w w w w ME09 _lw- -NFF- 1^ -wl-- -w- -w w w w t C 0 V ER --------------------------------- . - , - -'. - - , . . . . - - -I . . . - I - --- . - -- - - . - - - ..Oil& R E C 0 R I Ferrlaro factor (Continued from Pages5) Bookstore say it is "not selling very well." 'I'WOMONTHS before the Novem- ber election, Michigan citizens rate Ferraro superior to Republican vice presidential candidate George Bush in intelligence, leadership and understan- ding citizens' problems, according to a -Detroit News Poll headed by Michael Traugott, senior study director at the University's Institute for Social Research. Nor surprisingly, most of Ferraro's support comes from Democrats: Thir- ty-one percent say they are more likely to vote for Mondale because she's on the ticket, with only 9 percent saying they are less likely. Republicans tend to, rate the two candidates nearly equally. Women are somewhat stronger in their support for her in the statewide poll of 745 adults taken Aug. 10-27 at the height of the controversy over her finances. Traugott says in a "thermometer question" where respondents are asked to rate candidates Ferraro, Bush, Reagan and Mondale on a scale of 0 to 100, Ferraro scores higher than Bush but not as high as Reagan. Mondale received the lowest score. The recent poll shows 23 percent of those surveyed say Mondale's selection of Ferraro made them more likely to support the Democratic ticket. Only 14 percent said it made them less likely to vote the ticket. Traditionally the college-level age group has a poor voting record, which bothers University Regent Sarah Power (D-Ann Arbor). "I regret the lack of student in- volvement in the whole political process. It is a lot less than a decade ago," Power says. "I think a lot of women at the University have very lit- tle understanding of the long battles waged by women like (State Lt. Gov.) Martha Griffiths." Power, one of two women and six men on the Board of Regents, says the Ferraro nomination should signal that "there are qualified women to fill any position." But while she praises the value of Ferraro as a role model for young women, she is less optimistic about the effect of her candidacy on University students because of their lack of involvement. Student political leaders say it is too early in the academic year to judge the impact of Ferraro's nomination on membership in their organizations, but College Republicans' Leachman, says three of this year's officers and one- third of the members are women. HE says Ferraro "might' make women more noticed" and give them the "possibility of going farther" in The Furs start 0 r.) w w -c 0 0 t7 politics. Andrew Hartman, president of College Democrats (60 percent of whom are women), says he was "excited to see a woman make such a leap" and believes the move will help Mondale at the polls. Whether or not the "Ferraro factor" combined with the possible strength of the gender gap can pull the Democratic ticket through in November is mostly conjecture at present. Yet regardless of the election results, Ferraro's historic candidacy has brought to the attention of the public the power of role models and some of the unique problems American women politicians may soon be turning to ad- vantage. Young is a Daily Opinion Page editor. to shed_ Mirror Moves The Psychedelic Furs Columbia By-Dennis Harvey The Psychedelic Furs were obviously poised for an attack on the mass audience with their third album, Forever Now, which wielded one genuine dancefloor hit (the slinky, menacing "Love My Way") and sweetened the Furs' approach to an ex- tent via Todd Rundgren's poppy production. As transitional trying-to- crash-the-big-party efforts go, it was pretty encouraging; for once Run- dgren's tendency toward noddling with keyboard and vocal extras didn't make the band at hand sound like a mutated Utopia, and the result was at least halfway classic medium-hard pop, with enough left of the old Furs' bite on songs like "President Gas" to preserve integrity. After all, it was quite all right' for the Furs to feel the necessity of changing costume a bit in a world sud- denly crammed with white "funk" boy bands and 12-inch singles, but nobody wanted them to become cuddly toys. It's mildly depressing, then, to note how devoid of that.old bite the Furs' newest and fourth, Mirror Moves, is. This is music one can safely gum down, with no harsh guitar shounds to frighten anybody and most of the menace removed from Richard Butler's stlill, agreeably hoarse vocals. The