Page 8 - The Michigan Daily - Thursday, February 2, 1989 Hollywood out of focus In today's films, the bigger the budget, the harder they fall BY MARK SHAIMAN THINK about Casablanca for a moment. It stars Humphrey Bogart and Ingrid Bergman. It was directed by Michael Curtiz. Notice the difference in verb tenses. Even in a movie now 45 years old, the stars are still starring in it, but the director's job is done, finis, complete. Why is that? It's because, with rare exception, people go to movies to see the people in front of the camera, not the work of the people behind it. Film theo- rists came up with a term called the auteur, which refers to directors who takes complete charge and puts their personal stamp on a film, such as Hitchcock used to. The term is great for these theorists who believe that the entire works of directors must be looked at as a whole in order to evaluate their merit as a filmmakers. Other theorists believe each film must be looked at as an individual work, the product of multiple peo- ple. But when it really comes down to it, it all means diddley-squat, which itself is another term, but one that is just as appropriate in today's film world. When a movie as bad as Cocktail is the second highest grossing film of the year, solely on the basis of Tom Cruise being in it, then the only terminology that matters is the kind you would learn in your economics class. Parallel editing or rack focus are, for the most part, dead terms. And they desperately need to be revived. Not so that film theorists have new stuff to talk about, but so that we have new stuff worth going to see, especially at the prices the theaters are charging today. 'Stuff' - a real definitive term, but again, a fitting one. Just think about it. Last Saturday night you may have said "Let's go to a movie," but when was the last time you thought of going "to the cinema"? Movie has come to refer to anything that Cruise would star in, and cinema to anything that he wouldn't. Rain Man may be a great movie, but it will never be called a cinematic achieve- ment because Cruise is in it. Surely, a better ac- *tor could be found for the part, but that would reduce box office draw. Enter ecomonics, and more specifically macro-economics, which in its own way has become synonymous with movies. Micro-economics is paired with cinema in the same system of logic. The latter should stay that k v. With a small budget, a direL i must plan ou vcry thing to the last detail, theric no room for mistakes. With a large budget, there's room for sloppiness. Spike Lee is a perfect example of this. For his first film, She's Gotta Have It, he raised the money by himself. In fact, the film itself was his mas- ter's thesis project at NYU. It is a great piece of cinema, written by, starring, and directed by Spike Lee. He employs those wonderful things STATE' tF THE known as 'film terms' and at points achieves brilliance as an auteur. Not bad for his first tilm. Because of this initial success, Lee had a flood of offers for monetary backing on his next pro- ject. School Daze obviously hassa large budget behind it, and just as obviously suffers from it. There are lavish dance scenes, a large cast, and other trappings of a big budget. But there was no tightness to it; the free rein Spike Lee was given got out of his hand and the product is mediocre. Movie has come to refer to any- thing that Tom Cruise would star in, and cinema to anything that he Wouldn't. If filmmakers are going to spend months in preproduction, months in filming, and months in post-production, they might as well do it right. Their names are attached to the the films. Then again, how many people can recall the name of the director of Cocktail? Actually, his name is Roger Donaldson. He directed a film in his homeland of New Zealand called Smash Palace, which was well-received internationally. So he came to America to work on big budget films. This is an ever increasing and continually disturbing trend - foreign film- makers coming to the USA to work for big pay. Francis Veber, a respected French director whose first American film Three Fugitives just opened to not-so-favorable reviews, said that the advan- tage of coming to America was purely monetary. He was excited by the idea that loads of extra footage could be shot and added in later. If neces- sary. Sure, that is a "nice" ability, .but it pro- motes laziness on the part of the filmmaker. And that's the last thing we need. Today, films rely solely on the box office appeal of its stars. Of course, the film has to make a lot of money, but that is because it costs so much to pay the stars. A vicious cycle. And from that continuous loop comes rising ticket prices. Films of the kind that come out of Hollywood today generally aren't worth the double-digits it would cost to bring a friend; they'll be on cable in a few months anyway, or at least at your video store. The appeal of films needs to become based on the abilities of those people behind the scenes. They are the ones who start the project and they are the ones who finish it; actors are just mid- dlemen. When they are talented middlemen, all the better, but they are not the creative ones. Remember, they are being directed. When Steven Spielberg, one of the few people today who support the idea of a director who puts in the effort and comes out with quality, won the Irving G. Thalberg Memorial Award at the Os- cars a few years back, he gave a short speech that deserves a prize of its own. His main thrust, which was aimed at the heart of Hollywood but seems only to have caused a flesh wound, was that films need to be better written. However, Spielberg did not draw attention to the other aspect that needs to be developed - cinematography. One of the main tasks of cin- ematographers today is to make sure the main action of what is filmed will later fit the parame- ters of the TV screen. They have forgotten that they are working with: film, good old celluloid. Although with the aid of computers, anything that can be done on film can also be done on video, neither medium is doing anything visually interesting at all. TV doesn't has no need to provide quality be- cause its audience is generally couch potatoes, who, by definition, are ever-present. The film audience, the majority of which is between 16 and 22 years of age, on the other hand, have to be drawn in. This enticement is based