ARTS Friars finish era in style By JESSIE HALLADAY and MELISSA ROSE BERNARDO There are many ways to say good- bye: Aurevoir, adios, ciao, laterdude. But Friday night the Friars said good- bye their own way, with a smashing 38th Annual Best Concert ever. Five of the eight-member a The Friars Rackham Auditorium April 15, 1994 cappella group performed their last concert to apacked house at Rackham. Bob, Roy, Aaron, Paul and Ayal spent their last two hours as Friars enter- taining and dazzling 1200 eager fans. The Friars presented an evening of new routines and old favorites. After a rocky opening skit ("What would you do for love") and a slow first song ("Anything For Love"), they quickly shifted gears into a snappy original Friars introduction to the tune of the Flintstones theme. The new pieces were well- intentioned but fell a little short in their performance. An arrangement of Sting's "Fields of Gold" showed off Ayal nicely but suffered from tempo problems. In the ballads - "So Much in Love" and "Time in a Bottle" - going flat was a small problem, but the rest of the group usually covered it admirably well. And Dan's solo couldn't cover the rough spots in "Walk on the Ocean." Not all of the new pieces faltered; Men At Work's "Down Under" with Jason's engaging solo and the Friars' standby "Silhouettes" were both fun. The Friar favorites proved to be the most successful pieces of the evening. Surely we will always remember "River of Dreams" - this time inter- rupted by some cryptic recorded mu- sic - and Bob's solo (where does he get those high notes, anyway?). And despite Ayal's pleas for us to shut our eyes, we did watch the "Two Princes" choreography. You needn't have wor- ried, guys - we don't expect you to be the Alvin Ailey dance troupe; you wouldn't be the Friars if you were. Note: It's too bad the laughter cov- ered up Dan's solo. Other notables were "Da Beatles" (Matt's arrangement, of course), "My I'm Large" (another Bob trademark) and Roy's "Graduate on Time." But the biggest standout of the evening was "Allison." The Friars arrange- ment far surpasses Elvis Costello's, and Jason's strong, clear solo led this number. Usually slow songs are not the Friars' forte, but "Allison" was the tightest we have ever heard it. And it wouldn't be a Friars con- cert without some wacky stunt. This time they got creative with special' effects. They killed the lights, ran out into the audience, and shined a spot- light on a bale of hay to the crowd- riling music played at basketball games. (Can you tell we don't fre- quent sporting events?) "Hey," they shouted, but farmers in the audience knew that it was really straw. The Friars even shared the top six stupid jokes they had heard over the past few days. It's no surprise that the jokes were pretty darn stupid, but devoted fans laughed anyway. What did the elephant say to the naked man? "My God! How do you breathe through that thing?" But through the dumb jokes and Frame this one - Paul, Jason, Roy, Aaron, Ayal, Dan, Bob and Matt (in no particular order) - the Friars. special effects, the focus of the evening was clearly the departure of five dedi- cated Friars. As the concert came to a close, it was visible that the Friars were getting sentimental. After "clos- ing" with "Love Potion No. 9," they responded to tumultuous applause with an encore. These eight guys are renowned for their rendition of "Mysterious Ways," so it was only fitting that they chose to perform it one last time. Led by Ayal and his red socks, the Friars finally got some choreography right. (Though they've done it so much, they have no excuse not to do it well.) The second encore song was a traditional Friars ending - "Wim-o- Weh." Joined by former and future Friars, it brought the show to an emo- tional close. Entranced by this swan song, the audience was reluctant to accept the end of the evening and the end of an era. Poetic By KIRK MILLER Jeff "Jaffe" Massoll rea involved with his work. "There's this one piece tially have to do naked," he ex Massoll and Antoine Dub go to these extremes as the or of the multimedia event Inq der, a student-run group tha brings together some of Ann most diverse artistic talent mishmash of bizarre perform poetry, and music. Think of artistic equivalent of Ogden D P-Funk All-Stars and the Ji Circus colliding in a dark al The collective result isc and unique every time. In on performance the members oft were covered in body paint, rounded by black lights, t things at the audience during formance. Massoll has also himself in tin foil and set hir fire, all in the name of art. "Antoine and I call it I Massoll said. "It stands fo Impact Poetic Performance.' talent makes ' my confused look about the acronym, have with ally gets he added, "That's with the last 'o' "I gav taken from the o in poetic." ever peop I essen- Although several members are next thin Kplained. working on book titles, Antoine is the appearing eauclard only one to publish anything so far. preciate i ganizers The book "Beer Pressure" is a collec- this is tw stant Ci- tion of short stories and poetry on its "Beer t loosely second printing, sold through local of-consci Arbor's bookstores Shaman Drum and Kalei- everyday s into a doscope. He hopes the low price of in a coffe ance art, the book and the unique collabora- the confus it as the tions find a new audience. The absu Mash, the "There is a bad perception about level with im Rose poetry," he explained. "For me there the Run," ley. is a fine line between poetry and bab- collection different bling. My main problem is I babble a One stan ie recent lot; sometimes it works really well." "Electrici hegroup The graduating Comparative Lit- entirety: and sur- erature /Creative Writing major pub- "I had hrowing lished and printed the works himself plugs apa the per- with the help of the computer centers The tv covered and a lot of time. verse inte mself on "I spend a few minutes putting out zational f each copy," he said. However, he has ing all of t HIPPO," kept the publishing cost down low which he r High- enough to offer the books for a dollar ing the bu " Noting and four stamps, or whatever people "Anto h Vf P q 9 it Ic r: .li rl 7e S ul h n d d al w I f{ 'ti u A Instant Cider' h them. led to the pseudonym of 'Jaffe."' 