ARTS . . .. ,. :. k i . k ,The Michigan Daily Friday, October 17, 1986 Page 8 R.C. Players tune in to T.V. for the shock of it I By Karin Edelson This weekend the Residential College Players will open their season with a production of "T.V. a short, one act play which parodies the various effects that y television has on viewers' lives. C T.V. was written in 1966 by Jean-Claude VanItallie and is part of a trilogy of plays entitled America Hurrah. The R. C. Players performed the first two parts of this trilogy last yefar and decided that it was time for completion. Director, Nancy Bishop, an R.C. and theatre junior, explains that T.V. was chosen by the R.C. Players because it has a great deal of impact gn American society. It shows how constant viewers develop an apathetic attitude toward pressing world issues because they are continuously bombarded with- UNIVERSITY OF OXFORD MODERN BRITISH STUDIES Through Boston University, study for one semester at St. Catherine's College, one of 35 colleges that make up University of Oxford. Courses are in modern British history, literature, and politics, taught on-site by Oxford faculty. Students have full privileges at St. Catherine's College. Applicants need at least a "B" average. Information and applications: NAME ADDRESS_ CITY STATE ZIP_ Return to: MBS, 143 Bay State Rd., Boston, MA 02215 (617)353-9888 BOSTON UNIVERSITY OX12 depressing statics. It also asks the question; do we imitate television or does it imitate us? The play consists of two sets of actors. The first set is employed by a television ratings company and is asked to view shows over and over to test their reactions. The second set of actors show the audience what is being shown on the TV. Black and white slides are also projected behind the actors throughout the entire production. The theatre group aims to present plays that offer more than pure entertainment. They are often somewhat political, bringing about public awareness and motivation. Bishop explains that "T.V. is important because people do watch too much TV, but they may not realize what an impact it has on their lives. This off-beat comedy will be presented in the East Quad Auditorium on Friday and Saturday nights at 8 p.m. and on Sunday at 3 p.m. Tickets are available at the door for $2.00 and East Quad residents will be admitted for free on Friday night. San Francisco mime troupe: America's oldest and best known political theater collective, will take Ann Arbor by storm Saturday night with their newest play, 'The Mozamgola Caper.' Far from silent, this musical comedy spy-thriller set in a post- revolutionary African nation explodes with political insight enlivened by plenty of Afro-American and African- inspired music and dance. It's political theater at its best! Saturday, October 18 at 8 p.m., Lydia Mendelssohn -I Theatre. For ticket information, call 763-TKTS. Records Fairport Convention HOUSE FULL Hannibal On the heels of the new Fairport Convetion's visit to Ann Arbor, we have a glimpse at a classic Fairport line-up. Fairport went through its first great change of personnel in 1969 when Sandy Denny and Ashley Hutchings quit. With the death of. drummer Martin Lamble, only Richard Thompson and Simon Nicol remained from the original crew. Dave Swarbrick, already well established in the band, recom - mended drummer Dave Mattacks and bassist Dave Pegg as new band members and the second great Fairport line-up was born. But a funny thing happened (at least according to producer Joe Boyd's liner notes). In spite of all the talent that line-up had, it never The Center for Japanese Studies Presents Vi;A s mi WINNER OF THE BEST FILM AWARD in Japan in 1983. . -OMMO" cathing deadpan corned, ddle class and its obsessic THE CRITICS ARE EATING IT UP!... -Vincent Canby, New York Times "WICKEDLY FUNNY! 