ARF-S TheMiciga Daly ridy, anury ,193 Pge A nerd finds love Sleeping beauties wake by Michael John Wilson Why does it take a non-American to make a good film about growing up? Nearly all the classic coming-of-age tales are foreign films, from "Fanny and Alexander" to "The 400 Blows" to "Murmur of the Heart" to "My Life as a Dog." And what do the Americans make? "A River Runs Through It," "Dead Poets Society" and "Home Alone." lirting Directed and written by John Duigan: with Noah Taylor and Thandie Newton Australian writer/director John Duigan is the latest master of the form. "Flirting" is the second film of his pro- jected trilogy, a cycle about growng u in Australia. Thie first film, 'The Year My Voice Broke" (1987) followed Danny Embling (Noah Taylor), a pre- teen in love for the first time. Using the same actors, "Flirting" picks up the story three years later, with a teenage Danny now residing at a repressive boarding school. It's not necessary to have seen the first film to enjoy "Flirting"; both sto- ries relate independent episodes in Danny's life. But knowing both films deepens the experience. The characters and the landscape seem vaguely famil- iar, almost as if they were your own childhood memories. And seeing the same actor as Danny in both films is similarly gratifying. We're watching both Danny and Noah Taylor himself grow up onscreen. Duigan intentionally waited for Taylor to grow up a bit before he made the film. In "The Year My Voice Broke," Danny was a typical, lovesick, nerdy youngster; a few years later, however, he's become a full-fledged teenage out- cast. It's not your average teenager who, when faced with a dilemma, asks him- self, What wouldJean-PaulSartre do?" The leisurely plot finds Danny in love with another outsider: an African ir (Thandiwe, played by Thandie New- ton) in an all-white boarding school. Duigan achieves a keen balance be- tween the tragic and the comic elements of Danny's story. le doesn't drench the story in nostalgia, or copoutwith straight comedy. Instead, adolescence appears in all of its ugly, excruciating reality. The fihn starts and ends with Danny in pain; the very first scene shows Danny being whipped by the headmaster. But it's a bearable pain because of the familiar absurdity of Danny's story. We can laugh at Danny from a safe distance, because we've been Danny Do film companies even see the movies they promote? They must have considered Danny Embling (Noah Taylor) too ugly to put on a publicity photo, so they give us this shot- an irrelevant picture which, ironically, Danny fights to prevent from being taken. Guess he failed. by Darcy Lockman Self-help books flourished in the eight- ies, as players in the "me decade" at- tempted to cure what ailed them. Some- how though, amidst all the hype and all the copies of these cure yourself epics penned, 49% of the population was mys- teriously forgot ten. "There have been a tremendous num- ber of (self-help) books on the market for women. Very few have addressed issues of men," says Dr. Robert Pasick, psycho- therapist and author of the recently pub- lished "Awakening From The Deep Sleep: APowerful GuideForCourageousMen." In hisimale patients, Pasick saw symp- toms of what he now terns a "deep sleep." He explained, "The deep sleep means being shut down to emotions, going through life on cruise control." Pasick's book sets out to wake men up, to make them more attuned to their emotions. "Until recently, men tended to ignore their feelings. They were taught that they had to bring home the bacon, not that they needed to tend to their own emotions," he said. Pasick feels that the women's move- mnent played a part in confusing men about their roles, making them perhaps more prone to the deep sleep. "Men are confused by the changes the women's movement is bringing about. There's a lot of pressure to push themselves, to be strong and successful," he said. Pasick revealed that even he has not been free from some of the symp- toms of thes deep sleep. Ile said, 'l've gone through it myself. I push myself to be successful, to have a best seller., Manhood is a constant challenge. But I've come to realize that strength is not measured only in the physicalr sense. Being a sensitive person is an- other form of strength." So is Pasick's book for other men who have reached the same conclu- sion? Well, yes. "It's for men who want to avoid the deep sleep, for men who are aware of problems of sexual socialization, men who want to wake up and make decisions. Women have also responded well to the book be- cause it explains why men are the way they are,' he said. So if you're one of those eighties" types of guys who's been secretly (or openly) longing for a self help text written just for you, Pasick's book °° might be just the tiling. Looks like the self-help trend might stick with 11 thi-otI-ih the nineties. DR. ROBERT PASICK will be