solely on the names of big stars, and if not that, then big spe- cial effects. But that means little toward big quality. Why put in more effort when none is necessary? Then again, why spend money on these aver- age films, when you can see equally blase stuff on TV or VCR? Change can only come about if movie-goers become patronizing and transform themselves into cinema-goers. And surprisingly, this takes little effort. In this town, there are enough alternatives to the first-run films to make you forget about those multiplex, shopping-mall appendages called theaters. They aren't much more than oversized television sets, anyway. And if Hollywood ever finds out that their films aren't doing very well because people want "quality," this nose-in-the-air term may find it's way into Hollywood lingo. And that even smaller word "art" may then be applied to the majority of films, not just a handful of ones. Hope to see you at the Cinema soon. RAM JAM 9 0 Continued from Page 1 state. Environmental groups such as RAM have begun to oppose these reductions for three reasons. Tropical rainforests cover seven percent of the Earth, yet scientists esti- mate up to 50 percent of the world's animal species live in rainforests, said Cohen. Whole sections of the rainforest biosphere have not been cataloged, such as the various layers of the canopy. No one knows what potential ben- efits to medicine could result from the undiscovered species. The groups are also concerned about the effects of the razing on the in- digenous native populations. Many tribes are slowly being squeezed out of q the rainforests, forcing them to abandon their traditional culture. The rainforests are also important to the global environment. The enor- mous concentrations of plants in the forests convert large quantities of car- bon dioxide to oxygen. As the amount of carbon dioxide in the atmosphere increases, this function of the rainforest is becoming more important than ever, said Cohen. No single reason exists for the destruction; most of them, however, are economic. Many large development projects funded by the World Bank take advantage of the rainforests, which are considered undeveloped land by the local governments. Huge timber, cattle grazing, superhighway, and hydro- electric projects have consumed masses of virgin rainforest. Compounding the problem are the large populations in most of the countries that contain rainforests. In the past groups concerned about the rainforest have called for a boycott against Burger King due to its use of Brazilian beef grazed on former rainforest lands. The national Rainforest Action Network is beginning a study of the uses of tropical timber, 80 percent of which is currently shipped to Japan. RAM will have information on how to join the group and other ways to help the environmentalists at tonight's concert. Big Box of Nines, a local guitar-bass-drums trio, will open the show. The Nines formed a year ago, making this "yeah, almost an anniversary," said lead guitarist/vocalist Charlie Edwards. The band started as a four-piece, but "no way" will it add members now, because "three-piece music is differ- ent than four piece music. We don't do verse-chorus-verse-and-then-Carlos- Santana-steps-in-with-a-lead-solo." The band claims to be very prolific, as Edwards declares "people who saw us a month ago might think they have us pegged, but we still promise at least one new song per show." The band wants to put out a "a tape, a video, a live album, anything... as soon as we can afford it." Local fans should catch them soon, because "we're all graduating in a few months and then we're moving anywhere but L.A. or the east coast." Headlining the show will be the Iodine Raincoats, who have just about reached the limits of local bandom in the roughly two years they have been together. Interestingly, Big Box of Nines' bassist, Ron Jeffries, was an original memeber of the Iodine Raincoats, who formed as a quartet but have since added an extra guitarist. The band began playing popular 'alternative' covers by the likes of the Violent Femmes, U2, Bauhaus, and R.E.M., but quickly developed crowd- pleasing, body-moving originals such as "Four-Eyed and Angry" and "Spin." Last summer, the band released the four song EP I Wonder, which guitarist Dave Amir said "sold real well when it was released and again in the fall when the students came back." Since then the band has played it's first long-distance gig in Minneapolis with Frank Allison and the Odd Sox. The band dug "the five guys in a van and all that" experience enough to agree to gigs in Pittsburgh and New York. The NYC show was at the classic 'new-wave' showcase, CBGB4, which turned out to be "not much bigger than The Beat, but very efficiently run." The band did well enough to earn a "give me a call sometime" re- sponse from the management. The Iodine Raincoats have big plans afoot, starting this weekend when they enter the studio to record a full-length album. They have some new material to work out tonight, before trying "some live recording techniques (in the studio) to capture more of our onstage energy. We're unanimously doing 'Four-Eyed and Angry,' but we haven't finalized much." RAM JAM will begin at 9 at The Beat, 215 N. Main. Cover is a $5 do- nation. Big Box of Nines, known for their frequent appearances at benefits, and subsequent lack of money, play RAM JAM to- night with The Iodine Raincoats. i Cornerstone CHRISTIAN FELLOWSHIP WANTED USHERS (an interdenominational campus fellowship) Students Dedicated to Knowing and Communicating Jesus Christ Weekly Meetings: Thursdays : 7:00 pm 439 Mason Hall John Neff - 747-8831 For Major Events Concerts MASS MEETING Thursday, Feb. 2, 7:30 p.m. Pendleton Room Michigan Union I- +. -.., ,. * VETERAN USHERS- Those who have ushered Major Events concerts in the past. NEW USHERS- Those who would like to usher Major Events Concerts. CLASSIFIED ADS! Call 764-0557 Starbound Campus-Wide Talent Competition Saturday, February 4, 8 p.m. Mendelssohn Theatre Come see students compete for valuable cash and prizes! GET IT! The Personal Column MICHIGAN DAIRY CUSSIFIED ADS ; Lq Tic Tickets: $4.00 at the door $3.50 in advance ckets available at the Michigan Union A Your Summer Job more ttan just employment... CAM~P TA3aACH ot.peen Travel. Ce~p Kennedy. Agree Outpst, impaired) SilvermanVillafor the emotial ~~~jaily CaMP C 'Postions i 1M9