U. THE NATIONAL C EGE NEWSPAPER IOTBR18 IasadSneU H AILCLEENW OCTOBER 1989 Itars and Sense U. THE NATIC&L COLLEGE NEWS Music promotion Music buffs from Carbondale, Ill., start a cat- alog for aspiring bands. Page 13 AGA Vicious rag Rich and famous celebrities beware: SPY magazine is out to get you. The iconoclastic monthly features a host of rich and famous folk on its hit list. Page 13 Student compiles low-budget tips for touring Eur Hip hop explosion Cutting edge rap bands achieve mainstream success. Page 14 By Sing Chan Oregon Daily Emerald U. of Oregon Visually-impaired see films By Rebecca Tauber The Daily Californian U. of California, Berkeley Storytellers have been creating images with words since the advent of language, and although the invention of movies and television has reduced the prominence of narration as an art form it still has a purpose, particularly for the visually impaired. Under the guidance of San Francisco State lecturer Gregory Frazier, SFS stu- dents are learning to translate the look and feel of movies, television and theater into verbal description to make the media more accessible to the visually impaired and the blind. Using a process Frazier has dubbed AudioVision, describers narrate perfor- mances as the film rolls, talking only during breaks in the dialogue. They are instructed not to make reference to themselves or their personal opinions, but are encouraged to paraphrase series of events for brevity ;We try to pay a lot of attention to detail, including color, because 80 per- cent of all visually impaired persons have some color memory," said Frazier, a tall man in his 40s. The trick, he said, is "to build a visual image in the person's mind's eye." Marianne Dole, who has been blind from birth, attends Frazier's class as a consultant. "I like it when they use color in their descriptions," she said. "Even though I've never seen it, I have an idea of color in an emotional sense." Frazier completed his first big project in the summer of 1988, a description for Francis Ford Coppola's7hcker:The Man andHisDream. The preview was attend- ed by about 100 visually-impaired moviegoers, who were enthusiastic about AudioVision but felt the technique needed more development. Mike Cole, director of the Living Skills Center for the Visually Handicapped, said of the Tucker performance, "I know they're told to only report factual things and to include as few interpretative things as possible, but I would like to have them communicate emotions as well as facts." Rose Resnick, founder of the Rose Resnick Center for the Blind and Handicapped, suggested that Frazier choose describers by the quality of their voices as well as their talent for describ- ing. "Voices are to a blind person what faces are to a sighted person," said Resnick, who is blind. Frazier's methods have been so suc- See NARRATORS Page 13 A U. of Oregon student has written a book for budget-conscious students who want to tour Europe, but he warns that his advice is geared toward people who want to ride the rail system and use a combination of sleeping accommoda- tions, not toward the five-star class busi- ness person who wants to see Europe "the American way." John Fitzgerald wrote "Europe in an Hour" after taking part in a Danish exchange program during his sopho- more year. The book combines his travel notes with research taken from other travel books. "There's no other book like it on the market," he said. "I'm trying to fit in where no one else has." More than justj a guidebook for tourists, the book is a travel planner that provides step-by- step instructions on planning a success- ful trip. "The idea is that if you are going to go to Europe, you should experience it the European way," said the marketing and international business double major. "Eat the food the Europeans eat, talk with the Europeans. Immerse yourself in the culture." Fitzgerald dispels the myth that travel abroad requires a great deal of money and language fluency. "I lived in Greece on $10 a day. And about 85 percent ofthe time you can survive on English." When English will not suffice, he stresses the need for creativity in communicating. Actions are sometimes better than words, he says. In his book, Fitzgerald discusses the importance of setting an itinerary and obtaining money and health protection coverage. He explains how to obtain the neces- sary travel documents, plane tickets and Eurail passes, and he stresses the impor- tance of finding a good travel agent in order to keep expenses to a minimum. All that's needed to ride the rails is a sin- gle backpack, he said. Lists of hotels, pensions and youth hostels are provided, although Fitzgerald says, "A lot of people don't realize that you can sleep for free in the train stations, beaches and parks." Fitzgerald's final suggestion is to "relax. Don't agonize over what you don't know. You'll fill in the gaps as you go, and the experience of Europe can be as fresh and spontaneous as you're willing to make it." ', t' r . r - .r t' J rr '% e ate' / NZl GERALD KELLEY, THE UNIVERSITY DAILY. Psych major tries for Guinness rec Memorizes 6,000 digits a day By Catharine McSwegin Kansas State Collegian Kansas State U. Rajan Mahadevan has no trouble remembering phone and claim ticket numbers., The Kansas State U. graduate student memorized 31,811 digits of pi in 1981 to break the memory record in the Guinness World Book of Records. The record has since been broken, but three K-State psychology professors and a graduate student have received a $157,000 grant to study the psychology major's ability to memorize about 6,000 digits a day in preparation for a new record. During the testing, four control subjects perform the same tests as Mahadevan, and then the results are compared. A distinction can then be made between practice and ability, explained Rod Vogl, the graduate student involved