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DEAD
Continued from page 5
politics are quickly quelled, and
enjoyment of the evening is the main
goal. The biggest outward problem
the guests seem to face is a drunk
middle-aged man, Freddy (Donal
Donnelly), who likes to hand out
compliments like party favors.
He also serves as a comical
character, but is every bit as realistic
as the rest of the ensemble. Each
person could be someone you know,
which helps to endear the guests to
the film audience. It is once we get
to know the characters that we can
learn from them. Yet what we learn
can not be defined categorically
because each person will gain
something different than the next.
When the dinner commences
Gabriel (Donal McCann) delivers a
speech that he has been practicing all
night. He makes a toast to his three
hosts, the two aunts and their niece
Mary Jane, and compares himself to
the mythical Paris who had to choose
between three beauties. Instead, he
defers making this choice by drinking
to all three.
We should do the same. While
only Tony was nominated for an
Oscar for this film, it is the
collaboration of the three Hustons
that brought this literary classic to
screen splendor. The Dead is a
fitting ending and tribute to the
legacy that John Huston has left to
us, and it is a strong sign that his
children will continue in his path.
VOLUME 6, NUMBER 20
_ c he Mirl igttn tt[Iq
M A G A ZI N E
4
Plus:
Divine's last film
Hot jazz in Ypsi's Depot Town
PAGE 16 WEEKEND/MARCH 18, 1988