The Michigan Daily - Monday, September 26, 1988 -- Page 9 Ex-Detroiters sing hardcorps politics BY ROBERT FLAGGERT And today the millions cry, we eat and drink while tomorrow they die." - U2's "Sunday Bloody Sunday" "We're the young who stand upwe must never be silent.We've got to speak up now for all our sakes." - The Alarm's "Marching On" "I read the newspapers and listen to the news, but I take it all with a grain of salt. The only thing I know for sure is what I see with my eyes." - Rhythm Corps' Michael Persh A FTER putting up with U2's platitudinal drivel for what seems like an eternity, and after watching the Alarm decay into a fetid, wimp- rock, bore band, unity rockers are in for a treat, as L.A.-based Rhythm Corps marches into town tonight with a fresh angle on this "over- done" vein of music. Bringing with them more optimism than UCAR and more hair than the Manson family, these guitar-weilding galutes will assault fans at the Nectarine Ballroom with their Clash- influenced political rock in what is sure to be an exciting, if not enlightening, show. Formed in 1981 in Detroit, the members of Rhythm Corps have paired their British influences with strong, industrial American roots to create a sound they can call original. By taking the niive political views of bands like XTC and the Sex Pistols, and injecting it with a sub- stantial dose of city-dirt and street smarts, R.C. has become a band with a mission, attempting to teach as they entertain, and succeeding Rank Sire Records "Manchester, so much to answer for!" - including for a start, great English rock groups like the Buzzcocks, The Fall, Joy Division, and, of course, The Smiths. Rank was recorded live at the National Ballroom, Kilburn in London, in October 1986. At the time, the Smiths were vilified for being "too rocky"; and yes, there is more muscle and sinew here than in their Rickenbacker rhapsodies of '83 and '84 - but the group's hallmark, Johnny Marr's guitar chime, is still omnipresent. Rank captures the Smiths at their creative peak, before the patchy Strangeways, before Marr played with Bryan Ferry and Talking Heads, and before the band's breakup. And contrary to common perceptions of the Smith's music as miserable, self-pitying dirges, Rank shows that - surprise - The Smiths are funny! Morrissey has a dry ironic and perfectly English sense of humor. In this setting he yodels, hams it up, indulges his verbal gymnastics, rolls his R's magnificently, and hisses his S's out like there's no tomorrow. I challenge anyone to listen to "Vicar in a Tutu" and not smile.I Morrissey wrote "Shoplifters of the World Unite" as an ode to plagiarism/quotation/postmodernist theft, exemplified here by the group's rendition of Elvis' "His Latest Flame" as an intro for "Rusholme Ruffians." Rockabilly appears again in "London," which sounds tough enough to have crept out of the Cramps' Psychedelic Jungle. But the Smiths' greatest potency lay in the brooding romanticism of the music and Morrissey's ability to tap into some shared, common and often painful experience. "I Know It's Over" is one of those rare pop songs which really does gnaw away at some truth, and frightens with the intensity of its bare confession. Rank is worth buying for this track alone. But in any case, you won't be disappointed with a jaunty version of the adolescent love primer "Ask," the revitalized "Still Ill," and a venomous "Bigmouth Strikes Again." Whether Morrissey and Marr ever work together again is open to question, but for now we have a legacy of great records, and Rank makes a neat final chapter. -Nabeel Zuberi where others have failed. Songs such as the call-to-arms single "Common Ground" reveal a softer side of the band, while "Streets on Fire" and "I Surrender" - powerful free-for-alls sure to grab attention - show them at their peak. After six years of struggle in Detroit and the release of two five- song EPs, Esprit de Corps, and Paquet de Cinq, -Rhythm Corps moved to Los Angeles, where they were quickly snatched up by Pasha Records. The current tour backs their first full-length album, Common Ground, the big payback for almost eight years of obscurity, and a har- binger of more sonorous slo- ganeering to come. RHYTHM CORPS unleash their polished political fervor on fans at the Nectarine Ballroom tonight. Doors open at 10 pm and tickets are $10.50. Be there or be apolitical. Why just watch the show? UAC/Soph Show Presents GREASE Books, Music & Lyrics by Jim Jacobs and Warren Casey Be a part of it! Mass Meeting Auditions for Cast and Technicians Monday, September 26 7:00 P.M. Pendelton Room-Michigan Union For more info. call 763-1107 REGISTRAR'S BULLETIN BOARD Each term the Registrar will publish important information and key dates affecting students Dates to Remember "... fantastic adventure, beats like a strong pulse." - The Book World "A thriller packed with lust, laughs adventure and murder- ous intrigue.r" - Literary Guild GTYOUR COPY TODAY! CoPynghl 19888BridgePubhcapons Al. J rghts, esemea{ , Tired Of All Nighters? LastDa to: Wed., Sept. 28 Wed., Sept. 28 Wed., Oct. 19 Be inning: Thurs., Sept. 29 ' Thurs., Sept. 29 Thurs., Oct. 20 WITHDRAW FROM FALL TERM - with payment of the $50 disenrollment fee and $60 registration fee. DROP CLASSES - with a reduction in tuition and without a $10 change of election fee. WITHDRAW FROM FALL TERM - with payment of half tuition and $60 registration fee. WITHDRAW FROM FALL TERM - pay half tuition and $60.00 registration fee thru Wed., Oct. 19. $10 CHANGE OF ELECTION FEE - payable in advance at the Cashier's Office for drops, adds or modifications to Fall Term schedule. Full payment of tuition and fees for students who withdraw frnm the -all Tprm