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ANN ARBOR THEATER
210 S. 5th; 761-9700
CARMEN
No, not the opera, but a purportedly good film
adaptation. Music, bigger than life, and
cinematography above and beyond most traditional
operas.
LIQUID SKY
When you're looking for dinner in the Big Apple,
you probably don't think of heroin and orgasms.
You're not an alien in a barbeque, though. This
negative approach to post-punk cinema, seriously, is
so far the: film of '84.
MOVIES AT BRIARWOOD
Briarwood Mall; 769-8780
AGAINST ALL ODDS
Not nearly so existential as some have said, but
quite intriguing, especially to those with a strong in-
terest.

FOOTLOOSE
A modern cultural thing viviantly expressing
American youth's predilection for freedom. A
possible successor to Flashdance.
MISUNDERSTOOD
A recently completed film treating an ephemeral
and often sequencious trepidation of existence tem-
porally coinciding with an interesting denoument.
Occasionally mauve and very taupe.
MOSCOW ON THE HUDSON
Poetically mad as always Robin Williams is now
a Russian saxaphonist defecting in New York. The
weak point is that he tries to defect in the cosmetics
department of Macy's while there is a sale on spor-
tingware at Hudson's.
ROMANCING THE STONE
Kathleen Turner (Body Heat . ) and Michael
Douglas star in "this action-packed" adventure film
trailing through underdeveloped territory. Some
people have not compared it to Raiders of the Lost
Ark.
WHERE THE BOYS ARE
Deja vu, maybe (mais oui). Yes, this is a remake
of that 1960 tribute Lauderdale. Gee, this doesn't say
too much of our present return to '50s "muscle-
beach" ideology, does it?
CAMPUS THEATER
1214 S. University; 668-6416
GREYSTOKE
Inspired probably not by a lack of previous in.er-
pretations. this movie again recreates the Tarzar
myth of Edgar Rice Burroughs.

FOX-VILLAGE THEATER
Maple Village; 769-1300
TERMS OF ENDEARMENT
A widow (Shirley MacLaine), tries to settle some
of the confusing points of a mother/daughter
relationship with her daughter (Debra Winger).
HARD TO HOLD
The story of a big rock star who is on the way down
and who falls in love with a woman who never
thought he was a big rock star. Stiring rock star
Rick Springfield who has appeared in soaps and veen
a video star. Springfield: '..I can put a part of me
into this story."
ICE PIRATES
Star Wars may have had seven good years, but it
seems that its luck has run out. It's called a "space
comedy," but parody may be closer to the mark.
THE DRESSER
Not furniture, but rather Tom Courtenay, who
plays Skakespearian actor's Albert Finney's
"dresser." One of this year's more artistic efforts.
STATE THEATER
231S. State; 6626264
HOTEL NEW HAMPSHIRE
The long-awaited screen version of John Irving's
sequel to Garp.

POLICE ACADI
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WAYSIDE 1
3020 Washtenaw
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Walt Disney's
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SPLASH
A Disney rele
really only a me
not a mermaid.

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NOSFERATUR (Werner Herzog, 1979)
Klaus Kinski plays the bloodsucking Count
Dracula in a modern remake of what some consider
to be the classic version of the vampire story by F.W.
Murnau. From the director of Fitzcaraldo.
(Mediatrics; Nat. Sci. Aud., 7:00,9:00)
SAY AMEN, SOMEBODY (George Nierenberg,
1982)
An Ann Arbor Premiere of one of the most ac-
claimed documentaries of recent time, which deals
with gospel singers. Ann Arbor's own Voices of
Bethel will give a performance between each
showing of the movie, making it a double gospel
treat. (Cinema 2; Aud. A, 7:00, 9:00)
KRAMER VS. KRAMER (Robert Benton, 1980)
Dustin Hoffman and Meryl Streep divorce and
proceed to battle over Justin Henry, their young son.
Tearjerking on a grand scafe, but with a lot of class,
too. A pleasant way to spend an evening, especially
to watch Dustin make french toast. (Hill Street
Cinema; 1429 Hill, 8:15, 10:15)

THE STORY OF THE LAST CHRYSANTHEMUM
(Kenji Mizoguchi,1939)
Son of a famous Kabuki actor, an aspiring one is
assured of success, until he forsakes his family out of
love for a servant. (Cinema Guild; Lorch Hall, 7:00,
FREE)
THE UPRISING (Peter Lilienthal, 1981)
A film made shortly after the revolution depicts
the transition of a soldier in Somoza's National
Guard to a Sandinista revolutionary. An Ann Arbor
Premiere, Spanish with subtitles. (Ann Arbor Film
Coop and a host of University departments; MLB 3,
8:00, FREE)

HAMMETT (Wim Wenders, 1982)
A film that surmises that Dashiell Hammett's
creation of San Spade was based on the author's own
experiences as a detective in San Francisco. (Alter-
native Action; MLB 4, 7:00, 9:00)
AMARCORD (FedericoFellini, 1974)
An autobiographical tale of youth in a small Italian
town after the war that consists of many small tales
tied together by a quest to enter the world of adults.
Italian with subtitles. (Cinema Guild; Lorch Hall,
7:00, 9:15)
CHELSEA GIRLS (Andy Warhol, 1966)
Like, wow, but this promises to be one of the weir-
der experiences on the campus circuit this term. Two
projectors to imitate a split screen, an undetermined
soundtrack, and an opportunity to question one of the
Chelsea girls live and in person. (Cinema 2, Aud. A,
7:00)
THE SEVEN SAMURAI (Akira Kurosawa, 1954)
It is long, and it is Japanese with subtitles, but it is
also a very worthwhile film experience. Toshiro
Mifune is one of the freelance samurai trying to save
a town from raiders. (Ann Arbor Film Coop, Nat.
Sci. Aud, 7:30)
THE BIG CHILL (Lawrence Kasdan, 1983)
Wonderful entertainment from a University alum-
nus, and a nominee for Best Picture at Monday's
Oscars. Eight friends from college here in Ann Arbor
get together for the funeral of a ninth and engage in
funny comedy and inane philosophizing about college'
days. (Mediatrics; MLB 3, 7:00,9:00)

