ARTS David Newman asks, 'Why is this man laughing?' by Alison J. Levy David Newman is most likely the only man who has ever made Warren Beatty impotent. Even with his credits as aDaily film columnist, Esquire jour- nalist, premiere phrase-maker, screen- writer and director, this is quite possibly his greatest achievement. Don't get the wrong idea. It was Newman's screenplay (co-written with Robert Benton) for the famous "Bonnie and Clyde" which turned Warren into a luke-warm lover onscreen. "Thatwasa great compromise, believe me," Newman said recently. "We only ar- rived at that because in the original, in the first draft, (Clyde) was supposed to be bisexual and Warren didn't want to have anything to do with that." To research the film, Newman traveled to EastTexas and metpeople who knew of the outlaw couple. C.W. Moss (Michael J. Pollard), the chauffeur/accomplice in the film is actually acomposite of seven differentguysandrumorwasthatBonnie and Clyde usually recruited one of them for a menage a trois. According to Newman, Warren said, "You're not gonna be seein' me in bed with them likethat."And, directorArthurPenn felt thataudiences would think itwas Clyde's bisexuality which drove him to kill. So, they compromised. But it wasn't the impotence in "Bonnie and Clyde" that bothered people when the controversial film was released in 1967. It was the violence. At the time, New York Tunes film critic Bosley Crowther couldn't handle the film and eventually lost his job due to his scathing reviews. Said Newman, "It drove him crazy." One critic actually panned the film calling it "sub-mo- ronic" for "sub-humans" and one week later printed a retraction, dubbing the movie, "a masterpiece." Newman has his own theories on why the film was so unsettling. "What upset a lot of people was the juxtaposition of humor and violence...You're having a good time with (Bonnie and Clyde) and suddenly they blow someone's head off." But the violence in "Bonnie and Clyde" was more than just a neat aes- thetic technique or a hook to sell ten extra tickets. "One of the points we were trying to make back then was that Bonnie and Clyde, as we imagined them, were stylistically rebels and that was moreoffensive to mainstreamAmerica," commented Newman, "as it (still) is now."Thefilm, released at the heightof the counterculture, paralleled the domi- nant themes of the era. "It was the underground, as much as the under- world, that we wanted to talk about," he said. Speaking of underground, Newman also visited the graves of Bonnie Parker and Clyde Barrow on his fact-finding trip. Clyde's is overgrown with weeds and vines, while Bonnie's is keptnicely in an elite cemetary. Upon her head- stone is one of her poems: "As the flowers are made sweeter by the sun- shine and the dew / So this world is made much brighter by thelikesof folks like you." Newman chuckles as he calls it "A Hallmark greeting card by Bonnie Parker," and it's just one of the many poems she penned, including "The B al- lad of Bonnie and Clyde" in which she eerily prophesizes theirdeaths. The film also launched the careers of relative unknowns Faye Dunaway, Gene Hack- man, Gene Wilder, and Michael J. Pol- lard. Newman met writing partner Rob- ert Benton while they both worked at Esquire. The collaborative team develloped the infamous "Dubious AchievementAwards," still atime-hon- ored tradition. After "Bonnie and Clyde," they went on to write other 'One of the points we were trying to make back then was that Bonnie and Clyde, as we imagined them, were stylistically rebels and that was more offensive to mainstream America,' -David Newman films like "What's Up Doc?", "There Was A Crooked Man," "Still of the Night" and a cult favorite, "Bad Com- pany." Newman also made a valuable contribution to the English language with the recognizable phrase, "Why is this man laughing?" to compliment an- nual photos of Richie Nixon. His satire of the President was not the extentof Newman's political ties. In the late fifties, he worked alongside fellow Daily staffer and New Left hero, Tom Hayden. He bumped into the ac- tivist in the streets of New York the morning after Lyndon Johnson an- nounced that he wasn't going to run again. According to Newman, Hayden "was with like six of his cronies. They were all wearing fatigues (and) caps that Fidel Castro had given them. (Hayden) said 'I have to know which way through the streets the people are running, so I can get in front of them so they're following me."' Another relationship Newman formed while attheUniversity was with his wife Leslie. He met the brunette- ponytailed beauty on the corner of Maynard and Williams one October. They were introduced by a friend and Newman was smitten. Soon they co- habitated over the Campus bike shop, which Newman calls, "very scandalous in those days." However, the couple got their own place when the roomate thing got to be a problem. He says, "We