'The Family Game' is so rich that Mr. Morita would seem to be one of the most talented and original of Japan's new filmmakers....a visual adventure:' -Richard Freedman, Newhouse Newspapers "* * * * A BEGUILING CHARMINGLY ECCENTRIC COMEDY:' -Stephen Schaefer, Us Magazine "Challenging comedy blends wry criticism with tenderness, hope and DAFFY HUMOR:' -J. Hoberman, village voice "FUNNY AND ENERGETIC RIGHT DOWN TO ITS'THREE STOOGES' FINALE:' -William Wolf, Gannett Newspapers "** ** VERY FUNNY...a striking contemporary comedy' -Kathleen Carroll, Daily News "A DELICIOUSLY WRY COMEDY:' -Joseph GelmisNewsday "* * ** A SUBVERSIVE SCREWBALL COMEDY reminiscent of 'Zero For Conduct'...one of the most bizarre slapstick finales of any comedy in recent memory. Full of marvelous secrets and evocative humor that ricochets around in the mind after one leaves the theatre:' about Japan's affluent n with success. FRIDAY, October 17 Admission: FREE 7-9p.m. Japanese with English subtitles AUDITORIUM A Angell Hall Call 764-6307 for further information In conjunction with Professor Edward's Japan Through Film class. UNIVERSITY PLAYERS PRESENT WAITING FOR THE PARADE adequately presented itself in record form. The one album it did release, Full House, (again, according t9 Boyd) was good but not greaw, Before the next album came out, Thompson had left the band. Th live tracks comprising Housi Full were never widely released. It's wrong of Boyd to suggest that Full House was not a fantastic album. While it may be correct that some'of his unused suggestions could have improved it, it nevertheless remains outstanding. House Full, measured against that album, comes out even. The precision (and ironically, fine production) of the studio album are traded for new power and spon - taneity on the live album. Where the vocal work is probably stronger from the studio, Swarbrick's violin is neverlivelier thanwhen it is in front of an appreciative audience. Without quibbling then, it's clear House Full is a superb release in itself. It does, not, as Boyd argues, redefine that great Fairport line-up, but it does offer up some great music. If you're a Fairport fan, you shouldn't go without one or the other of the two; if you're a legitimate addict then depict sensitive details which de- scribe Detroit homes like his own. While in Brittany, Kahn moved away from usual patterns to other methods of conveying works. After intense studies and sketching throughout Europe as a student, Kahn's growing abilities as an art- ist emerged. Later works developed out of his transition into a mature craftsman. Dramatic changes are expressed in chronological order in the exhibit, as he travels from Italy to France, Germany, and Belgium. The rust and black colored grease pencils used in the fall of1891 add heavy lines to Kahn's sketches. Prompted by a new awareness of his strengths as an artist, the shift symbolizes the growth as an artist and man. Kahn's confidence is clearly conveyed through these sketches, as is his superior talent. These journeys, which gave him the opportunity for inward growth and expansion, also contribute to the world of art. See RECORDS, Page 9 LIBERAL ARTS MAJORS... You're Needed ... A _ . By John Murrell Directed by Patricia Boyette October 16, 17 at 8:00 p.m. October 18 at 5:00 p.m. & 9:00 p.m. October 19 at 2:00 p.m. TRUEBLOOD THEATRE (State St. at Huron) "In WAITING FOR THE PARADE, the audience is invited to share the lives of five women, as each survives, in her own way, the se- cond World War at home in Canada. The tragedy of the war is there, of course, but also a lot of humor and comradeship. " Maryhelen Vicars The Edmonton Journal Ticket $5 General Admission $3 students League Ticket Office, 764-0450 Mon.-Fri. 10-5 Tickets also available 1 hour before curtain at door. The Office of Major Events presents THEIPSYCH iUEiCnrFUn r R . .4. w 4 1G3 UNION Arts & Programming This Week at the Michigan Union... Oct. 14-25 Sculpture Pools & Riverworks An exhibit of the works of Palline Plum lOam-5pm Room 1209 _ C , C C . . S _C C _ . i + Oct. 19 & 26 Rag Rug Weaving Workshop Amy Ticknor, instructor 1 lam-4:30pm $40 tuition, $24 materials All Over the World. Ask Peace Corps volunteers why their ingenuity and flexibility are as viral as their degrees. They'll tell you they are helping the world's poorest peoples attain self sufficiency in the areas of food production, energy conservation, arii jrrntinn orn..i Oct. 23 "The Complexities of Oedipus" Discussion with John Russell Brown, Artistic Director of Project Theatre 12:15pm Pendleton Room I