ARTS Tuesday, February 16, 1988 The Michigan Daily Page 5 High By Alan Paul Labels can be so confining. Jus ask Barrence Whitfield, the Boston based leader of the Savages, who is often tagged a "blues singer." This is like calling Jimi Hendrix a guitar strummer, Shakey Jake an interesting guy, or Ronald Reagan an asshole. It is a gross understatement. Whitfield is a high energy, prima screaming, gut bucket blues-bash ing, Little Richard- loving, freak falsetto flailing, rock 'n' roller. "Our music is a mixture o everything. We don't do just on kind of thing," Whitfield says from his Omaha hotel room. "We try tc do it all with an edge to it so it'; more rock 'n' roll than anything But we're categorized (as blues) be cause of some of the places we play and some of the people who com out to see us. I'm not singing th blues every night." Whitfield and the Savages ar certainly not singing the blues over their latest Rounder release, the aptly titled Ow! Ow! Ow! The album kicks off with the wild Littl Richard on acid sounding shrieks of "Rockin' the Mule" and doesn't slow down. One sequence on side two is a microcosm of the band's diversity The songs move from the wild post- punk shriek of "Girl From Outer Space," sung entirely in falsetto, to the upbeat pure Stax-style soul of "Runnin' and Hidin,"' to the deep guttural guitar blues of "The Blues is a Thief." Whitfield's wide ranging sounds have their roots in the first rendition of the Savages, which split up over a year ago. That band was composed of former members of Boston garage- grunge gurus The Lyres. "The garage rock was their influ- ence," Whitfield says. "They had been doing that for three or four years and the guitar player was also in a band called DMZ. They had that little garage edge to them." energy The original Savages split up for personal reasons; the guitar player wanted to go back to school and the rest of the band fell apart. Whitfield t briefly considered hanging it up be- n fore reforming a new, more wide s ranging batch of Savages. "The old band was a garage band x that really had intensity but what we n have now is a real good band that n can play anything that you hand them. They're more versatile but still with that intensity." i Whitfield and the Savages are - committed to Rounder for one more y record. He is optimistic that the band will move on to a major label and f does not worry about coming under * pressure to smooth out his music. "You go with what got you * here, what brought you success. You s try to advance yourself without los- ing what got you started," Whitfield - says. "But you don't want to keep y doing the same thing over and over e again until people think it's all you e can do. If you do tasteful things, it's not that you're being commercial, e but you're advancing. r "You're still staying in the same y type of genre. You want to advance n but you don't want to lose your e roots. There's natural progressions f and there's artificial leaps. Now, if v the band turned into another Hooters a or something...you could say 'hey . they sold out!' There doesn't seem to be any r danger of anyone yelling "sell out" in the near future. They don't call f them the Savages for nothing; p Whitfield is widely known for his s wild stage antics. "It's just something thaL's a s spontaneous thing," Whitfield says, his voice cracking in the upper r registers. "You get on stage, you d start getting into the music and the next thing you know I'm doing flips blues 'n' roll and rolling around on the ground and diving into the audience, and jump- ing around from there to there and dancing. It's just a feeling that if you're into the music, you want to express it on stage. Plus, it's a form of entertainment. I just go with my impulse. If I want to roll up my pants, I'll do that. It's just sponta- neous. "It's just fun music. Every place we play at gets live and people really get into it. I loooove playing live. I like to see people bash their brains out. Really, I like to see people have a good time and they usually do when we play." The crowds had such a good time everywhere Whitfield and the Sav- ages played last summer in Europe that the band became heroes, receiv- ing rave reviews and drawing rock elite such as Robert Plant, Elvis Costello, and Robyn Hitchcock to their shows. Whitfield was dubbed the "R&B hurricane" and one En- glish critic wrote "Barrence Whit- field- dear God, we are all his chil- dren now." Whitfield chalks such adulation up to witnessing the "real deal." "When they try to do it, it's like, they try their best but it doesn't come off as well," Whitfield says. "An American band goes over and just wows them because it's more authentic than some British guy try- ing to do Chuck Berry." BARRENCE WIIITFIELD AND THE SAVAGES appear tonight at 10 p.m. at the Blind Pig, 208 S. First St. Doors open at 9 and admission is $7.50. Whitfield will be in the WCBN (88.3 FM) studio for an on-air interview between 8 and 9 p.m. Barrence Whitfield brings his no-holds-barred stage show to the, Blind Pig tonight. DO YOU RECEIVE ENOUGH FINANCIAL AID ? OR ARE YOU... " over-burdened w / loans " working more than studying " afraid you can't afford a U-M . education *Y The Michigan Student Assembly wants to take your complaints to Washington D.C. To submit your testimony attend an External Relations Committee meeting - 6:30 pm Thursday, or call the MSA office - 763-3241 ibis spring, for makeal it. . APP 1 " A- AMi And other majors that don't guarantee jobs after graduation Getting the job you want isn't easy. Especially for recent college grads. Very few majors will prepare you for a specific career, and guarantee you get hired right out of college. For the rest of you, finding some- thing you like won't be simple. You could contemplate grad school. Or law school. Two or three more years of school, and student loans comparable to the national debt. There are very few jobs out there that require little or no experience. Jobs that you would enjoy, where the only requirement is a college degree. O0 This Spring Break, catch a Greyhound' to the beach, the mountains or your hometown. _____For $49.50 each way, you and your friends