at the Michigan Theater tonorrow at 4:00 f/or( a discussion and book signing. and Thandiwe and survived. Danny's romantic voice-over narration also sweetens the bittersweet tone. Only near the end does Duigan become overly sentimental, as he makes Danny so he- roic that it becomes unbelievable. Until that point, there's a kind of honesty to Duigan's portrayal of ado- lescence that's completely foreign to mawkish Hollywood coming-of-age failures. Some scenes are so intensely personal and so truthful that it's almost a shock to see them onscreen. The word- less moments are the best; when Danny and Thandiwe's parents meet, for ex- ample, the awkward silence in their polite, nervous conversation is brilliantly captured. Natural performances by Taylor, Newton and the entire cast give weight to Diuigan's script. Minor roles such as the meanie Nicola (Nicole Kidman) are presented realistically. Even the evil headmasters aren't one-dimensional - see "Scent of a Woman" for a fine lollywood example. FLIRTING opens tonight at 9:20 at the Michigan Theater and runs through January 15. I wpp I ,S 7 \ a with your host andNJosh Berg and student comedians Chris Curtis Justin London *Globifpma Mbfo. saA]E Mve,t "..Joel Zimmer ID ~ ""'for more information d-ial 763-1107 Sweet Honey in the Rock. Sounds like a drink, doesn't it? It's actually a five-woman ensemble that have been lauded as intoxicating by their many fans all over the globe. The straw that stirs the drink for the group, Bernice Johnson Reagon, founded the group in 1973 and infused into it her sense of social awareness. The group's new album, "In This Land" features songs which comment on the environment, AIDS and women's issues. The audience can expect them to pull a few of these socially charged compositions out during their performance tonight at 8 p.m. at Hill Auditorium. In the end, however, Sweet Honey's message reverberates only as loudly as their music. For most "the music's the thing." Besides the ocassional use of hand-held percussion intruments and clapping, the group sings a capella, often in four part harmony. Their versatile blend of blues, gospel and jazz defies categories and points to the African American basis of their music. Tickets are $12 to $22, with rush tickets available today at the Union Ticket Office; call 764-2538. T. .o - .. -0-f" ',1 - Q 4 ft. Blac Bulbs only $19.95, fixt Blacklite Poste -*Sign up to win s'fl" - Phish tickets klites ures available ers $7.00 vstislavarama at Hill Go Slava! This Sunday at 4 p.m. the legendary Soviet-born cellist Mstislav Rostropovich will give a recital of German and Russian clas- sics, accompanied by Sara Wolfensohn. During his long career, Rostropovich has participated in many of the most respected cello recordings made since the days of Casals and Feuermann. More re- cently, he has become a classical music superstar (and a less than leg- endary conductor).The Germanhalf of the program includes J. S. Bach's Suite No. 5 for Unaccompanied Cello and Richard Strauss' youthful' cello sonata. The cello and piano version of Rachmaninov's sugary "Vocalise" and S hostakovich's cello sonata make up the second half. Tickets are S18 to $48, with rush tickets available Saturday at the Union "licketOflice. Call 764-2538.' XAAA Art It's the wonderful world of art! The public is invited to the opening of an exhibition featuring the work of Susan Skarsgard and Sharon Wysocki. Skarsgard, a well-known calligtrapherand editorofQuill Jour- nal, is showing her abstracted cal- ligraphy. On the other hand, art thera- pist Wysocki's oeuvre consists of assemblage book covers. It all hap- pens tonight from 6-8 pinattheAnn Arbor Art Association and it's free. Call 994-8004. WVod Movie Did you always think New Wave was nothing butabrief musical stint in the eighties? Think again. It's actually a brief film stint in the sixties that looked very mod back then but just looks pretty silly now. If you want to see the revolutionary movie that started the whole thing. Jean-Luc Godard's "Breathless", is on view tomorrow night. No, it doesn't star Richard Gere; that's the cheesy American remake. Jean-Pau P Belmondo plays a French gangster and Jean Seberg is the innocent American who falls for him. It's at' the Nat Sci Auditorium at 7 pin. afka-esque If you're really lazy and don't feel like leaving the house, why not checkoutavideo?"Kafka," Stephen Soderbergh's follow-up his mag- nificent "sex, lies, and videotape," one of the best movies's of 1989, is out on home video. Though it has been criticized for being pretentious, overly showy, muddled, and poorly written, so is Martin Scorcese's "Cape Fear' and critics ate that up. Decide for yourself. Any movie with Jeremy Irons can't be that bad. 4 *1 *I Ii 215 S. State, Ann Arbor (upstairs) 995-DEAD ~~AE DD99 e r 9 r 1 6 MC) rYEARS 'I a Main Bookstore: 0 1 111i n FIL UI1IW TALL~U pppp- I i : : i