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DePalma calls this ".. . the most erotic, surprising, THE GODS MUST BE CRAZY novel
and thrilling movie I know how to make." Movies at A movie with very good advance notices. A Murr
F I RBriarwood, Briarwood Mall; 769-8780) careless pilot tosses an empty coke bottle from the fort t
CHOOSE ME cockpit of his plane while flying above the South goes
Latest film by Robert Altman disciple Alan African Desert. The bushman who sees it plummet to Villag
Rudolph. Stars Keith Carradine and Genevieve Earth takes it to be a lost token of the gods and sets A SO
R Bujold. (Ann Arbor Theaters, 231S. Fifth; 761-9700) about on an odyssey to return it. (Movies at Briar- A t
U COUNTRY wood Mall; 769-8780). army
A contemporary story of the hardships facing a LITTLE DRUMMER GIRL Jewit
ALL OF ME modern rural family. Starring Sam Shephard (who Diane Keaton, as a luckless and
Lily Tomlin and Steve Martin find their souls supposedly put his two cents in during scripting) and American actress recruited by the Israeli intelligen- Briar
sharing the same body in still another Martin Jessica Lange. (Movies at Briarwood, Briarwood ce as a double agent, may not know quite what she's, THE
collaboration with writer/director Carl Reiner that Mall; 769-8780). supposed to do, but still passses off enough of her gif- We
has been getting surprisingly good reviews (con- DREAMSCAPE ted emotional intensity to make her role worth wat- Schw
sidering their track record together) and a lot of Dennis Quaid plays a psychic with the ability to en- ching. (Movies at Briarwood, '769- 8780). future
business (State Theater, 231S. State; 662-6264). ter another person's dreams. A choppy, low budget PLACES IN THE HEART strug
AMADEUS Sci-Fi adventure that has its moments (if few). Director Robert Benton (Kramer vs. Kramer) (Stat
Milos Forman (One Flew Over The Cuckoo's Nest, (Movies atBriarwood; 7698780). takes a nostalgic look back at the rural Texas of the TER
Ragtime) adapts the highly acclaimed Broadway FIRST BORN 1930's in a tale of simple people looking for personal B-n
play about life and mysterious death of Wolfgang Terri Garr tackles her first dramatic role as a redemption. With Sally Field and Scott Harris. Aller
Amadeus Mozart. Choreography by Twila Tharp, divorced mother torn between the love for her (Movies at Briarwood, Briarwood Mall; 769-8780) class
music by...who else?" (Movies at Briarwood, Briar- children and the irresistable influence of her distur- PURPLERAIN(Cam
wood Mall: 769-8780) bed, live in lover (Peter Weller). (State Theater, 231 Self appointed pop/sex god Prince oozes into his UN'I
AMERiCANDREAMER S. State; 662-6264) first film vehicle, about a troubled, self appointed Ka
The fine talents, Conti and JoBeth Williams, trap- GIVE MY REGARDS TO BROADSTREET pop/sex god. Prince's fans think this is a great movie dire
ped in a dubious romantic comedy. (Ann Arbor adfrdsrmntn idta hudb oe Mapl
Thea ,210 S. Fifth; 761-9700) Paul McCartney wrote, produced, and stars in this than adequate warning. (Wayside Theater, 3020 WO
T eater, 20 self-professed comedy/musical about the daily Washtenaw: 434-1782) G
BODY DOUBLE tribulation of an ex-Beatle. Where's Richard Lester' E E
BDYn DUBLm aE st udrmsey ie RAZOR' EDEthis
Brian DePalma's latest, a murder mystery, mixesr when you need him? (State Theater, 231S. State; 662- Bill Murray makes his dramatic debut as the Cai
sensuality and cold thrills in still another per-.YCa1
mutation of the standard Hitchcock formula. 6264 and Wayside Theater, 3020 Washtenaw; 434-1782) restless Larry Darnell in Somerset Maugham's tran

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CASABLANCA (Michael Curtiz,:
Another visit to campus by Hi
he supervises the goings-on
strategically located along withI
Enjoyable, to say the least. In
(Alternative Action; MLB 3,7:30
THE HUMAN FACTOR (Otto Pr
Tom Stoppard did the adapta
Greene novel. The plot is a searc
in an intelligence service, and
Richard Attenborough and Nic
Arbor Film Coop; Nat. Sci. Aud.,
WOMEN IN LOVE (Ken Russell
A novel-to-film double featur
adaptation of a D.H. Lawre
Jackson won an Oscar for he
Russell's newest movie just open
Ann Film Coop; Nat. Sci. Aud., 9
MAD MAX (George Miller, 1980)
The first film to feature Mel
Warrior. The setting for a lot of
is a post-holocaust Australia. Th
Max's wanting revenge for hi
(Cinema Guild; Lorch Hall, 7 p
p.m.)
ALL THAT JAZZ (Bob Fosse, 197
Roy Scheider does an exc
autobiographical work about ar
Very good and recommended, t
deathis a little too joyful. (Me
p.m-9 p.m.)
THE BIG CHILL (Lawrence Kas
A slew of Michigan alumni
together for a friend's funeral an
good soundtrack and a lot of
everything is only skin deep.S
spend an evening. (Cinema Z
p.m.)

