ARTS The MichiganDaily Wednesday, October 29, 1986 Page 7 Benson: Intriguing performance By Lisa Nicholas Eclectic. Unfocused. How do you summarize a performance without a theme? For an hour and a half, Steve Benson, poet, performance artist, and used book store manager, stood in front of an audience and, well, performed. It was a small audience, mind you; only nine people. Most of them were members of Eyemediae, the sponsoring organization. The production was a series of poems presented in a "stream of consciousness" style. They ranged from treatises on sex and love ("I don't know what love is," he said and the audience had to sympathize) to feelings on being surrounded by cows after throwing out his back in a small cottage in Ireland. Disjointed, he created a "crazy quilt of images" that drifted into the subconsciousness of the audience. He was eclectic in media, as well. To his live reading, Benson added films and a tape recording of music, noises, and readings that had been recorded earlier. His show was often improvisation and sometimes the prerecorded images fit what he was doing live, other times they did not. The result was a compilation of aural and visual sensations that bewildered the eye, ear, and mind. The effect, however, was intense. For instance, the poem "Echo" had Benson echoing his recording with a sudden switch of order in the middle. The result was a work whose meaning came to life both in the words themselves and in their entity as performance. The combination challenged the listener to supply his or her own meaning, which was the intention of the poet. On the negative side, much of what was supposed to be perceived as impetuous was obviously preplanned. Still, the result was a unique presentation of art. As a performer, Benson is not a "giving" poet. He does not impart energy to his audience. His reading was tight and strained. The words often struggled from his lips, giving the impression of pain and sacrifice at revealing so much of himself. The personal content of his work and his manner of presentation indicated that he was indeed showing aspects of himself but if the audience wanted to grasp it, they would have to reach out and take it. Part of this results from Benson's own theory that his poetry does not exist to give people a precise interpretation. He wants his audience to be mentally "free to come and go and daydream." Much of his work is im provisiational and even his straight readings have a performance atmosphere. Benson began as a writer "out of a sense of play ...of curiosity," and continues this attitude in his performance art. Many of his books, including Blindspots, The Busses, and As Is, contain transcripts of performances and oral perambulations. On the other hand, his poems like "Echo" and "Narcissus" are the result of careful vision and revision. Though his writing, filming, recording, and performing, Steve Benson is just "trying to understand what life is." A rather difficult goal, but Steve Benson is to be commended for trying. ::..: .. .. .. .....:.:x.Ttt"..::t...:t,;:. .":':3:a,;.,: aT';;'.X.:'S:..:a+::": ...u':k:,,.\v......,.,..: .,:" "....'x'+.. it' - The Center for Japanese Studies Presents: JAPAN'S RESPONSE TO ITS AGING SOCIETY A Brown-Bag Lecture by PROFESSOR JOHN CAMPBELL Director, Center for Japanese Studies THURSDAY, OCTOBER 30 12 noon LANE HALL IN THE COMMONS ROOM E Call 764-6307 for further information. .......... ::.x> :....::....}:r::..+:.,ii.\:v;.:i.xv.*. . . . . . . . . . . . ..... . . .. . . .. ..*.... .... ". Guitarist Sam Lapides will be performing solo and with The Mortals tonight at 10 p.m. at The Blind Pig. Lapides can normally be seen in the West Engineering Arch, where he plays his original, accoustic folk-rock - -Songs. Records Bad Brains. I Against I SST. In all likelihood, the Bad Brains are the only all black, Rastafarian, punk-rock band in the world. For the past nine years they have been combining the social and political conviction of reggae lyrics with the power of hardcore music. At one point, the Brains were one of the premiere punk bands in the world. H6wever, because they haven't released an album since 1983's Rock For Light, their reputation and legacy has faded. The Brains' new album I Against I should change all that. I Against 1 shows that the Brains have grown as a band. Vocalist H.R. can be heard intelligibly for the first time. Gui - t arist