Page 8- The Michigan Daily - Friday, January 30, 1987 Heller discusses novels and politics By Alan Paul Joseph Heller must be considered one of the leading contemporary American authors. His first novel, Catch 22 , was published in 1961 and steadily grew in popularity from a cult classic to become one of the most widely read novels of the 60s and 70s both here and in Europe. Catch 22, ostensibly set at the end of World War Two and concem - ing an American bombing squad- ron, has lost none of its power over the years. The black comical obser - vations about the insanity and ab - seurdity of the military, corporate, snd bureaucratic worlds are every bit as relevant today as they were in 1961. In 1970, a star studded screen version of Catch 22, directed by Mike Nichols, was released. Heller, who will speak Sunday night at 8:00 at the Power Center, is also the author of Something Happened, God Knows, and Good as Gold. I spoke with him by phone from his New York apartment. Daily: Will you be speaking or giving a reading? Heller: I'm not sure. (laughs) It will be a combination speech and reading. D : Are you working on anything now? H: Yes, I'm writing a novel and I'll probably finish it by this summer. D: Can you reveal anything a - bout it? H: No. (laughs) It's not that its a secret but I just don't describe my books very well. D: In 1971, at the time you published the dramatization of Catch 22, in the introduction it's evident that you were involved in some fairly radical politics... H : No, they weren't really radical at all. By that time even the conservatives objected to the war. D: Well, are you still fairly politically active? H: No, I'm not and I haven't simple and determined enough." It seems that that description could almost fit Ronald Reagan. H: I would say yes. I would also say without going into specifics that it charecterizes a good many people and their attitude towards 'Conquering territories has become an uneco - nomical Way of building a national economy.' -Author Joseph Heller UUUUUUUUUU UE a COUPON * U $' O F F "M~ with this entire ad $1 *5soffasysdslttess" A . a m admissin, except Tes s .- gs sd thrs 2/5/87 CRIMES OF DAILY LITTLE SHOP THE HEART SHOWS OF HORRORS Cal for show times been active since then and I wasn't all that active at that time. My feel - ings then were not out of harmony with the feelings on most campuses and since that time the campuses and I have been fairly quiet. D : You also wrote in that introduction that Milo shows "how virtue and vicousness can exist within one soul if that soul is profit making. In Catch 22, unless I've forgotten, Milo is not a greedy person. He does make benefits. He raises the standard of living of the squadron. I believe I never estab - lished that the money is for him - self. I don't account for it any other way but he's very much different from the stereotype of the capitalist that appeared in the novels of the 1920s and '30s. D: Yes, his motives are ambig - uous. H: Well, there's no conscious - ness in his evil. His motives are al - most pure in terms of his own rea - soning. There's an obliviousness to the consequences. D: That's obviously something that's in the mindset of the multi - national corporation. H: Yes. I do think Milo may have been a forerunner of the in - fluence of national corporations. And also of an attitude of nothing matters much apart from making profits, regardless of all other con- sequences. That becomes the object - ive that transcends all others. D: Is it disturbing to you then that the power of multinational cor - porations seems to be growing? H: No. very few things disturb me as much as they did when I was younger. (Laughs) Actually, I've heard somebody say, they may be talking foolishly but, that one of the biggest influences for peace, for avoiding another large scale world war, would be the multinational corporations. I can't really com - ment on that any further though. This is not in the book but it's'hard to imagine ever going to war with Japan again. Or to picture Japan ever going to war again. It doesn't have to to get everything it wants. Conquering territories has become an uneconomical way of building a national economy. D: Right. Well...conquering them militarly. There are other ways of conquering an area. H: Yeah, that's what I mean. Fi - nancially, it's wasteful. D: Isn't what's going on now with Irangate or Contragate or whatever a perfect example of a Catch 22? H: Absolutely. I would say very much so, including the fact that the government is giving information to both Iran and Iraq. If it were somebody else, somebody competent, you might think that this is part of a very good plan to have them destroy each other and keep them involved in war but I don't think anybody in Washington thinks that coherently with that amount of continuity. I also think in Good as Gold here and there there's a characterization of the president that I thinks fits Reagan. One of the ways it does is that the president never actually appears in the book and Reagan... never ap - pears as president. D: I was also thinking about where you say that Catch 22 means the government can do anything, even what it theoretically prohibits itself from doing. H : Well, it doesn't say the government. The line is, "They can do anything to us we can't stop them from doing." I don't think this is really a situation we face here as they do in Russia. I don't think the government threatens people individually here. I think what our government is doing is not doing it to us directly, it's that (laughs) these are the side effects. D: Although Catch 22 was written about World War II, it was obviously and painfully applicable to Vietnam. H: It was written during the Korean War and the attitudes don't really fit World War II... I tried very hard to set it in World War II but... it's really more typical of the Cold War and the Korean War. The book- has been criticized... because I don't have Yossarian condemn World War II. It's a good criticism. D: Do you think the fact that there were things happening in Vietnam which seemed to be parallels accounted for some of the popularity of the book? H: Oh, of course. The popular ity does not seem to abate. I do feel that at any time, if I wanted to, I could take things from Catch 22 and read them and without even introducing them, (they) would cor - respond with something that's very much in the news. D: Speaking of news, what do you think of the mass media? 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