in the study. Mahadevan said although he often makes associa- tions between numbers and certain things, he doesn't have a specific pattern. If a number is matched with a date or a set of numbers during one memorization set, the pattern won't necessarily be used the next time. During the school year, he is tested abc each day. One such test involved reading f 10-digit numbers to Mahadevan. He then s recited the numbers in the correct order a fR later. He also said them backwards. Mahadevan says he can remember the r memorizes for nine months to a year withc and several years with practice. Mahadevan has received national expos ability and is often overwhelmed by publici 64 interviews in a period of two months Nightwatch and the NBC Today Show. I honored by the Indian Ambassador in \A D.C., for distinguishing himself in this cou Mahadevan said his ability to retain and r bers was first noticed when he was five. I had a party for about 40 people, and he men recited the license plate numbers of all the His grandfather, father and brother also ] tional memories, so Mahadevan said his al stand out. "I never treated it seriously. It's of me, like fingers are a physical part of m "When you have some skill, and if by usin achieve a level of excellence, you'll go for it challenge involved to see to what extent you human potential." SHERI JACOBS, THE DAILY STUDENT, U. OF INDIANA, BLOOMINGTON Indiana University senior Brigette Clumb takes the tricycle from senior Beth Blake. The sorority members were practicing for a competition called the Mini 500. Former tennis star directs theater r By Laurie Whitten The University Daily Kansan U. of Kansas Gazing down from his director's chair onto the darkened stage below, Reggie Hodges began to smile.. "You have to have such a complete eye for this," Hodges said as he watched an assistant push a ladder across the floor. "So many details have to come together. You can't just be concerned with what the actors are doing. There's a million technical ele- ments to take care of. Basically you're required to have a hand in everything." For Hodges, a fifth-year senior from Washington, D.C., jug- gling many responsibilities at once is nothing new. The 22- year-old theater major has played four years of U. of Kansas varsity tennis, acted in several university productions, and recently directed the play Sexual Perversity In Chicago, by David Mamet, in conjunction with his Theater 609 class. When he was recruited to come to Kansas in 1984, Hodges said, he had no plans to pursue a career in acting or directing. Playing tennis year-round left him no time to even consider it. "With all the traveling and practicing involved with tennis, I could never commit to theater, as far as performing or direct- ing," said Hodges, who was team captain when the Jayhawks won the Big Eight Conference championship last year. "Theater is like a sport as far as time demands. With rehearsals and shows, you just can't pull off and say, 'Hey, I'm playing in the Rolex tournament this weekend.' So I postponed taking my performance credits until my eligibility was over. I wanted to make sure I could commit to it 100 percent." His theatrical talent was first discovered in an English 102 class, Hodges said. The students had finished a reading of Death of a Salesman, by Arthur Miller, and the teacher, Paul Steven Lim, suggested that he take an acting class. "I took the class my sophomore year, and I really liked it," Hodges said. "Before, I knew that I wanted to go into some sort of broadcast or communications field. After that class, I started to lean toward theater. I dove in with both feet this year once I knew I had the time." Although-auditioning was a terrifying experience for him, he said that tennis had helped prepare him for performing under pressure in front of an audience. -|V. . . .. . CHRISTOPHER T. ASSAF, KANSAS STATE COLLEGIAN, KANSAS STATE Rajan Mahadevan earned a Guinness World Book record in 1981 when he memorized 31,811 digits of pi. Campus ad agency offers competition, real-world experien By Teresa Granda The North Texas Daily U. of North Texas A small house on the corner of the U. of North Texas campus holds what stu- dents call a creative romper room for adults. The room is part of a unique advertising agency calledFineline, where 15 ofthe top advertising art students at NT put in long hours gaining practical experience. An extension ofthe advertising artpro- gram, Fineline offers a professional envi- ronment for students, said Faculty Adviser David Blow. Fineline completes projects that many professional agencies will not take because they cannot afford to or clients cannot afford their services. Students have worked on campaigns for the Humane Society and the Dallas Handicapped Society. When Fineline receives a project, each student submits his work for the job, and then a client chooses which submission most closely suits their needs. "Just like the real world, it's very com- petitive among the students on what is the best idea for an assignment. That's what we strive for," Blow said. Fineline's creative director, senior Joe Goodwin, said this competition is healthy. "Usually when we work togeth- er as a group, better ideas, better con- cepts, better designs come out. It's a com- munity effort. If no competition was pre- sent, we'd be satisfied with the first solu- tion that came up." The primary goal of Fineline is to establish professional portfolios for the students while familiarizing them with professional standards, Bloc operate like a professional d and at the same time help t improve their weaknesses. In addition to building thei students are paid for their agency generates its ow through commissions. Senior James Lacey said, are some of the hardest-wor on campus. You look at the people are partying all the just seems like they have a We're up here to all hours of