Furs were never all that scary a band, what with their post-punk sax-and- everything Big Sound, but on their first two albums (and even in parts of Forever Now) they communicated a pleasantly discomforting ambiguity that was half sex and half f-off snarl. Mirror Moves, with its annoyingly honest "Sure, we admit this is a sell- out, but who cares?" title, retains only the pleasantness; what can possibly be disturbing (or interesting, you.might ask) about an album that's mostly just about that same old thing, love? A lyric sheet is pointedly not included, and it's just as well. Not that Mirror Moves is a bad or even mediocre album; it's likeable enough, but in that this-year's-product way that goes in one ear and out the other - there's nothing really worth retaining after the needle lifts. The first single, "the Ghost in You," was perfec- tly admirable radio pop, the sort of thing that inevitably sounds more won- derful than it really is when sandwiched between the usual top-40 perils; the second single, "Heaven," is less cat- chy. One song, "My Time," begins to sound a bit like Older Furs, 'and Richard Butler (whose vocals, however, subdued, lend Mirror Moves its only real stamp of personality) allows himself more scratchy aban- donment on its title phrase than is heard elsewhere. The rest of the songs are pleasant, well-crafted, and forgettable. Keith Forsey's production is of the sort that leads stereo magazines to jot sum- maries like "Production: Excellent. Performance: Dull." The fault isn't the musicians', of course, they perform confidently, if not very excitingly, in the crystal-clear, no-imagination, stan- dard-frills framework Forsey allows them. Some of those frills verge on the seriously banal, like that hey-lads cheerful trumpet on "Like a Strangers," but in general Mirror Moves is far too innocuous to provoke offense. Unless, of course, you find of- fensive the fact that yet another once- fairly-eccentric band has become prematurely cheerful and dull All Over the Place The Bangles CBS - The Bangles are not the Go-Go's. If you understand that you can under- stand that this all-female quartet from the West Coast doesn't share much at all with their better known peers except gender, California, and success. The Go-Go's have all three; the Bangles definitely deserve the last one. Their first album is out on CBS, one reason being that there was no way the group was gonna sign to IRS, the you- know-who's label. They want to avoid comparisons that much. But it's inevitable, right? They shouldn't worry, 'cause their first LP (they had an earlier EP) more than stands up to Beauty and the Beat, which is nothing really but two great singles. They also shouldn't worry, 'cause the Bangles are thankfully free of the space cadet/teen queen image of the early Go-Go's; these women won't pose in their underwear for Rolling Stone - they're quietly cool. Guitarist/vocalist Susanna Hoffs even brandishes a John Lennon-style Rickenbacker on the LP's cover. Three other things come to mind about this album. First, lead guitarist Vicki Peterson adds guitar bits that remind you of James Honeyman- Scott's work with the Pretenders, not so much in style but in enhancing the total sound of the group. Her obvious in- fluences come straight from the sixties, and she can skitter fiery British In- vasion-style licks with the best. Second, Hoff's voice really comes across strongly, standing out in a group where everyone sings well. Third, David Kahne's production jumps out at you impressively, cap- turing the group's blend of guitars, voices, and its rhythm section. Where the Go-Go's first two albums sounded tinny and too girl-groupish, the Bangles have a very listenable, definite sound. In fact, I bass guita sound dov lyrics sli Bangles cc cut and s Hoffs sing virtue/F< flaw, who fancies your doo Most im the feel f countryist "Tell ME strongest "Restless, vocal wor ."He's Got what this listener ge come thro One las had to wa prove tha material; one. The B MICHIGAN STUDENT The MSA will be interviewing for BUDGET PRIORITIES COI Budget Priorities Committee reviews, allocates ani group events and projects. The Committee meets c and on an as needed basis. GET INVOLVED IN STUDENT GOVE Applications available at 3909 N DEADLINE FOR SUBMITTING A MONDAY, SEPT. 17, 1984 for further information, contact Laurie Clement or Marc Wernick, : Ferraro with Mondale: She's not just standing on the sidelines 6 Weekend/Friday, September 14, 1984 Weekend/Friday,