4 - The Michigan Daily - Weekend etc. - Thursday, February 10, 1994 z I Jour d'amour not what it was By BRIAN GRANT Valentine's Day sucks! At least it does for those of us who have no one to celebrate it with. This holiday has become almost as com- mercial as Christmas and even more biased. Sure, you can buy into the Media and Greeting Card Company Myth: Buy that card! Get those 20 dozen roses! Tell that unreachable person who doesn't even know you exist that you'd brave the highest mountain, swim the stormiest seas, donate your most vital organs just for the simple reciproca- tion of love (or even the simple acknowledgment of your misbegotten exist- ence). Forget it! Let's cut to the honest truth of the matter: Valentine's Day is de- signed for couples. If singles want help in find- ipg Mr. 1 Ms. Right (or even Mr. / Ms. Right- Now), they'd better not look to ol' Saint Valentine for guidance. He will be of no use. There is no patron saint for lonely people. Sound bitter? You misunderstand. dour is hardly the word, just a touch Jnstalgic. You see, it wasn't always tis way ... Back in the year 496 C.E., the eatholic Church wanted to replace a opular pagan fertility rite with some- hing decidedly more, well, Chris- tian. Celebrated for hundreds of years previous, this festival, dedicated to either Lupercus (a fertility god) or Juno (the Roman goddess of mar- riage) coincided with the mid-Febru- ary mating of the birds in Italy, and stressed love, courtship and (of course) marriage. The names of teenage women would be drawn from a box by young men, thus pairing couples off "for their mutual entertainment and pleasure (often sexual)." This would last for the duration of the year, until, barring death or marriage, new names would be drawn. With a little modification, this makes for a much better system than our modern dating rituals, don't you think? However, with theadventofChris- tianity as the official religion of the Roman Empire, a decree of Emperor Constantine substituted these pagan festivals with Christian equivalents (bah, humbug!). Yet, the need to sup- plant the holiday also required a new patron. What they needed was a type of "lovers"' saint. Searching the records, they read ofabishopclubbed, stoned and decapitated by his own church and decided he would be the perfect man for the job. Enter, then, Valentine! Approximately 200 years before, around 270 C.E., the mad emperor Claudius II had issued an edict for- bidding marriage. Never caring much for popular opinion, Claudius believed that married men were inferior sol- diers, as they were hesitant to leave their families for war. Nevertheless, Valentine, bishop of Interamna, secretly wed young couples. When Claudius discovered this "friend of lovers," Valentine was brought to the palace and sentenced to death. Legend holds that while imprisoned, Valentine fell in love with the jailer's blind 69 daughter. Miraculously re- storing her sight, he left only a note that said: "From your Valentine." This phrase has certainly long outlived its writer, as on February 24, 270 Valentine was executed. So 200 years later, the Catholic Church, in a gener- ous and magnanimous ges- ture, called "Saint" Valentine a mar- tyr and promptly abolished the pagan festival. However, Pope Gelasius was wise enough to replace the old rite with something somewhat parallel. Names were still drawn by young men and women from the box, but surprise, surprise: upon the paper was printed the name of a saint which they were to emulate for the coming year. Admittedly it was a far cry from its previous incarnation, but the Romans (always lovers of chance) eventually accepted the new game over the old. Naturally, humans, being the lusty sort we are, eventually stopped pick- ing the names of dead saints out of old boxes and pursued more earthly, car- nal concerns. The lovers' hunt was on once again, but this time they would receive no help from society for, by then, the age old practice of pairing was long since past. The biased-based, lover-loving holiday had already been born to its current form. Except for the commercialism, of course. That, friends, came later. And so, though we hapless souls must shun St. Valentine's Day on principle's sake - moving quickly by the mushy ads, and racing past the shining smiling couples holding hands - herein lies a small comfort. We would love to participate, more than anything in the world, for we are, each of us, hopeless romantics at