Page 10-The Michigan Daily- Friday, December 11, 1992 Normal in a pH-unbalanced world Phish demonstrate their 'funky-classical' style that is almost jazz-ish I1i[I'1 : A a'i': i1~i by Andrew Cahn In the most recent Phish newsletter, the band included photos of themselves which they said would be included in their new press pack- ets. Drummer Jon Fishman was completely naked with his genitals tucked inside his crossed legs to simulate castration. Bassist Mike Gordon had pants on, but removed his - shirt to expose his gut. Guitarist/chief muse Trey Anastasio wore goggles as was standing way too close to the camera, so only his face was visible and the contents of his wardrobe were uncertain. The fourth picture, was of, well, I couldn't tell, but the caption under- beafh read "Page McConnell," signi- 'fying the keyboardist. This was not a characteristic move by the band's straight man. Zeppelin had John Paul Jones, and Phish has Page McConnell. How does he feel about being the normal guy of the group? "I work hard at that," he said. "There's no doubt there is some in- teresting characters in the band, and I do have the appearance of being more conservatsivc. A c x mC m time, I take it pretty f < Lu: i rm i of the musicality of the group, I don't think I think I'm conservative in my harmonic structure. I don't have any problem with that image." While Fishman wears his polka- dotted aprons, and Trey dons a mus- cle shirt, Page usually looks like something out of an L.L. Bean cata- log, but like he said, this does not carry over to his playing or compos- ing. In fact, in a recent MTV special commemorating 25 years of Rolling Stone Magazine, one of Page's com- positions, "Magilla" was used to represent the crazy world of Ilunter S. Thompson's mind as the gonzo journalist and a female companion conspired to blow up an effigy of" Stone publisher Jann Wenner. "Magilla" is clearly a bop tune,, and Phish's current jazzy sound is partly (due to Page's presence. Pre- Page recordings show the band's L W w;i may explain the r s ( "Good Times D 10i. nes "o i"ighway to hell." What Page brought to the group when he joined was an extensive jazz vocabulary, with influences in- cluding Monk and Ellington. Phish is rock music's version of the Modern Jazz Quartet, for they do many of the same things musically. Though Phish does play some rela- tively straightforward tunes, many of their numbers are thoroughly composed pieces that. almost make them sound like a chamber group. "I like what they do," he said. "I don't generally sit around and listen to them much, but when I have lis- tened to them, I found it definitely innovative, and I like their textures. They were doing things in the fifties and sixties that people hadn't done before and really haven't done since. They sort of went their own way, and I like to think that were doing that also." Despite these jazz roots, Phish is hardly a jazz band. One intellectu- ally misguided soul likes to call them a "bad jazz" band. I like to call them a "funky-classical" band, but like most idealistic musicians, McConnell doesn't really care how their classified, just as long as peo- ple like them. There are even a few Phish cover bands around the country. Page said he hasn't actually heard another band play a Phish tune. "It almost happened to me in Burlingon, Vermont once, but I left because I had a feeling that it might have hap- pened." PHISH will appear at the Michigan Theater tonight at 8 p.m. Tickets are $12.50-$14.50. Call 763-TKTS. Neeme and the wolf In the tradition of Lennon and McCartney, Simon and Garfunkel, we have Neeme Jarvi and Sergei Prokofiev. Yes, the P-man has been dead for 40 years, but Jarvi keeps him alive with his exciting interpretations. Here's a gui'e tip the latest Prokofievskian offer- ings: this Saturday on WIV (Channel 4, 8 p.m.) Jarvi and his Detroit Symphony Orchestra perform "Peter and the Wolf," with Kelsey Grammer narrating. On CD, Jarvi has recently recorded some rare Prokofiev gems for Chandos: the suites from "War and Peace," and the Cantata for the 20th Anniversary of the October Revolution. We've never heard either of them; we suspect they're great. And finally, in concert, plan ahead to see Jarvi and the DSO do Prokofiev's Third Piano Concerto the weekend of January 23rd. With Alexander Toradze soloing in the lovely, acoustically-superior-to- Ilill Orchestra Ilall, it should be sCe, thcire al e rLrn a y Roof, roof? The Performance Network moves to the Mendelssohn Theater this Saturday for "Raise the Roof," their annual fundraiser. Various dancers (including Whitley Setrakian, of course), actors and other assorted whackos will combine for a "delightfully giddy variety show." The giddiness doesn't come cheap; tickets are $15 at the door. Showtime is 8 p.m.; call 663-0681. ( 7:00 PM 9:00 PH Friday, Dec. 11 Net Sci fud $3.00 single/$5.00 double University Activities Center ......k!. 4 For the love of three oranges! It's Sergei Prokofi.ev and Neeme JArvi. 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