Page 40 - The Michigan Daily - Friday, January 30, 1987 Festival serves up talent (Continued from Page 7) Angeles based rock band, he had some minor rock hits and won a bunch of critical acclaim, but then gave it all up in favor of a career as a singer-songwriter. His new album on Geffen Records, Peter Case, features such well-known rock and folk-rock veterans as Roger McGuinn, John Hiatt, and T-Bone Burnette, and seems to suggest a new, higher-tech approach to the singer-songwriter tradition. He says this is his first folk festival, so just what his set will sound like is a mystery. Uncle Bonsai is a trio of clever songwriters whose aim is to poke fun at contemporary society. Known for their witty banter, they represent a new strain of folk musicians who mock the wrongs of society rather than protest them. Their most notorious song is called "Penis Envy." Sally Rogers is a quiet interpreter of songs from New England. Working with her husband Howard Bursen, she's made a string of albums for Flying Fish Records that have slowly earned her a widening audience. A fairly regular guest at the Ark, she is an example of a newer act sitting comforatbly in the folk tradition. Elizabeth Cotten, indisputably a living legend, wrote the classic "Freight Train" over half a century ago and hasn't stopped since. Cotten, now in her 90s, is easily the oldest performer ever to play the Ann Arbor festival. She has been performing for almost 70 years, all the while proving that good music never goes out of style. Siglin notes that even ten years ago promoters had a tendency to bill her shows with claims that it might be the last chance to see her. Since she's still going strong, Siglin advises saying, "She'll be better now than she will be if you wait ten years to see her." Billed as a special guest, Cotten will do an abbreviated set. Dick Seigal may well be Ann Arbor's- finest songwriter. In keeping with a festival tradition, he represents the local scene, but he's sure to hold his own. First making a name with his band the Rhythm Kings in the early '80s, he currently plays with Ann Arbor's Tracy Lee and the Leonards. As a solo acoustic performer he plays his own "What Would Brando Do?" "When the Sumac is on Fire," and "Angelo's," about the restaurant on Catherine Street. And finally, this year's master of ceremonies will be Owen McBride. Tickets are still available for the Tenth Annual Folk Festival at the Union, Herb David's, Schoolkid' s, and the door for $13.50. The show begins at 6 p.m. and is sure to go on and on. ,CENTER FOR WESTERN EUROPEAN STUDIES APPLICATIONS are now available for the following Study Abroad Programs: Academic Year Programs: British Programs: Cambridge, Essex, London School of Economics, St. Andrews, and York. Florence, Italy. Spring Programs: Florence, Italy (Language) Paris, France. Summer Programs: Florence, Italy London, England Salamanca, Spain (Language) Tours, France (Language). Relax with non-credit Art Classes at the Michigan Union through the Michigan Guild of Artists and Artisans Artspace program. This is the last week to enroll for the following classes: Linda Spriggs, Andrea Lynne Balliette, and Jean McGregor-Wiles (left to right) will be featured in the University Dance Department's production 'MAD for Art.' 'MAD' about dancing v. \' : * Photography * Painting * Drawing * Printmaking * Jewelry * Ceramics * Sculpture * Graphics * Interior Decorating * Weaving ISN'T ALWAYS THE BEST Birth defects are our nation's number one child health problem. You can help prevent them. Support the March of Dimes BIRTH DEFECTS FOUNDATION By Jose-Arturo Martinez The title may throw you a little, but don't let it. The concert is titled Mad for Art, and it promises the usual vaiety that you come to expect at a University dance department concert. This time, however, things may be a bit more different than you expect. Animated energy, enthusiasm, and Buddhist philosophy are the key words to keep in mind when speaking with graduate student Linda Spriggs, a featured performer in tonight's concert. Buddhism is a part of Spriggs' life, and her enthusiasm for it overflows in her conversation and speaks volumes in her dance. Spriggs is from Atlanta, where she was raised in an environment she describes as, "middle class Black America." She moved to New York in 1973 to begin her undergraduate study at Julliard and after graduation joined the Alvin Ailey Dance Company, where she became a soloist. "Ailey is what every black dancer in New York aspires to," Spriggs says, "but even after supposedly having everything, I still wasn't