ARTS The Michigan Daily Friday, October 27, 1989 Page 8 l Senegalese superstar Singer N'Dour brings African music to the world BY RACHEL KRINSKY NOBODY can help moving; feet tap, heads nod, and there's audible re- lief when I get up and dance around my room so that everybody else can, too. This music doesn't want you to sit still. Everyone struggles to place the sound, and each time I put on the tape I hear: "It sounds a little like those guys from Graceland... it's kind of like reggae... a little like that cool Indian music..." In any case, it sure doesn't sound like American top-40, and the beat is something incredible. The rich, fluid voice is that of singer Youssou N'Dour (YOU-sue n-DOOR), and the sound, which he pretty much created, is called Mbalax. The truth is, it doesn't sound very much like anything else. N'Dour comes from a family of griots, the traditional line of musi- cians who played for the rulers of empires in West Africa. The drum beats are influenced by, if not taken directly from, traditional dance and festival rhythms, and the melodies and themes of his music borrow from odes sung by the griots. "Kocc Barma," for example, honors a le- gendary wise man and advisor to the king, while "Sama Doom" praises N'Dour's daughter. The song "Gafnde," for which the album is named, praises the Lion, the symbol of Senegal. (Actually, the song was written for the soccer team, not the country.) I spent last year in Senegal, West Africa, in the city of Dakar, where Youssou N'Dour was born and has always lived when not touring with his band, the Super-Etoiles. And he is a superstar, without a doubt. His concerts are mobbed with fans, his music plays everywhere: throughout the market place, around the univer- sity, in the nightclubs, you name it. 0 9 Youssou N'Dour, a superstar in Africa, will teach you a few things if you thought Talking Heads and Paul Simon came up with those great rhythms all by themselves. He is also a favorite in the rest of Africa and in France. Youssou has become popular in America as well since his appearance on Peter Gabriel's So tour and al- bum, and most recently on Amnesty International's "Human Rights Now!" tour. The music has changed a bit here with the use of top-of-the- line technology and the addition of some English phrases, but Youssou continues to sing for the most part in Wolof, his native language. On The Lion, there are some definite Gabriel cadences and harmonies, but Express yourself in Daily Arts Call 763-0379 _ THE DAILY CLASSIFIEDS ARE A GREAT WAY TO GET FAST RESULTS CALL 764-0557 DON'T BE UNINFORMEDI READ THE DAILYI DA LY!!-- PASS IT AROUND Share the news, 3 ai1 they don't overwhelm N'Dour's own style and spirit. I had been skeptical before hearing the hit song "Shakin' the Tree," but it is truly a blending of styles. Youssou N'Dour has not, been co-opted by the American mu- sic scene. Rather, he is a fresh new voice and sound that is welcomed by America's quickly expanding interest in "pancultural" music. YOUSSOU N'DOUR comes to the Power Center this Sunday at 7:30 p.m. Tickets are $16.50 at the Michigan Union Ticket Office and all Ticketmaster outlets. n the trl ht Bob Marley's backing group The Wailers bring their funky reggae groove party thang to Rick's on Sunday night. The group played on some of our era's greatest albums,; including the awesome Catch A Fire and the cool Natty Dread. Bass player Aston "Family Man" Barrett was also a member of Lee "Scratch" Perry's legendary studio group the Upsetters. Here's your chance to catch some of the finest session players in Jamaica. Opening act is Onyx. Showtime is 8 p.m; Tickets are $15, available at Ticketmaster outlets and the door. Am mlkk. ;SENIOR PORTRAITS! Today is the last day! Located on the 2nd floor of SORDER the UGLI...If you missed - IT { TODAY! your appointment, please come in on a walk in basis. £. 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