'e out half of them for what- Dubeauclard and Massoll origi- )le had," he explained. "The nally met in a poetry class, and started g I know dollar bills were Instant Cider this term with some g under my door. People ap- performances and Antoine's books. t more than if I said, 'Here, The group, with its different mem- o dollars."' bers and guest stars, has performed Pressure" is full of stream- frequently in the Halfway Inn in East ousness poetry exploring Quad, Rendezvous Cafe and the life, from the looks received Heidelberg. ee shop to narratives about The wide variety of interests and sion between cows and tanks. styles has made some interesting cre- irdity is raised to another ations with local talent. his new project, "Poems on They have worked with members a new (and free) ruler-sized of Gangster Fun and the Friars, and of sentence-length poems. plan to incorporate more people into dout is the raw emotion of future shows. ty," excerpted here in its Both artists plan to work more with the project this summer when I a friend. She tried to pry they have more time. Beyond that, in with a spoon." both are unsure of the future of Instant No group members have di- Cider. rests. Antoine is the organi- "I like writing books," orce behind the group, do- Dubeauclard said. "But I don't know :he printing (on PageMaker, what kind of living you can make taught himself) and work- writing books like 'Beer Pressure.'" isiness side of the group. "We're getting Ann Arbor aware ine is amazing," Massoll that there are talented people out has connections with the there," Massoll said. "We want to the business school ... and make it available, or have others get ll been very supportive. He motivation from it." ertising genius." And how did this diverse collec- all, a sophomore, is also tion of talent choose the epithet "In- on a book, but destroyed his stant Cider"? Massoll shrugged off k. "There was a revolution- any bizarre origin. t in my life," he explained. "It just happened to be what we led my previous stuff. That were drinking at the time." CORRINA, CORRINA I U said. "He RC office they've a is an adv Mass working c older wor ary aspec "I disown } ". rr:Svr s "A r ri: - '2 at the University Club in the Michigan Union Saturday, April 30 9am-4pm Adults $13.95 Children 10 & under $5.95 Reservations recommended (313)763-4648 Call 8:30am-4:30pm, Monday-Friday WEEKEND ETC. IS NOW ACCEPTING SUBMISSIONS FOR A NEW CARTOONIST THIS FALL. PLEASE SUBMIT 2-3 SAMPLES TO JOHN IN THE ARTS OFFICE AT 420 MAYNARD. QUESTIONS? CALL 763-0379. p Umm Donald S. Lpez, Jr. Professor of Buddhist and Tibetan Studies, Dept. of Asian Languages and Cultures ThBe Lifle of the Dalai..Lama. S A special background presentation in advance of the visit of the Dalai Lama Featuring a brief lecture, video, and Q&A on the history of the institution of the Dalai Lama and biographical information about His Holiness Tenzin Gyatso, the current Dalai Lama of Tibet Presented twice: Tuesdav. Anril 19 at 4:30 n.m. No, this is not "Made in America 2," that's due out later. This, however, is "Corrina, Corrina," a new film coming to the Michigan Theater first and foremost. Remember "The Player" and "Shortcuts"? Well, this is yet another in the hopefully long line of Premieres at The Michigan Theater. "Corrina, Corrina" tells the story of an offbeat housekeeper, played by Whoopi Goldberg, who helps a widowed father, Ray Liotta, and his daughter as they try to fit into their new lives. On top of Whoipi the Singing Nun and Ray the Goodfella, the film also features the last performance of the great Don Ameche. And this isn't a typical sneak preview either. Usually you get to see the film a week or two in advance. But with this one, you are going to be four months ahead of everybody else. Yeah, you can feel just like an important Hollywood person! Cool! The film is a Benefit Premiere of The Program in Film and Video Studies through the courtesy of Bob Shaye, CEO of New Line Cinema, a University graduate. So don't waste your time, get down there. You don't have finals on the weekend and it's not like you're going to study anyway. The big event takes place Saturday, April 23 at 7:00 at the glorious Michigan Theater. r mm m m mmmmm-m-- 5th AVE. AT LIBERTY 761-9700 SIRENS (R) - Mon, Thurs: 5:00, 7:05, 9:15, Wed: 5:00, 9:15 Tues:1:00, 3:00, 5:00, 7:05, 9:15 I 4 WEDDINGS & A FUNERAL (R) - Mon, Wed, Thurs: 4:50, 7:20, 9:50 Tues:12:10, 2:30, 4:50, 7:20,9:50 BARGAIN MATINEES $3.50 BEFORE 6 PM STUDENTS WITH ID $4.00 EVENINGS ~eF R E E 32 oz. D RINK wit h purc hase o f'a lrg po pcorn j$.5vle Presen thIs coupon with purchased ticket thru 5/15/94 Sh erut c aZ'am C GC) I I I