ARTS Page*7 The Michigan Daily 'U' Friday, October 23, 1987. theatre 0 0 organizations By Amy Koch Unknown to most, University Productions is the collective title for the Power Series, Project Theatre, Mendelssohn Productions, and Trueblood Performances. These venues offer the uninitiated diverse cultural activities that are an exciting on-campus alternative. Aside from the University's rich tradition in theatre, the unique structure of the departmental and University programs consistently provide diverse material th at correlates to many students' studies. Primarily, in light of t h e University's conviction to focus ticipants and audience because its productions are generated to students' interests. Opening the series will be Giacomo Puccini's La Rondine, a rarely performed, bittersweet opera in the Viennese style (November 19- 22). Next, Thornton Wilder's modern American theatre classic The Skin of Our Teeth will be performed December 3-6. Project Theatre, on the other hand, consists of professional actors and a core production staff. Though many classics are performed, "experimental" theatre is commonly featured. Aside from being Associate Director at the National Theatre of Great Britain since 1973, Artistic Director John Russel Brown has directed Antique Pink, The Daughter In-Law, Oedipus, and Waiting for Godot during his stay here. Project Theatre features at least one work relevant to introductory English and theatre courses. This term, Brown has directed the classical masterpiece Don Juan, which will be at the Mendellsohn theatre starting October 29th. The Trueblood Theatre is pri- marily a performance venue for University Players and students studying drama and theatre. The flexibility of the auditorium allows many types of productions to take place there because the seating can accord with the needs of the production. Though many Uni- versity Productions take place at the Trueblood, such as The Contrast (currently in production), other performers take advantage of this auditorium as well. For example, the Hill Street Players will be presenting the wonderfully human play1000 Clowns on November 5th. With such opportunities just a short trot away, every industrious Michigan student should be able to find some "escape" in the University's theatres. pro-duction resources to benefit students, the drama department was recently transferred to the School of Music. Here, there is much more freedom to create the diversity of KAME~3~~ offere productions that the Ann Arbor campus demands. Paul Boylan, Dean of the Music School, states that there are distinct objectives for both the students and the faculty in making this move. "It is not enough to just study 'drama.' Instead, within the training of dramateurs, theatre critics, and theatre historians, it is crucial to know all of theatre; from acting to backstage." Boylan adds, "When people approach art intellectually, it doesn't work. We want them to know the realities of theatre by working backstage, etcetera." By creating independent factions scape under one core structure, Boylan has attained a "broad palette of experience" whereby each section,.- though having its boundaries, has independence to express creativity. Boylan feels that such a n arrangement "won't compromise artistic integrity; it will enhance it." The Power Series, mostly a, student production premier for the. School of Music, is dedicated to featuring a variety of students in the., performing arts. Such a program is advantageous in that it enables students to work with nationally prominent directors, conductors, and' choreographers. The Power Series has a widespread appeal to par-. Freckelton adds twist A 'to natural visions By Lauren Shapiro In her new exhibit at the Alice Simsar Gallery, Sandra Freckelton has combined highly detailed still life in a somewhat surrealistic fashion to create extraordinarily unique and beautiful prints. Freckelton's paintings come directly from her environment and life experiences. In her prints, she weaves together plants, fruits, flowers, quilts and other objects from her home and garden. Freckelton lives with her husband, artist Jack Beal, in an old mill near Oneonta New York which the two of them converted into a beautiful home and working area. Her husband comments, "Sandra's art is her life and her life is her art." She chooses colors which are bright and will radiate throughout the print moving the viewers eye back and forth over the selected work. She explains that one benefit of using silkscreen and other print methods of production is the intricate com- binations of color and light created. Freckelton combines her com- position in a complex manner, balancing the objects, patterns, and colors in her prints. In "Openwork," a print com-pleted in 1987, light cascades over fruit, glass, and the delicate decor upon the tablecloth transforming soft surfaces into hard, creating an engaging arrangement. She uses glass as a method of reflecting and distorting images in the print. Sandra Freckelton forces the viewer to take an active role in perceiving and interpreting her work. Freckelton enjoys her work not only for the great beauty she creates, but also for the contribution she can make towards society. One of her prints in the Simsar Gallery was created to celebrate an anniversary occasion in the Young Women's Christian Association. S h e combined her wooden table, chairs, and flowers with a hammer and nails to represent women's changing role in society. She wants the print to express a re-evaluation of women's lives. Freckelton says, "Women are no longer only home makers, they are builders and designers, growing stronger everyday." Sandra Freckelton was born in See FRECKELTON Page 8 T-SHIRT PRINTING HIGH QUALITY LOW PRICES SINCE 1973 1002 PONTIAC TR. ~~994-1367 .. .. .. .. .. .. .. ........ .... .... .. .. .....----------------------------- It I---- I At 215 N. M Reserva 995-86 Nis IM O I I I I IGr Ad Im m Im the lain n tio 38F Co wit Ann Arbor I Appearing: ins Fri8:30 & 11 pm , B 4 Sat 8:30 & 11 pm 1h. 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