happy." It was at about this time that friends in the company introduced her to Buddhism. The attraction wasn't immediate, but over time she found herself more and more interested in the religion. Spriggs danced with Ailey with for three years and toured with the Company around the world. She had a son in January of 1982, and through her mother's intervention met University Dance Department chairman David Gregory. By 1984 she was enrolled and pursuing her Master's Degree. In her dance, tentatively titled "Under the Bodai Tree," Spriggs has incorporated selected terms and concepts of Nichiren Shoshu Buddhist philosophy. She uses the characters of 'Lenge,' a philosophical and metaphorical interpretation of the Chinese character 'Renge,'- which means literally, lotus blossom - in her choreography. The dance is biographical in the sense that Spriggs says her own life "started with all the bullshit that people must strive against before they can reach their potential." She continued, "A Lotus Blossum grows in a swamp and only when it has grown past its fetid environment does it flower." The set design for the concert is by University Professor of Architecture Robert Henry and the music by "New Age" composer John Kaisan Neptune, as well as University doctoral candidate Joe Lukasic. Lynn Balliette has composed two separate works for the concert entitled, "Ode to Columbus, Children and Other Great Explorers," and "Passage of Time." "Ode" is a light-hearted work for six dancers that is in four parts based on themes of discovery and exploration. Balliette's group piece will feature Diane Peterson and Robert Sorce in a romantic offbeat duet that focuses in on how two people discover each other, with all its requisite give and take of emotion and tentativeness that you have when you meet someone new. Shoshonna Hellerstein dances in a solo work based on self discovery and soul searching that emphasizes the large amount of unmapped territory within us, Balliette said. In her solo work, "Passage," Balliette takes a look at people's attempts to relate to each other. A major component of the dance is a piece of fabric designed by textile artist Julie Lombard, which symbolizes the barriers people put up that can foil all attempts. at intimacy. The idea is that people can identify with the characters in the dance, said Balliette. The themes of intimacy and conflict are universal enough that everyone can understand them. Geoff Stantonm; a doctoral student at the Schoolof Music, collaborated on the music for the dance. "Dancing with Birds and Fishes" is the solo work by Jean McGregor-Wiles. McGregor-Wiles takes her inspiration from surrealist painter Dorothea Tanning. The painting, Les Petites Announces Foites a Marie, contains images of birds and fish against a sky background with the creatures merging into each other. McGregor-Wiles explains,"I chose surrealistic art as my inspiration because it usually lends a sense of movement that is more than what you can readily see." She continued, "Certain people really connect with me." Tanning's painting did just that. McGregor-Wiles' group piece, "Eighty Seven Suite," is a co laboration with University composer Mathew Levy. The dance has a jazzy feel with music composed for piano, saxophone, and synthesizer. Performances of MAD FOR ART are scheduled for tonight and tomorrow night at 8 p.m. at the Music School's Mcintosh Theatre. General admission is $3.00 and tickets are available in advance at the Dance Department, 1310 N. University Court, and at the door. For more information call 763- 5460. D- Support the March of Dimes BIRTH DEFECTS FOUNDATION For brochure stop by the Michigan Union's CIC Desk or Ticket Office or call the Michigan Guild at 662-3382. wordprucessiug I CARRY FREE OUT DELIVERY MAIN CAMPUS PZa NORTH CAMPUS 665-6005 995-9101 FULL SICILIAN FULL SICILIAN W/ 2 Items & 2 Pepsis 12"x 18" WEM W One Coupon Per Person Not Accepted at William St. Restaurant or Dinte-in at The Cottage Inn Cafe EXPIRES Feb. 6, 1987 I I LSA - STUDENT GOVERNMENT Drop by the Academic Resource Center Room 219 Undergraduate Library Monday - Friday 1 - 5p.m. Wdal h a n enleyn i I u LSA - Student Government consists of a 17 member executive council elected by LSA Students every November. On your behalf, LSA Student Government lobbies the Administration, supports student groups, sponsors educational seminars, works to inform students of their rights, and appoints students to positions in several LSA committees. LSA-SG's funds of approximately $16,000 per year come from the tuition payments of the LSA students. The effective