were the black stocking, turtleneck sweater- wearing, poetry-writing beatniks." But, no goatee. The whole thing would be perfectly nauseating ifNewman weren't so sincere. The Newmans also worked together on severalprojects. Oneofthemwas the film "Superman." A lot of people ask him if he wrote the violence and she did theromance, butNewman said itwasn't like that at all. They collaborated on all aspects. In the past, rumors have arised naming Steve McQueen as a possible consideration for the lead, butNewman says that's all false. However, fact is stranger than fiction. During a bizarre meeting in even a more bizarre town, Cannes, the possibility of Muhammed Ali playing the comic book superhero was debated. Newman might ask of former president Bush, "Why is this man laughing?" But Ali as the man of steel never came to pass. Newman said, "We wrote itwithBurtReynoldsinmindwe....had to figure out a way to not make him just aboring boy scout... (someone) with a little twinkle in his eye." At the time, Reynolds was the only big-name star who fit that image. The big break came with garnering Marlon Brando as Superman's dad, Jorel. He got $11.5 million for ten days work, but he didn't even learn the part. Instead, the "lazy" and legendary actorreadoffcards. Good 'ol Warren was also offered this film, with a lot of money attatched, but once again the image issue reared it's ugly head. According to Newman, Warren said, "I can't put those tights on. I'll be the laughingstock of the world." Fi- nally, thepartwenttoChristopherReeve who obviously impressed Newman with his performance, "He was Superman. He is Superman." Currently, the charming and enter- taining Newman lives in New York. He will be visiting the University semi- annually to work with the Film Video Department. And perhaps, next year, he'll be back with even more amusing anecdotes. I '~~ ' [l1 1 1'lIl 7iigi Those toddlin' winds The Chicago Symphony is com- ing, oh my! Well, notreally,but afew of them made the trip from Chitown toAnn Arbor. The ChicagoSymphony Winds consists of three principal play- ers in the Chicago Symphony, as well as other CSO members. That means that they are quite good. If you're looking for something artsy to relieve that post-hoop depression on Sunday, they willbe at Rackham at4p.m.The program includes two serenades of Mozart and Alfred Uhl's Octet. Tick- ets are $20 to $29 at the University Musical Society; call 764-2538. La ci darem 'opera Another annual School of Music treat is the Opera Workshop perfor- mance,happening tonightat the McIn- tosh theatre. (Yes, it's on North Cam- pus,butworth the trip-how oftendo you hear opera in AnnArbor?) Under- graduate and graduate voice majors, under the direction of lecturer Joshua Major, will do arias from "Don Giovanni," "Hansel and Gretel," "Falstaff," "Summer and Smoke," "Vanessa" and more. The formidable Debra Davis will accompany on pi- ano. Admission, best of all, is free; showtime is 8 p.m. Get there early to get a seat. Free Croissants If you'd rather pay for your clas- sical music, the Kerrytown Concert House is the place to be. Saturday at 11 a.m. University professor of harp LynneAspnes gives her annual "Harp Heaven" concert-music for one to 10 harps. Plus, with your $9 admis- sion, you get croissants from Move- able Feast. Or, for a more traditional program, Sunday at4 p.m. the Notre Dame Trio (that's right, they're from South Bend) will perform trios of Schubert, Francaix and Rozsa. Ad- mission for this concert is $8. Reser- vations for both shows are recom- mended; call 769-2999. More harp(sichord) And now for something com- pletely different: a harpsichord re- cital. Edward Parmentier, associate professor of harpsichord, will give a free recital tonight at 8 p.m. in the Blanche Anderson Moore Hall at the School of Music. Works include Forqueray's Suite V in C Minor, Bach's Chromatic Fantasy andFugue, and more. Admission is free. Let me hear your balalaikas ringing out A 60-year-old orchestra of balalaikas from Detroit? Now we have seen everything. But these folks are for real - they're one of the few authentic balalaika ensembles outside of Russia. A balalaika, you'll recall, is a three-stringed instrument used to accompany folk dances for the past few hundred years in Eastern Europe and Russia. But even today these melodies deliver a rousing, emotional evening of folk music. The group includes two University students: Claudia Dwass (far left) and David Hoover (top row, on right)..They'll perform Saturday at 8 p.m. at the Kerrytown Concert House. Tickets are $10, $5 for students; call 769-2999 for reservations. I p e. -_ _.. _.. '. , V_"#' Best of Ann Arbor Ballot '93 Please return by April9 to the Daily at 420 Maynard, 48109. Results will be printed in the April I5 Best of Ann Arbor issue of Weekend etc. Thanks for your time. Best Restaurants/Bars for... 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