ARTS The Michigan Doily Thursday,I March 19, 1987 Page 5 'American Empire' falls By Geoffrey Ricklin If a movie consists entirely of conversation, the conversation had better be quite good. The Decline of the American Empire fails boringly because its script never manages to stir up much interest. The film features six or seven people discussing and harking back to their sexual experiences. Writer- director Denys Arcand apparently intends their revelations to be shocking, or at least discomforting, but these days something has to go pretty far to acquire that dubious distinction. All the episodes dis - cussed, and they are many, fall well within the range of the quasi- normal, and they never lead to any interesting conclusions about the behavior involved, so it's all quite pointless. All the dalliances amount only to promiscuity on parade. If Arcand were able to fit it all into some sort of thoughtful observation or conclusion there might be some - thing worth contemplating. As it is, there is nothing. One of the film's mysteries is what Arcand means by his title. Unless one wishes to journey into feminist or fundamentalist fantasy land, there are political consid - erations in but one scene. All the film's characters are academics, and the opening sequence shows one of them engaged in an interview dis - cussing her book that attempts to prove that America is collapsing from moral decay. She presents the evidence of the sexual activities of women, who nowadays fool around as much as men. This, she alleges, causes downfall. The problem with this dubious thesis is that the film does not explore whether or not it is credible. We see only actors and actresses peregrinating from one bed to the next. Arcand tries to be pro- found, but he has his characters say things like: "If I am in love, I am. hard. If I'm not hard, I'm not in love." Seeing people sleep around is commonplace both in film and in television; as far as explicit sex talk is concerned, Dr. Ruth is more in - teresting because it's real rather than imagined. The apparent point of the story, that promiscuity is self-detructive, is ever so slightly less than orig - inal, and Arcand has nothing to say about its consequences for society. And what's this about the "Amer - ican Empire?" The film is French- Canadian. Does Arcand regard Que - bec as some sort of American ap - pendage? He never lets on. The acting seems functional enough, but Arcand's character - izations make everyone inter - changeable. His homosexual man- in-residence is a total cliche. Arcand's humor managed to prompt a few members of the and - ience to giggle, this in spite of the fact that there is precious little rea - son to do so, and during the naughty talk some patrons gasped delightedly at the directness of the speech. This last group would blush to death if it saw, a porno flick. Lastly, there is a marriage breakup bit at the end. Such scenes are a dime a dozen, and this one's worth less than a cent. Monsieur Arcand is pretentious and unoriginal. Spare us, oh gods, from further suffering. Preservation Hall Jazz Band continues New Orleans tradition Sluggish: Canada's Doug and the Slugs, along with their "categorization-defying" sound will be appearing tonight at Rick's American Cafe. Their latest album, 'Doug and the Slugs,' was released last week. 'Records Wednesday Week What °WeHd ° Enigma It seems like a long time ago now, though it was only 1983, but a really raw pop girl group out of L.A. put out an EP back then called Retsy's House. Their name was Wednesday Week, and they sounded strikingly like another raw pop girl group out of L.A., the Bangs, and their EP "Getting Out of Hand." :The Bangs became the Bangles, and we all know about them. But -Wednesday Week is still Wednesday Week, albeit older and wiser. There are a lot of similarities. Both from L.A., both with two sisters and some friends. Both play pop. But that's where the com - parisons end. WW has a rough raw guitar sound, especially with the new additional guitarist David Nol - te. While the Bangles have con - centrated on Beatlesque pop, WW is closer to the edge. A lot closer. This first album of theirs sounds pretty good too. In the mean time, they've learned how to play their instruments. Don Dixon is respon - sible for the clear and ringingly tough guitar sound. There are a couple of great cuts herd, and nodogs at all. "Circle" is just incredible, a biting, and shim - mering, and sweet midtempo thang swirling around with an incredible hook, and ringing and tearing guitars. Kristi Callan's voice, straightforward and capable, lurks right on top, punctuated by Kelly Callan's drums and Heidi Rode - wald's piano. "Forever" is so won - ---- MAC IN THE MORNING derfully urgent, and "Why" so won - derfully plainitive, and "Mission - ary" just so wonderful: These folks are no Mission of Burma, and I'm certain that's not their aim anyways... but they sure as hell kick up the image of poppy girl groups. What a pleasant surprise! -VJ. Beauchamp NNW By Marc S. Taras Even though you may have been hundreds of miles from new Orleans and missed out on the Mardi Gras festivities, you needn't feel blue. You can get yourself an adult portion of Mardi Gras music at the Power Center Sunday night when Eclipse Jazz plays host to one of the great New Orleans traditions; the Preservation Hall Jazz Band is coming to town.. Sad to say, there has been a re- cent death in the family. But the Preservation continues. On March 9th of this year, Allan Jaffe, the owner and manager of the Preser- vation Hall, died of cancer in New Orleans. Jaffe was hailed for his role in revitalizing traditional music in New Orleans, and for offering employment to numerous deserving musicians. Jaffe himself was the tuba player in the PHJB. He will be mourned in celebrating the enduring sounds that he loved so well. Celebrating may be what the Preservation Hall Jazz Band does best. Their recordings are rich in sound and riotous in energy..They combine standards by the like of W. C. Handy with original material and serve it up in the finest traditional fashion. That is, spicy hot and swinging. The heart of the PHJB is the Humphrey brothers. At 82, trum- peter Percy Humphrey has lived a life of jazz. Half a lifetime ago he worked with the legendary George Lewis. His brother is clarinetist Willie Humphrey, who actually worked with King Oliver and re- mains one of music's hottest lic- orice stickers. Rounding out the current PHJB lineup are pianist James Miller, trombonist Frank Demond, drum- mer Frank Parker, and the won- derful Narvih Kimball on banjo. When these guys start to kick up, even the tiredest old saints will commence to march on in - and in style! The gumbo will be served Sunday night at the Power Center beginning at 7:30. Tickets are $12.50 at the door and are available at the Michigan Union Ticket Office, PJ's Used Records, Schoolkids', and at all Ticket World Outlets. LAZERGRAPHICS' COPYNGU PRINTING U BINDING FORMS alphagraphioo Printshops Of The Future COPIES Open 7 Days GRAND OPENING SPECIAL 663-6816 715 N. UNIVERSITY (2nd Floor) Located at: S. STATE & N. UNIVERSITY p. : .,i wr _ M -.?-- h \. j; L '.,t37~s; ;r ': .&N:: tt:...., i.'i~tS24v:.:. TUESDAY LUNCH LECTURES 12 NOON at the INTERNATIONAL CENTER - 603 E. Madison CLASSIFIED RESEARCH: MARCH SERIES March 24: VICE PRESIDENT LINDA WILSON, UM Vice President for Research. 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