heart. But for now all we can do is recall those Roman years of yore. Ah, what we wouldn't give for the good ol' days ... Not only did Jean-Claude Van Damme's martial arts talents grow for "Hard Target,"so did his greasy, brown locks. ard Target has fans saying Woo Jean-Claude Van Dame kicks butt in the Bayou Attention: Aspiring Playwrights... GET YOUR PLAYS PRODUCED! We are soliciting original one-act plays with minimal set and staging requirements for a new works festival at the Trueblood Theatre in May. This is the chance you've been waiting for! Scripts must be typed, bound (staples are fine), and submitted in triplicate no later than March 1, 1994 to Rob Sulewski do Comparative Literature Office 411 Mason Hall Ann Arbor, MI 48109 For more information you may indeed contact Rob Sulewski at (313) 936-0777, weekday afternoons. By MICHAEL BARNES Guns, violence and throttling ac- tion blaze forth in directorJohn Woo's first American feature, "Hard Tar- get," starring Jean-Claude Van tion, because these movies go beyond mere car chases and blown-up build- ings. Woo movies are about death. In "Hard Target," Van Damme lays to rest more souls then a Serbo-Croatian death squad. In "Target," Van Damme plays a down-on-his-luck dock worker hired by a Michigan woman to find her father who has disappeared in the Bayou swamps of New Orleans. The Belgian Van Damme, who when this movie debuted in theaters said he wanted to move on and work with serious directors like Oliver Stone, is still in acting Pampers. His accent in the film falls somewhere between Wisconsin cheese farmer and sadistic Nazi. In attempt to capture the Bayou dirtball look, his hair falls long and greasy, giving the actor the look of a comical WWF wrestler rather than that of a legitimate leading man. In I I Damme. Woo, a Hong Kong director, proved in such bloodfest classics as "The Killer" that he can dispose of more bodies then a waste manage- ment company. Woo is currently the heavyweight champion in the Vio- lence Genre. I say violence, not ac- I Ai3 e NICK HEYWARD THE INDIANS GRETA ! from monday to sunday O OTAW 'O " KITE IHE DOESNTLOVEYOULKE 00 INTO YOUR LIFE 11.99 CD 7.99 CS 11.99 CD 7.99 CS 11.99CD 7.99 CS - E BROKEN TOY SHOP A f0. . N&at AI0 "'lstay high" believe" 11.990CD07.99 CS 11.99 CD 799 CS 11.99 CD 7.99 CS THE MEAT PUPPETS DANZIG OH4TO Of ,,rv ~AND BONUS Ii E(OROW VRI*ON 04 'AKE Of RI1 eBagels *Pasta Salads eMuffins *Soups *Frozen Yogurt *Vegetable Salads (Gise-Glace) *Fruit Salads '4. any respect, most renters realize they@ are not getting Marlon Brando with "Hard Target." Van Damme excels in motion, not characterization. He jumps, leaps and kicks past the bad guys who hunt bums for sport and are more heavily armed then a Somali warlord. For Woo fans, there are the usual elements: guns tossed to the hero in the nick of time, slow motion shots of. gun shells ejecting in the air, a ballet of sauntering violence. Woo is a mas- ter of pacing. This movie never lets up. Visually quite dynamic in certain parts, the director finds it impossible to use a straight-forward shot. The film is saturated with slow motion, low angles, dissolves and extreme close ups. The result is stunning but frequently corny. For instance, when the woman decides to hire Van* Damme to find her father, two trucks separate in slow motion to reveal the hero strolling down the street toward her. No, this is not a bizarre parody of an early Clint Eastwood spaghetti western. Thedirectorintends for these shots to be taken seriously. Further- more, Woo's petty symbolism - doves flying in the scattered shrapnel of a warehouse firefight- can be* somewhat heavy handed. Consider- ing how entertaining this movie is in its breathtaking action though, these criticisms fire like blanks. "Hard Target" is not a universal movie. It has a specific audience. Now that footballseason is done, males need another form of violence to chug beer and burp to. "Hard Target" is the antithesis of "Sleepless in Seattle" and other maudlin crap. There are no teary eyes or cornball references to old romance movies in this one. If you want to get in touch with your feelings, don't see this movie. But if sampling the blood of your own hos- tility is more what you had in mind, "Hard Target" is for you. H ARDTARGET is avaiable at Liberty Street and Campus Video Can you spell Tchaikovsky without having to look it up? Write for Fine Arts : 763-0379 *Dell Sandwiches 715 N. University L. qi Mawr i m u~w