Dr. Know, too, has matured from a thrasher to a genuine rocker. Additionally, bass player Darryl Jenifer and drummer Earl Hudson have incorporated rhythms into the Brains' music that reflect then jazz- fuk fackgrounds. " :The Brains as a unit have hanged, as well. Whereas on previous albums they belted out one and a half minute hardcore songs, on I Against I they loosen :thir collars a bit and stretch out the bongs past the three and four :r, nute mark. And it seems that it JS here that they are most comfortable. But despite any musical changes, however, the Brains have (thankfully) retained the intelligent lyrics that separated them from the "bitch and moan" bands of the early punk era. This intelligence is found throughout the album. Several tracks emphasize the need for social change ("I Against I," "Let Me Help") and faith in the Almighty Jah ("House of Suffering," "Return to Heaven"). All of these tracks, plus several others, have the honesty and integrity that may bands lack these days. The Bad Brains don't just see injustice and complain about it, they live the injustice and it shows in their writing. This album is dedicated to "all artists and supporters of the under-privileged." The Brains certainly fit both categories. The highlight of this album is "Sacred Love," which is about the relationship between a prisoner and his lover outside. Ironically, the vocal track of this song was recorded over the phone from H.R.'s jail cell as he was serving a sentence for marijuana possession. As pretentious as that sounds, it makes the track very powerful. While there are a couple of points on the album where the. music drags a bit, have no fear, the Bad Brains' lyrical intensity is sufficient to hold the listener's attention throughout the entire disc, making IAgainst I a super album. -Steve Kasiborski 2 or-1 arnatini I O UPON S(Good U99il1811516 Onpr ctmr pr week S I ITHSCOPN - - - - - - - - GRADUAT NURSES j RMHNI Your education will not end with graduation. As a graduate nurse at Rochester Methodist Hospital, you will receive a comprehensive twelve-week long orientation where you will further develop your professional skills. Beyond orientation, you will have the chal- lenges and the growth opportuni- ties that a world-class medical center can provide. December grads apply now for positions available in early 1987. Starting salary $23,681. Attractive benefit package. Rochester Methodist Hospital is an 800 bed acute care facility affil- iated with the.Mayo Medical Cen- ter. Choose challenge. Choose growth. Choose Rochester Meth- odist Hospital. Rochester Methodist Hospital ' Personnel Services Nursing Recruitment Section 201 West Center Street Rochester, MN 55902 Call Collect: (507) 286-7091 ROCHESTER METHODIST HOSPITAL An Equal Opportunity Employer NATIONAL SCIENCE FOUNDATION Applications are now available in Room 160, Rackham Building. For seniors and First Year Graduate students who are U.S. Citizens. DEADLINE: NOVEMBER 14 I *... .. ~........ 1Fya :'+4v?:"}}:4'-?:":"T vT:: iS ".} :".: -w:.?v. ": v:r.,:.}. ' '.. .. 4v : S;:tivT::""'ti ::T:. "."1 "F:v:.. ..,.......:., :... .....:......v.....:n .....:.......:.....:.,...a..vi}:::::"T:{i?:J}:ice . .... v:v: }i::?::v:"}:atY". ":.: .....,r..h.. v.......{......... : ....v..:.. ..3....:v ..... .............},.. v...........v:v:..... ........ ...... ..............:.:... v. ::.: ........ vv::::: .:ii i"i:"::: r::::::v. : F"?::. :::: :: "::::::.;.:v::i }:::::::::::ii:".}:i::"?:r.:..".:xi.:i}.;{.:i'r..:.i. ::v,..:.w.dr;.4...vv:.:.v:T :fl:..vvn':yv:-:r\i::: ?r:: :v:.v :: :::::::.::. i.::::::::v ::.::.::: :vvw:::. ::. .:. :... .: ..; .. ..... .............. ......... :},yh The Center for Japanese Studies Presents Nagisa Oshima's BOY Taken from an actual incident involving a family living on the outer-most edge of Japanese society, "Boy" examines the conflict between family relationships and social responsibilities so common in modern-day Japan. FRIDAY, OCTOBER 31 Admission: FREE 7- 9 p.m. Japanese with English subtitles AUDITORIUM A Angell Hall f:> SO YOU WANT The University of Michigan Telefund Program is willing to pay $4.00 - $6.00/hr. plus bonus for your time -- a few evenings a week beginning immediately. If you are mature, reliable, and can talk about the University and its needs, we can train you to be an effective caller. Help Michigan reach out person-to-person. Your mind, A 1 to . , '.. , - -W M M