Big ChiI: P

WHEN JOSEPH RETURNS HOME (Zsolt Kezdi-
Kovacs, 1976)
Marriage. Shortly thereafter, the husband, a mer-
chant marine, heads out to sea, and the new wife
returns home to live with mother. A look at the
relationship which ensues. Hungarian with subtitles.
(Ann arbor Film Coop; MLB 4, 7:00)
KNIFE IN THE WATER (Roman Polanski, 1962)
The moral of Polanski's first film is "Don't pick up
hitchhikers to spend a weekend on your yacht,
because the sexual competition might get a little too
vicious." Polish with subtitles. (Cinema 2; Aud. A,
7:00)
THE SERVANT (Joseph Losey,1963)
Dick Bogards, Janes Fox, and Sarah Miles star in
a Harold Pinter screen play which deals with a
rather unusual relationship between a rich youth, his
manservant, and his sister. (Cinema 2; Aud. A, 8:45)
MAYERLING (AnatoleLitvak, 1937)
Historical romance, as the Archduke Rudolf goes
on a fateful hunting trip with his mistress in 1889. The
heir to the Austro-Hungarian empire comes back in
no position to inheit. French with subtitles. (Cinema
Guyild; Lorch Hall, 7:00)
PEPE LE MOKO (Julien Duvuvier, 1937)
Can the French police lure the ruler of Algiers
Arab quarter out of his domain and bring him to
justice for his crimes? French with subtitles.
(Cinema Guild; Lorch Hall, 8:40)
THE WEAVERS: WASN'T THAT A TIME (Jim
Bown, 1982)
A wonderful, heart-warming film about the 1981
reunion of the 1950s folk-singing quartet. Not only is
the film worth seeing on its own merits, but all of the
proceeds, from this evening go to The Ark. (Hill
Street Cinema; 1429 Hill, 7:00, 9:00)
BARRY LYNDON (Stanley Kubrick, 1976)
Like all Kubrick films, this is a masterpiece. It
lasts for three hours, but every one of them is worth
it as Kubrick weaves a masterful tale of rise and fall,
love and death, treachery and honor from the
Thackeray novel. The technical side is also wonder-
ful. See it. (Classic Film Theatre; Michigan Theater,
5:15,8:30).

KILLING US SOFTLY (Cambridge Documentary
Films)
 The us is women. The method of killing is the
image presented in advertising for just about
everything in just about everything. The documen-
tary looks at the cause and the effect. (Women's
Studies Film Series; MLB 2, 12:00 noon, FREE)
SALT OF THE EARTH (H.J. Biberman, 1954)
The film industry and the government tried to stop
production of this film made during the heyday of
McCarthy which examines a year-long strike by New
Mexico zinc miners and the role of women in it.
(Schools of Public Health and Social Work: 4068
Frieze Building, 12:15, FREE)
ETHNOGRAPHIC FILM SERIES
Further anthropological somethings. The twin bill
of the week is "Holy Ghost People" with "California
Reich". (Anthropology Department: MLB 2, 7:00,
FREE)
THE LAST PICTURE SHOW (Peter Bogdanovich,
1971)
A rite of passage movie in Archer City, Texas.
Cloris Leachman and Ben Johnson won Academy
Awards. Timothy Bottoms, Jeff Bridges, and Cybil
Shepherd also star. (Cinema 2; MLB 3, 7:00, 9:05)
THE CONFORMIST (Bernardo Bertolucci, 1970)
An assassin on the rise in Fascist Italy finds con-
fusion over his sexual orientation leading to con-
fusion over how to best fulfill his assignment. Italian
with subtitles. (Cinema Guild: Lorch Hall, 7:00,
9:00)
RETURN OF THE PINK PANTHER (Blake Ed-
wards, 1975)
Hill Street Cinema ends the term with a good study
break as Peter Sellers ,plays the blessedly inept In-
spector Clouseau of the Surete. The excellent suppor-
ting cast is also on hand. (Hill Street Cinema; 1429
Hill, 6:30,9:00)

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LIQUID SKY (Slava Tsukerman, 1983)
This was going to be an Ann Arbor Premiere, but a
local theater had a special showing, so...The movie,
basically, is weird science fiction made in New York
by some immigrants from Russia, and already has
its own cult. (Ann Arbor Film Coop; MLB 3, 6:00,
8:00, 10:00)
THE SPIRIT OF THE BEEHIVE (Victor Erice,
1974)
A look at the dreams and nightmares of children,
and how children relate to the organism known as the
family. (Alternative Action; MLB 4, 7:00, 9:00)
WOMEN IN LOVE (Ken Russell, 1970)
Two women in love with two men. The women are
Glenda Jackson and Jennie Linden. The men are
Alan Bates and Oliver Reed. D.H. Lawrence wrote
the source material. (Cinema Guild; Lorch Hall,
7:00, 9:20)

10 Weekend/Friday, April 6, 1984-

7 Weeken