ILM 0 .. ; * CAfi O --I1 I v Big ideas fill fest's tiny frames Man, I'm a boy F'*- J f v P t w z 1 mat abroad," commented Schreier. By Seth Flicker "Eight millimeter is more affor- dable and more accessible medium. It was the video before video. It's cheap A RE YOU getting sick of those and easy to process," he added. high-budget, overly sensational Besides the eight millimeter films, . first run films? If so, help is on its which are around five to fifteen way. The 16th Annual Eight minutes in length, there will also be a MIillimeter Film Festival promises a series of workshops. The first week chock full of B-movies, workshop will be led by Steven Good- documentaries, animated and ex- man, the project director of the perimental films, as well as Satellite Academy Video Center. workshops, discussions and perfor- Satellite is an alternative public high mances. school in New York City which con- From February 3 to February 10, on nects its students to community various locations on campus, over 60 awareness via video production. eight millimeter films submitted for Along with Goodman, John Sims, a competition will be shown to the student at Satellite, will be present. public. . Steven Chivers will lead another "It is a progressively growing workshop. Chivers is an English festival which started out as a small filmmaker who achieved much kudos home-movie type thing," said Mark as well as many major awards at the Schreier, director of the festival. Brussles eight millimeter film "Michael Fierson, a former director Festival. He will show his films, as of the festival went around Europe will Mark Titmarsh, an Australian and other countries and recruited filmmaker and one of the judges of many films and filmmakers to come this year's festival. here. Suddenly the festival took on an The last workshop will be led by international scope." Robert Rose, an award winning film- According to Schreier, besides the maker who resides in Rhode Island. United States, other countries Rose will concentrate on the advan- represented in the festival are Argen- tages and disadvantages of working tina, Finland, Germany, Spain, with special effects in super-8. Columbia, Hungary and Australia. Beth B. is a much admired New York film director of music video C W HAT PEOPLE SEE as an (Joan Jett's "I Need Someone") and B- amateur home movie for- film fame. Black Box and The Trap mat here is a very professional for- Door, both written, produced and F SOMEONE ASKED me (especially if she were a female) whether I considered myself a man or a boy I would not hesitate a moment before saying "I am a man." I would quickly assert my manliness not because I am sure I am a man, but because I'm afraid of being. con- sidered a boy. You see, boys are little and insecure and inexperienced. Boys depend on other people. Boys are vulnerable-sometimes they even ~~Mike Fisch cry. I would be afraid to admit that I have boyish traits, so Itwould puff out my chest, and broaden my shoulders, and in the deepest voice I could muster I would exclaim "I am a man."~ And that haughty, strained ex- clamation would be, well... not true. Yes. It would be a lie. I suppose what I really am is a young adult. But then again ABC Af- ter School Specials are aimed at young adults, and the only one I ever saw was about dealing with puberty. I'll just make things easier and say that I am sometimes manly (not exac- tly a man, but man-like). For example, when my younger brother calls me from his college to ask me for advice on women and school and dealing with his room- mate, then I am a sturdy Ward Cleaver type (and manly without question). When I drank a bottle of tequila with my uncle in a cabin after a long hike, and we had a man to man talk about our sexual experiences, well, hell, that was manly. Unfortunately, just as often as I am manly I regress to boyhood. One such regression took place about a week ago when I took my girlfriend to an expensive restaurant for our first an- niversary. When the waiter asked us if we wan- ted any drinks before dinner I said confidently, "I believe that we'll wait and have white wine with our meal." The statement sounded fairly man- like considering that I, being but two decades old, had no identification with which to back it up. But how could the waiter ask me for identification? I was wearing a tweed suit, and lots of cologne just like my dad does, and oldetimer's wing-tipped shoes, and one of my roommates even said I looked business-like. Later when the waiter