? 0 HM: Lots of them are rotting flesh. Homeless people have gangrene. Their meat is falling off their bones. I mean they get in such a state of decay that they are walking death and you can smell this decay. So if chance finds you in New York this spring break, check out the subway system. As Lou Reed sings about the city itself, the tunnels b neath the ground seem "something like a circus or a sewer." Jim Carney carries his goof-ball comedic approach a little far in the horrendous "Ace Ventura: Pet Detective" At least little Mac's not around By ALEXANDRA TWIN I really like Anna Chlumsky. She'd be the coolest little sister. She'd never grab the phone from you when you were talking to your dearly beloved and start making unidentifiable noises with her tongue. She'd never tell on you when you smacked her around. In fact, you wouldn't want to smack her around, even though the first rule in the My Girl 2 Directed by Howard Kieff; with Anna Chlumsky and Austin O'Brien. "Book Of Older Siblings" demands it. Any one as smart, sweet, tough, funny and original as that would inspire secret confidences, not secret bashings. A natural actor, she's got the skill to play Heidi, Lolita, Pippi Longstockings, the little match girl and that cool little sister all in the span of one hopefully not too over-exposed childhood and that's pretty damn impressive. Yes, I know that I'm supposed to hate this film. I know it's hokey, it's a sequel, and Mac was in the first one, but I don't care. I like it. And so should you. What other child actor could ask questions as standard as "Dad, how do you know if a boy likes you?" and make it sound as if she actually cares what the answer is? She is the complete antithesis of Macaulay Culkin, her "My Girl" co-star, who's character was considerate enough to die before he detracted too much from the first film (and while we're on the subject, I hope that the little nutcracker is soon whisked up by a large tornado and deposited somewhere in the foothills of France where they appreci- ate Jerry Lewis and other such oddities). But back to Anna. Check out the scene where she's watching her dead mother singing, via home movies. Watch her face, her expressions. Well, if that doesn't warm the cockles of your heart, then you must be any other "Daily" film reviewer than me. Never mind that the Marilyn look-alike who plays mama in this one looks nothing like that wispy, anemic girl who played her in the first one, the scene is great and so is Anna. What can I say? She's just cool. The rest of the film is, well, as one critic put it, "the dumbest idea for a sequel since Texasville." Little Veda (Anna Chlumsky) is assigned a report on someone s* admires but has never met, by her not-Griffin-Dunne-yet- same-character poetry teacher. She picks mom. Awwww. How sweet. Trouble is, mom's from L.A. and dad doesn't remember too much about her. So, what are you gonna do? Why, send the 13-year-old to L. A., of course! Luckily enough, uncle Phil's just moved there and is all equipped with a lesson in family values and a brand new, durable, 5' by 6", 13-year-old almost step-son, who can be used as a sidekick, a love interest, a brotherly figure and a source of realistic conflict when the plot gets too farfetched. Thb streetwise Nick is played by the actually pretty capabl Austin O'Brien, the kid from "The Last Action Hero." (No, we didn't see it either). As ridiculous as it sounds, with his lanky physique, long-swinging '70s hairdo, and odd "street-like" way of talking, O'Brien is vaguely reminiscent of Gary Oldman in "State of Grace." But there's where the similarity between this film and any one that attempted to come up with an original plot ends. Veda and the Nickster traipse about the city, looking for info on dead mom. In their search, they encounter many old pals of her* including poor Richard "West Side Story was my only chance and I blew it" Beymar, who plays an, oh-my-God, superficial Hollywood director. Who'da thunk? Yet, no one's particularly helpful until they run into cabin boy Jeffrey, mom's first real love, before meeting Dan Aykroyd, the man of her (and Jenny Craig's) dreams. Well, shockingly enough, the ending is happy, poi- gnant and even insightful. So, I'm not gonna spoil it and give it away to the two people who haven't figured it out already. I know that this is not a great film. I know it's hokey, a sequel, and little Mac was in the first one. But I don't care, I like it. And Anna Chlumsky's in it. And she is an actor who you're going to be hearing a lot more about in the future. Although hopefully not for her work in "My Girl 3." MY GIRL 2 is playing at Briarwood and Showcase. V m C1 m I