Page 8 -The Michigan Daily-Friday, November 6, 1987q
Purim and Moreira play warm soundsfrom Brazil1

By Marc S. Taras
Maybe if we all cross our fingers,
click our heels three times, and
repeat, "There's no place like Ann
Arbor! There's no place like Ann
Arbor!" then everything will be
alright. After last Saturday's
cancellation by Keith Jarrett, jazz
fans and concert promoters are
hopeful that malingering Halloween
spooks linger no more. Tomorrow
night in two shows (8 p.m. and
10:30 p.m.) at the Ark Eclipse is
presenting red hot Brazilian jazz

from vocalist Flora Purim and
percussionist Airto Moreira. For at
least one night, summer in Rio will
replace Michigan's November chill.
Flora Purim was born in Rio
DeJaneiro in 1942. She came to the
United States in 1967 and studied at
California State, Long Beach. In
1972, she married Airto Moreira.
Purim is possessed of a remarkable
voice with a six octave range. She
can sing a ballad in her native
Portuguese in a whispy, sensual
soprano, or roar out a funk and
fusion piece in street-English. She

will offer wordless vocalise that
reflects the sounds of animals and
nature. The tiger growling in the
veldt... Ahh... the gulls soaring
above the beach, calling to the
surf...
Flora Purim has recorded witt
Chick Corea, Stanley Clarke,
McCoy Tyner, Carlos Santana, and
many others. Her repertoire includes
jazz standards, Brazilian traditional
works, and Latin fusion. And of
course, the organic rhythmic charge
provided by Airto Moreira.
Airto (pronounced "eye-ear-toe";
Moreira was born in Curitiba, Brazil
in 1941. He is a self-taught
percussionist and drummer who has
been performing since he was 12. He
has been credited with single
handedly revitalizing the role of
percussionists in modern music.
Using both hands and feet, he has
contributed to the music of Miles
Davis, Cannonball Adderley,


4\ FALL 1987
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kets aticket office

tWeather Report, Paul Simon, and
1other stars. His discography is
enormous, as is his variety of sound.
Airto Moreira is concerned with
natural sounds. His rhythms are the
organic rhythms of life. He plays an
Iexotic array of traditional percussion
instruments. Moreira is a master of
lthe Berimbau, a one-stringed bowed
instrument which uses a gourd as a
tresonator. A sort of primal guitar,
Fthe Berimbau is played in
conjunction with caxixi (Ka-she-
she), basket rattles woven from dried
}seaweed.
tMoreira is also an astonishing
tand powerful performer on trap
drums. It will be exciting to see
what kind of set-up he brings to the
Ark. He is sure to get your heart
Ebeating and your body bouncing.
"Joining Flora Purim and Airto
Moreira will be guitarist Jose Neto
from Sao Paulo, Brazil. Over the
last ten years Neto's warm playing
has been featured with Harry
Belafonte, Tania Maria, and Randy
Brecker. His association with Purim
and Moreira dates back several years.
So, if you like your jazz served
sunny side up, with more Cayenne
power than a bottle of Clancy's
Fancy Hot Sauce, book passage to
Brazil tomorrow night. You won't
have to travel far.
All the warmth and love of Rio
will be right here in town tomorrow
night at 8 and 10:30 p.m. at the
Ark. Flora Purim, Airto Moreira,
and Jose Neto travel with something
special that they don't even have to
pack. You will know when you hear
them that they carry the music
within them wherever they may be.
ITickets are $10-50.

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Phone 764-0558

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Flora Purim and Airto Moreira will play an exciting evening of Latin
American jazz tomorrow night at the Ark.

M IN.. s i m

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more info
cal 763-1107

HIGH QUALITY
LOW PRICES

The Big Show!
N~ov 12 13, 14
8:700pm
Mendelssohn Theatre

CANTERBURY HOUSE
Sunday Schedule
(The Chaplaincy of the
Episcopal Church to the
U-M Community)
218 N. Division St.
Lunch following the
10:00 a.m. Eucharist
at St. Andrew's Episcopal Church
(across from Cant erbury House)
2:00 p.m. Episcopal/AnglUcan Worship
Community Room, jlursley Hall
6:00 p.m. Eucharist at Canterbury
(supper follows)