'US NIGHT OF THE LIVING DEAD (George Romero,
1968)
The original cult movie about a bunch of zombies
SS who have no movies to see in the evening like we do
M in Ann Arbor. With nothing else to do, they go around
and eat people. (Ann Arbor Film Coop; Nat. Sci.
Aud., 8:45 p.m.)
THE BICYCLE THIEF (Vittorio de Sica, 1949)
An Oscar winner for Best Foreign Film, this tells
the story of an old man and a son who must go sear-
1943) ching for the old man's livelihood, which depends
umphrey Bogart, as upon a stolen bicycle. Italian with subtitles. (Hill
n in Rick's Cafe, Street Cinema; 1429 Hill, 8p.m., 9:40 p.m.)
WWII refugee route. VIDEODROME (David Cronenburg, 1983)
grid Bergman, too. A very well crafted horror film with a good per-
p.m.,9:30 p.m.) formance by James Wood. Unfortunately, the end
eminger, 1980) becomes so totally ludicruous that anything good
tion of the Graham about the film is forgotten as people say things like
h for a double agent "Death of Videodrome. Long live the new flesh."
d the cast includes (Mediatrics; MLB 4,7:30 p.m.)
ol Wiliamson. (Ann AMERICAN WEREWOLF IN LONDON (John Lan-
7 p.m.) dis, 1981)
,1970) The concluding half is much much better. Two
e concludes with an college-age kids go hiking through England and get
nce novel. Glenda attacked by a werewolf. The result is both amusing
r part in the film. and horrifying. Excellent make-up effects too.
ied last week. ( Ann (Mediatrics; MLB 4,9 p.m.)
p.m.) DANTON (Andrzej Wajda, 1983)
A Polish director uses the French revolution to say
Gibson as the Road some things about modern Poland. The main conflict
action and mayhem between Robespierre and Danton is quite
e motive for it all is engrossing, and the film is well worth seeing. French
s family's murder. with subtitles. (Cinema Guild; Lorch Hall, 7 p.m.,
m 8:45 .m 10:30 9:30 p.m.)

we like to put in salad become a little less docile, and
try to put us in salad, instead. Italian buffet included.
They serve tomato sauce. (University club; U-Club,
7 p.m.)
'HEY DON'T WEAR BLACK TIE (Leaon Hirszman,1962)
A Brazilian import which takes a critical look at
the country's military regime by looking at what one
family thinks about unrest in a factory. (Hill Street
Cinema; 1429 Hill, 7 p.m., 9:10 p.m.)
THE PASSION OF JOAN OF ARC (Carl T. Dreyer,
1928)
A silent look at the French martyr, burned at the
stake. Members of the cast include Maria Falconetti,
Michael Simon, and Antonin Artaud. (Cinema Guild;
Lorch Hall, 7 p.m.)
DAY OF WRATH (Carl T. Dreyer, 1943)
Denmark in 1623. A woman is accused of having
supernatural powers after a death she had wished for
takes place. She soon starts to believe her accusers
in this psychological movie. Danish with subtitles.
(Cinema Guild; Lorch Hall, 8:15p.m.)
THE WIZARD OF OZ (Victor Fleming, 1939)
Judy Garland is Dorothy, and she goes on a voyage
over the rainbow during a tornado and meets all kin-
ds of witches and munchkins, the scarecrow, tin
man, and cowardly lion. An all-time favorite that
always entertains. And let's not forget Toto. (Cinema
2; Aud. A, 7 p.m., 9 p.m.)
GORKY PARK (Michael Apted, 1983)
William Hurt is a Soviet policeman who starts in-
vestigating a case and uncovers a vast scheme to
smuggle sable pelts, led by Lee Marvin. While not a
bad movie by any stretch, nothing is all that great
about it, either, and it tends toward boring in spots.
(Mediatrics; Nat. Sci. Aud., 7 p.m., 9:10 p.m.)
THE DARK CRYSTAL (Jim Henson and Frank Oz,
1982)
Highly advanced puppets or muppets star in a less
advanced story, a typical quest film as good tries to
defeat bad. The artistic conception is quite good, but
the film inspires a certain detatchment and ends up
being dull. (Michigan Theater Foundation;
Michigan Theater, 3 p.m..5:30 p.m.. 8p.m.)

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d have lots of fun. A
good laughs, but
Still, a good way to
Aud. A, 7 p.m., 9

ATTACK OF THE KILLER TOMATOES (John de
Bello, 1978)
A spoof of horror movies, as those red things that

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S AT URD AY
ROAD WARRIOR (George Miller, 1982)
Excellent timing as a different coop presents the
sequel to Mad Max this evening. Once again, Mel
Gibson roams the Australian outback. He tries to
save some people holed up in a refinery under attack.
(Alternative Action; MLB 3,7:30 p.m., 9:15 p.m.)
THE RULES OF THE GAME (Jean Renoir, 1939)
When first released, the French did not take much
of a liking to this movie. Not very surprising, as it
takes a less than favorable look at French society at
the start of World War II. French with subtitles.
(Cinema 2; Aud. A, 7 p.m.)
GRAND ILLUSION (Jean Renoir, 1937)
From a look at society to a look at war. A group of
diverse people put together in a POW camp find
themselves joined together by bonds deeper than the
ones dividing their nations. A very good ending.
French with subtitles. (Cinema 2; Aud. A, 9 p.m.)
MASQUE OF THE RED DEATH (Roger Corman,
1964)
One of two Halloween-oriented twin-bills this
evening gets under way with one of the classics in
late-night horror. Vincent Price (who else) is the star
of a combination/adaptation of some Poe stories.
(Ann Arbor Film Coop; Nat. Sci. Aud., 7p.m.)

Donald Pleasance: Halloween plays Tuesday

14 Weekend/Friday, October26; 1984

Weekend