took our or- der my girlfriend ordered a glass of white wine. I figured I would sound more like an adult if I asked the waiter to compare two wines for me before I made my decision. "What do you suggest between the Cabernet Sauvignon and the Zinfan- del," I asked. "Cabernet Sauvignon is a red and Zinfandel is a white for starters," responded the waiter. After I made my educated decision the waiter asked us for identification. "Well, um, I only have a press pass," I murmured staring down at my mature wing-tipped shoes. At that point they may as well have been Sesame Street Feet Warmers, and my tweed suit a fire truck-covered pajama top. "I'm sorry," said the waiter, "I can't serve you. The rules are real tough around here." W E SAID THAT WE understood and I added "No problem. Don't worry about it," pretending to be a good sport. "Mike, I think we got carded because you asked him to compare a red and a white. I wouldn't have known one was white and one was red either," my girlfriend whispered reaching out to touch my hand. I pulled my hand away and placed it on my lap. And then I sat and stewed in my ineffectuality as a romantic d t } t t T t C c C E V G t male-the man who wines and dines-the social sophisticate. Not all the cologne or tweed in the world could hide my failure. I was a boy playing dress-up and I got caught. My chest tensed up and I clenched my teeth. Now I was trapped in a suit and tie, and oldtimer's shoes and I was not hungry, and I wanted to scream as loud as I possibly could, but I remained silent. A man would have just laughed off We Won't Pull The Wool ( the simple mistake. Or he might have YOU MIGHT MISS ordered a Shirley Temple and said "alcohol gets me tired anyway." But BIG W OOL BL a boy would stew, and writhe, and (Sale through Febru clench, and in so doing destroy an evening. And so I finished my meal and walked out of the restaurant, a 20 year old boy. uaCuits Babes! If you want a shot at a M = t r dream date with Tim Carrico, M iltary 0 featured as our Bachelor of the 210 S. Fourth Ave. Month in last week's column, send (across from the Capitol Market) cards, letters, and bribes to: Bachelor of the Month c/o Weekend Magazine 420 Maynard Ann Arbor, MI 48104 - I Thre- BURGERI trends of our decade with satirical K N G I songs by fictional bands. There's= "Matzo Balls to the Wall" by Mensch, and "0 Sharkey's Dog" by a Flock of~ New YorkConceptualArtistsWithout_ Work--a fine parody of Laurie Ander-= son. Other funny tracks include=B "Breakin' Wind" by the Ghetto= 5 Blasters, and a tune by The Wounded =Stadium Blvd. ; Reagans. There's also a shot at John- Trubee's offensive brand of humor, but it isn't too funny because Trubee= is actually on the record, which sort of- jj defeats the point, right? Most of this I disc is just silly or boring, but seems a lot more clever when you're just Briarwood reading the psychedelic lyric sheet or Ma examining the flourescent rolling= ctrs Way paper (both included in the record jacket). Trigon Records, 6837 Hanna==; Ave., Canoga Park, California 91303 - Beth Fertig |||||||||||||||||||||||||||||||||||| s - ki L rw~ A tLt ILI rt ,v rI M Ai I A tt r " " .l"") 'B-movie 'star Pat Place in 'Ietters to Dad. ' a I LM5. at the Michigan Theater I I MICHIGAN THEATER ANNIVERSARY PARTY 8:00 FRIDAY, JAN. 31 "WINGS" (1927) Dir-William A. Wellman One of the most famous silent films will be presented by the Michigan Theater with live organ accompaniment. "Wings" is the story of two all-American boys (in love with the same girl) who enlist in the Army Air Corps during WWI. It was the first Oscar winner as best pic- ture and the combat flying sequences are among the best in Hollywood history. Stars Clara Bow and Gary Cooper. 5:00 SUNDAY, FEB. 2 Dir.-Nicholas Ray 9:00 "REBEL WITHOUT A CAUSE" (1955) An adolescent son (James Dean) of a well-to-do family gets into trouble with other kids and the police. Also start Natalie Wood. - 7:00 "EAST OF EDEN" (1955) Dir.