4 Page 14 -The Michigan Daily-Friday, September 11, 1987 Records (Continued from Page I3) sound fuller, brighter, and even bolder than ever before. They take a country/western turn on several cuts, including the gloriously lazy "Bonneville," complete with banjo pickin's. A silly toy piano plucks along with "Working For Somebody Else," and there's a quirky, squashed Fame Theory-esque rhythm to the opener "Never Say When." Clinchers are the beautiful slow tune "I Lie," and "Never Before and Never Again," duet with the heavenly Syd Straw (of Golden Palominos fame). The dB's were a good secret for one where they went "rock 'n' roll."On Document, these artsy Southerners have turned up their amps and loosened up even more, and sound like they're enjoying every track. Strangely enough, this album also carries some of their weightiest messages to date. As the Marxist artwork suggests, Document devotes many of its tracks to themes of revolution, the uprising masses. Starting with "Finest Worksong" (which has an eerie, Simple Minds type of whooshing rhythm and surging electric guitar lines), R.E.M. tackles the changing times. The band's typically disjointed lyrical style keeps the messages subtle, never preachy, but you can't deny their social conscience. On "It's the End of the World As We Know It (And I Feel Fine)," vocalist Michael Stipe sounds like an '80s Dylan reciting the events of the apocalypse - but the message is an absurdist's vision, pounded and flayed in every direction by the rhythm section. R.E.M. turn down the wattage on the slightly darker side two with the pretty-yet- powerful "The One I Love" and "King of Birds," a soothing melody which finds Stipe crooning, "Standing on the shoulders of giants/leaves me cold." The band also really kicks out the jams of "Exhuming McCarthy," a retro-rockin' tune which dives straight into a twangy '60s surf guitar line, and then some barely audible recordings of the '50s hearings. The irony of it all is shot home with the chorus, "It's a sign of the tiiiimes..." But R.E.M. plays with its widest grin on a cover of Wire's "Strange." What was once an angsty punk-era tune is suddenly. pure pop - and it shines. There's love songs a-plenty; "Never Befogx and Never Again"is a clever duet with Syd Straw (of Golden Palominos fame) about the history of a relationship. There's lots of jangly reminders of the R.E.M. we've known all along, but Document marks a real progression for this group.While it's definitely one of their most accessable records to date, they really haven't forsaken quality for mass market quantity. Even if they are playing arenas now. -Beth Fertig Snook Eaglin Baby, You Can Get Your Gun Hubert Su mli n' s Blues Party Hubert Sumlin's Blues Party Black Top New Orleans' own blues record label, Black Top, may turn out to be a gold mine if these two releases are any indication. The Snooks LP is a joy. The blind guitarist was the lead player in Assen Toussaint's first band and later worked with the legendary Professor Longhair. His tight lipped vocal style compliments his succinct guitar phrases. Saxophonist David Lastie and Ron Levy on keyboards contribute to an exhilirating date. And it's double thumbs up for the Blues Party hosted by guitarist Hubert Sumlin. Sumlin was Howlin' Wolf's protege and guitarist for years. In a recent interview, Eric Clapton listed Sumlin among his favorite players. for the uninitiated, these jam-type tunes should demonstrate the. whys and wherefores. It's a rolling straight ahead session graced once again by pianist Ron Levy, a full blown blowin' horn section and the power vocals of Mighty Sam McClain. It's double trouble from Black Top and that means twice the fun. -Marc S. Taras A R.E.M. loosen their ties on their new LP 'Document.' I 4 Monty Alexander Trio t; Peter Holsapple of the dB's. too long. With The Sound of Music, it's all let out of the can. Now maybe their earlier records will become easier to find. R.E.M. sure didn't take long in hutting together Document, their fifth LP. This one's out less than a dear afterLife's Rich Pageant, the briCngs infectious rhythm , j _By Marc s. Traas ADVERTISE IN THE MICHIGAN DAILY J What a welcome back party! The Bird of Paradise, Ann Arbor's own jazz club, is playing host to the Monty Alexander Trio this weekend; Alexander is a 43-year-old native of Kingston, Jaimaica whose music reflects his island roots as well as his love of jazz. He possesses great facility and technique; his playing is articulate and infectious. It is almost irresistibly happy, though Alexander can play the blues, or get funky and wistful sweet with the best players around. Since his high school days playing "jump up" dances and his exposure to jazz through the film "High Society," Alexander has developed a musical language that blends a Latin rhythmic base with a thoughtful, upbeat vocabulary. He has worked with notables such as Jimmy Smith and Milt Jackson as well as leading his own groups. His Ann Arborappearance at the Bird of Paradise with his trio is a happy thrill -that should be enjoyed by all (ages and types!). Bassist John Clayton and drummer Jeff Hamilton are along for the Treetown trip to ensure triple the fun for the three shows both nights. Be there! There will be three shows from the Jamaican pianist on both Friday and Saturday night with the the first show each night designated as an all ages event. Set times are 7:30, 9:31, and 11:30 p.m. GO BLUE From AllOf Us At DASCOLA STYLISTS I This Saturday!! September 12, 1987 Pianist Monty Alexander. I The Dan I r/ Honorable HELP WANTED. for Student Publications Building Early morning hours - 15 hrs/week Start Immediately - Work Study welcome Call 764-0550, ask for Nancy Rostenkowski OPPOSITE JACOBSON'S 668-9329 MAPLE VILLAGE 761-2733 Democrat - Illinois will be speaking in Hale Auditorium at the Business School UM News in The Daily 764-0552 8'Erui En0 CAMPUS CHAPEL (668-7421) 1236 Washtenaw Ct. (one block south of Geddes & Washtenaw) Sunday worship: 10:00 a.m.: "The Foolishness of Faith at the Univet- sity". 6:00 p.m.: "Praise for God's Sui- prises." 7:00 p.m. - Ice Cream Social on 11:45 AM Whatever the assignment, Pilot has the formula for writing comfort and precision. Pilot's Better Ball Point Pen, in medium and fine noints, I m