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11

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T2he Mannes College of Music
150 West 85th Street, New York, N.Y. 10024 e 212-580-0210
Audition Dates: Scholarships are available. Dormitory
Januar 11, 1988 Master of Music, Post-Graduate Diploma, Rooms
March 2, 3,4, 5. 1988
Ma, 25. 26, 2", 1988 Bachelor of Music, Bachelor of Science, Available
Augus /Sepftmber Diploma, Professional Studies Certificate.
to he announced
M ajor Fields of Study This a complete listing of thefaculty
Ensembles in Residence WOODWIND and ACTING and SECONDARYPIANO
The (Galimir String Quartet BRASS STAGECRAFT Emilic Harris
'The Mannes Trio) Andrew L ol alute Wcslcv Balk Miriam Kartch
The Newman-)ltman Thomas Nvfcnger. Flute Janet BookspanCO PST N
Guitar D~uo Elaine Douvas. Oboe Nina DavidCOPST N
PAOJohn Ferrillo. Oboe Louis Peterson Charlcs Jones
AlbetGltz_,_Ooe avid Locb
PIwaNO AlbellMrktHll olte OPERA COACHING Peter Pindar Stearns
Arkady Aronov Ronald Roseman, Oboe Mars~hall Williamson D~avid Tcimpidis
lDavid Bar-tIlan ('ervase de Pever. Clarinet Alexander Ryvkmn Frederick WerIC
Claude Frank Peter Simcnauer, ClarinetSOGTCNQE
Richard Goode BrSiO.Bsso NERPRTATINIOF UC
Jean net te Ha icn Co ntra hsBassoon anINTRPREATIOOF ___I
Eugenia Hyman Harold Goltzcr. Bassoon Antonia Lav anne Eliabeth Aaron
Grant Johannescn Judith Leclair. Bass.~onHSTOIA Edward Aldxsell
Allen Wcon. Saxophone Poundie Burstein
Leon Pommcrs Mvron Bloom. French HornPEFRAC'eryhapi
Mai oesRanier Delntinis French Hn aei Hors Robert Cuekson
Josef Raicff' Antonio ler~olino. French Horn Program Coordinator D~ouglas D~iamond
Peter Scrkin lavid~ollev. French Hoern Julianne Baird. Voice Leo Edwards
Nina Svetlanova Philip Myers. French Horn C:harles Bressler, Voice C;harles Jones
Diane Walsh Miel Broilcs, Trutiie Marcy indlhcimer.lVoice, Ford ILallcrstedt
ORGN nd inentPezcrll, TumetKenneth Cooper. Harpsichord Larry Laskowski
ORANanm~ne thenTruel.trupeLionel Party.,lHarpsichord David Loch
CHURCH MUSIC JmsSih rme Patrick ('Brien. Lute Mci-Mei Meng
Jo rmoeFord L~allerstedt Per Brevig. Trombone Nany Wilson, Bartoquiiiiolin; William Ncedelman
McNeil Robinson D~onald Harwood. Director, Baroque Frank Nemhauscr
W illiam WXhitchead Bass Trormbone Chamb er Ensemble Marie Powers
Stehe Jons Tua yro Ltzk",Baroque Cello (:art Schachter
STRINGED____ Michael Willens, Violone D~avid Stern
INSTRUMENTS CLASSICAL GUITAR Richard Taruskin. Eric Wen
Nina Beilina. Violin Eliot Fisk V'iola da Gamba Frederick Wcrhe
Raphael Bronstein. Frederic Hand Dennis (;odbtirn, Recorder.
Violin and Viola Sharon Isbin Baroque Bassoon, Dulcian PEDAGOGY
Isidore Cohen. Violin Herbert Levine Stephen Hammer. Recorder. Emilie Harris
Felix Galimir. Violin Michael New.man Ba~roquet Oboe Mairic Powlers
Shirlev Givens. Violin Philip Levin. Recorder, Carl Schachter
Lewis Kaplan. Violin ORCHESTRA and Baroque BassoonHITR an
Ani Kavafian,.Violin ORCHESTRAL Sandra Miller. Baroque Flute ITR an
D~avid Nadien, Violist CONDUCTING' Steven Silverstein, Corn etto LITERATURE OF MUSIC
Aaron Rosand. Violin ao ribrlui ietr Beniamin Peck. .Sackbut. Jane (,ottlieb, M.S.L.S., Graduate
D~ora Schwartzherg. Volionre.beg 'tsi ircor Director, .tlannes .Studies. Literature of/Music
Sally Thomas, Violin CHORUS and Renaissance Band Andrew E. (Green,. M.MN.. History of
Hiroko Yajima. ViolinCHRL ONUT G Benjamin Harms. Percussion ,ltsc
Paul lDoktor. Viola and Violin APaulai.eEchols. lciDirtcrorI.. Michael Griffel. Ph.D.. Graduate
John Graham. VoAlaase. As lieco lannyes Camerata .Studies, Literature of Music
Sol (;rcitzer. Viola VOICE CHAMBER MUSIC Charles Kaufman, Ph. D.. History of
Karen Ritscher, Viola Richard Barrett and ENSEMBLE Mlusic
TmtyEdVioloncello Kenneth Stern. Phi) .Studies in
imtCEd.(harles Bressler Per Brevig
G:ary Hoffman. Violoncello go sCliceeryCaplnOera history
Melissa Meell. Violoncello PerElua Frederick Wcrlt 4.M..
PaulTobis, iolocell Eu Dokortusic Literature
PuTois ilieloAntonia Lavianne Timothy EFdd}
Homer lrvne.h Double Bss la ae Felix Galimir ACADEMIC STUDIES
MlmrMnc.Dul as Narian Thompson John Graham Gale Justin. MA.. Western
HARP Theodori' ppman Howard V'an HyninK Civilization
Gloria Agostini DICTION Julius Lcvine Suz~anne Osborne, B.A.. German
.ucie 1:.wrnc.-..-, --Marie Powers El.nor i,..R icherPhT) Ar..t i...,

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