-Elia Kazan In a California farming valley in 1913, a wild adolescent (James Dean) rebels against his stern father and discovers that his mother, believed dead, runs a nearby brothel. Based on the 'novel by John Steinbeck. See all these great films projected on the large screen in the historic Michigan Theater. Call 668-8397 for more information. Admission to films is $3.00 for a double bill or a single bill. Students and senior citizens $2.50. Tickets go on sale one-half hour before showtime. t h 5 f4r. h .y i Cm ! t tg Olet t h Iwo 'V9 directed by Beth and her ex-husband Scott, will be shown along with Let- ters to Dad. Following Letters to Dad, Beth will hold a discussion as well as presenting a collection of various music videos. Nick Zedd, another New York filmmaker, responsible for films such as Geek Maggot, Bingo, and They Eat Scum will present "Cinema of Trans- gression." "Cinema of Transgression" is one of those things that has become like new wave," said Schreier. "Originally, these were films that took existence and bared its soul and bones. What they are trying to show you is alot of people, emotions and lifestyles on the edge and combining it with alot of pain, ecstasy and madness." Among the festivities there will be a live performance by Hungarian ar- tists Andre Borocz and Laszlo Revesz, and a festival party. W 'THAT WE ARE trying to do this year is expand the festival. Never before have there been workshops and performances. We are bringing the people in the industry to the public. I don't think that there has been anything like this before at Michigan," said Schreier. "I think that the public will love it," Schreier added. "If you are interested in this at all, or even if you're not, it will fascinate you." Calendar of Events for the Eight Millimeter Festival: Monday February 3, 8 p.m. - Australian filmmaker Dirk De Bruyn will present an hour of Australian films and his own film. At Eyemediae, 214 N. Fourth Ave., Admission $3. Tuesday, February 4, 8 p.m. - An evening of Hungarian films. At Eyemediae. Admission $3. Wednesday February 5, 8p.. - Beth B. will presentdandtdiscuss her film Letters to Dad. At. Auditorium A, Angell Hall. Admission $3. Thursday February 6, 7 and 9 p.m.- Eight millimeter films in com- petition. At Auditorium A. Admission $3 sgl./$5 dbl. Friday February 7, 1 p.m. - Miklos Erdely presents a Hungarian film showcase. Auditorium A. Admission free. 7 and 9 p.m. - Films in com- petition. Auditorium A. Admission $3 sgl./$5 dbl. Saturday February 8 - Workshops. Admission is $2 for one workshop and $5 for the series. 9:30 a.m. - Steve Goodman, project director of the Satellite Academy Video Center. 10:45 a.m. - Steven Chivers, English filmmaker. He will also present a series of his films. 2 p.m. - Mark Titmarsh, Australian filmmaker. 3:30 p.m. - Robert Rose - "Special effects in super eight." Noon - The film In The Name of the People will be shown. This documen- tary, which is about guerillas in El Salvador, is the only eight millimeter film nominated for an Academy Award. At Auditorium A. Admission free. 7 and 9 p.m. - Films in Com- petition. Auditorium A. Admission $3 sgl./$5 dbl. 11 p.m. - Festival party. At Sch- waben Hall, 213 S. Ashley. Admission $1. Sunday February 9, 7 and 9 p.m. - Winners night. Auditorium A. Ad- mission $3 sgl./$5 dbl. Monday February 10, 8 p.m. - The films The Black Box and The Trgp Door will be shown. Both B-movies are written, produced and directed by Scott and Beth B. VINYL Continued from last page dering, melodramatic main theme from Edward Wood's classic, Plan 9 From Outer Space? The atrocious "Beware of the Blob" by a young Burt Bacharach? The . 'V-girl' songs, ('Vicki' and 'Valerie') by the star- tingly awful Arch Hall Jr.? Or "Big- Boss-A-Go-Go Party" from Rat-Pfink A Boo Boo? The album is made up, for the most part, of bizarre rockabilly that the Cramps will probably cover on their next album. (It's amazing that they haven't covered "Shook Out of Shape" from The Incredibly Strage Creatures Who Stopped Living and Became Mixed-Up Zombies yet.) But the album also features an X-mas gem. Many years ago, I had the soun- dtrack from Santa Claus Conquers the Martians, a movie which I never saw, but I knew the plot from a comic-book included with the record. It was about a martian who tried to get Santa to give presents to martian kids. The martian was named Dropo, after Walt Dropo, I guess. Pia Zadora played one of the martian kids, no joke. The big hit from the record was, "Hooray for Santa Claus," which features a children's chorus unlike any you have ever heard, or ever will hear. "Hooray" is faithfully reproduced here, and its availability will probably have profound impact on future holiday seasons. -John Logie Woodstock 1985 (Trigon) 11 p.m. - Nick Zedd presents 'Cinema of Transgression." Residential College Auditorium, E. University. Admission $3. the At 701 Funnier in concept than in execution. Woodstock 1985 is chock full of homage to some of the "great" mmmmml.www. OR 8 Weekend-January 31, 1986 WeeN