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".": ?Y::?b::+f:": ?."" :": v..........Kib"...... ........ . ........... n ............. ...^J x..................,. rr ...........rk. ....... .. t ............. ............. .......... ..:..... ., ...........n.d ... r.r .. a............. ....... :........ ... ?"'"'ti+.": YhtiSvr$: i:%:fi:ti r.::+: }:":>..- United nations, Big Country Office of Major Events Hill Auditorium 8 p.m., Saturday, March 10 By Bill Orlove M ANY MUSIC CRITICS HAVE called 1983 the year of the second U.K. Invasion since the American char- ts were dominated by a countless num- ber of bands from across the Atlantic. The Eurythmics, Culture Club, Span- dau Ballet, and other synthesizer-based bands made a heavy impact on the music-buying consumer last year. But there were also groups that had a guitar-oriented and less generic sound. One of those groups was Big Country. And what a successful year it has been for them. After doing extremely well in the British Isles, guitarist and lead singer Stuart Adamson, Tony Butler on bass, drummer Mark Br- zezicki, and Bruce Watson on guitar, came to America. With their debut album, The Crossing, and the song, "In a Big Country," their popularity skyrocketed. So far, the album has gone gold, Rolling Stone's Reader's Poll named them the best new artist of 1983, and they have received outstan- ding reviews for both their album and their last tour. So how does it feel to have all this going for them in less than a year? "It's great because we did not really, expect all of this to happen," said Adamson in a recent interview. But it took a long time to reach the success that they have achieved. Adamson started out as a guitarist for the Skids during 1977's punk movement in England. But after their third album, Adamson decided to call it quits with the band. He moved back home to Dunfermline, Scotland and began to lay down the foundations for Big Country. The first version of the band suffered a number of problems. One was the inexperience of the band members that Stuart had recruited. Another was touring with Alice Cooper. Stuart remembers, "It was a very bad ex- perience and was probably the major setback for the band." But out of all this, Adamson was im- pressed by the guitar playing of Bruce Watson. After sacking the other three members, the two began rehearsing and writing songs. In 1982, Watson and Adamson met up with the rhythm section of Tony Butler and Mark Brzezicki. The two musicians had previously performed on such albums as.Pete Townshend's Em- pty Glass and All the Best Cowboys Have Chinese Eyes, and Butler had played on the Pretenders' "Back on the The Crossing: Big success Chian Gang." In need of a arummer and a bassist, Stuart asked the two of them to play on a demo tape for Big Country. They agreed to do the demo and then permanently stayed with the band. The demo tape went well and the Columbia College Chicago Announces a Graduate Program Leading to A Master of Arts Degree Responding to the New Professional Opportunities in Film and Video group was immediately signed to Mer- cury records. After a displeasing ex- perience with producer Chris Thomas, the group decided to try using Steve Lillywhite, who produced U2's War album, behind the control board. Their first single to be issued from these studio sessions, "Fields of Fire," peaked at number 10 on the British charts. And so launched the career of this very promising band. Big Country is trying to establish a different attitude towards the pairing of success and rock and roll, besides creating some of the freshest sounding music in recent memory. Stuart believes that the group's ego should not become so big that they lose touch with their audience. "I feel that4t's impor- tant for a band to be close to its audien- ce," he stated. Maybe that's why Big Country doesn't play huge concert halls, war- ming up for the likes of The Who or David Bowie. They want to achieve success on their own terms, while still keeping close ties with their audience. Warming up for Big Country's show, tomorrow night Will be the San Fran- cisco quartet Wire Train. They have recently released a promising album ... in a chamber on 415 records. 0 MA TH(MAJORSIMINORSI APTITUDE) ... You're Needed All Over the World. Ask Peace Corps Moth volunteers why their degrees are needed in the class- rooms of the world's developing norions. Ask them why ingenuity and flexibility are as viral as adopting to a different cul- ture. They'll tell you their students know Moath is the key to a solid future. And they'll, tell you that Peace Corps adds up to o career experience full of rewords i and accomplishments. Ask them why I Peace Corps is the:roughest job you'll ever love. IPEA CORPS writers because the same excitement flows over into the classroom." Theodore Birdsall, a professor of electrical and computer engineering shares this attitude. "Inherent in most research persons is that they are never happy with most explanations, they keep wanting to explain it better," Birdsall says. But his case is unique-it shows the conflict between a good teacher who is in demand, and a researcher whose work for the Navy keeps him too busy to teach any more than one un- dergraduate course, Analog Com- munication. Birdsall usually doesn't teach the course this term, but 20 students petitioned the department asking that he teach the course so they could graduate on time. Birdsall says he is the only professor in the department who can conduct the class because it stems from his research, and he has not had time to put it into a textbook. Although Birdsall does not look over homework or grade exams, Engineering senior Jeffrey Hopwood says his expertise makes the class wor- thwhile. "Inthe class he's teaching it sure helps. He has brought in equipment and actually demonstrated the prin- ciple," Hopwood said. "We are studying single band tran- smission and he brought in a tape of an actual recording of single band voice. He has the resources to get that kind of stuff. It's always better to get it first hand," Hopwood says. T HE UNIVERSITY's undergraduate programs consistently get high ratings in educational surveys. In a survey of national and international universities released in December, Jack Gourman, as associate professor of political science at the University of California at Northridge, ranked the University 3rd, behind Princeton and Harvard. A November U.S. News and World Report survey ranked the University seventh, with Stanford 1st and Harvard 2nd. But a closer.inspection of the criteria used in such surveys casts some doubt on their applicability to undergraduate instruction.. The U.S. News and World Report survey, for example, placed the University's undergraduate programs 7th in a category of schools which "of- fer a wide array of programs, perform substantial research, and grant Ph.D.'s in a variety of fields." With categories like that, many .feel the surveys tell little-good or bad-about the University's i instruc- tional quality. "No group is going to go around and look at how well we teach," Gramlich says. "It's easy to count the number of ar- ticles produced; it's harder to measure how well undergraduate courses are actually taught." Psychology Prof. Donald Brown, says the surveys are derived from the "halo effect" of the school's reputation, rather than more empirical analysis. "There are several undergraduate programs at Harvard that are always rated in the top five, and people who really know, know that they aren't wor- th a damn," Brown says. When Brown judges the University himself, he gives out Bs for teaching and As for research. "The University is not known for the quality of teaching, it is known for it's distinguished scholars." Although it is rare, Brown says the emphasis on research is so strong that "no one will be promoted only on the basis of good teaching, but you could be Office hours: The personal touch promoted on the basis of good research alone." The extreme case of excellent researcher/terrible teacher is a rarity, according to Brown. "Usually it is more like adequate teaching combined with superb research." He says course evaluations, enrollment patterns and faculty "scut- tlebut," all help to round out a picture of the professor as a teacher-but an imcomplete one. Student reaction to professors can be more a popularity contest than a true gauge of skill, according to Brown. "Students.are not privy to all the fac- ts, they only know the teaching side," Brown says. "The criteria for good teaching is not just popularity and the particular mood of the time. "15 years from now, when you look back on your education, what you think of as a great professor may be one who mumbled in front of the chalkboard, if he even wrote on the chalkboard at all." A recent study by Psychology Prof. Wilbert McKeachie, former director of CRLT, supports Brown's belief that research plays a much greater role than teaching in determining faculty promotions and salaries. McKeachie and two research assistants put together simulated dossiers on professors, including per- sonal information, research produc- tivity, and student course evaluations. When 12 senior faculty members evaluated the dossiers for promotion, McKeachie found the panel "con- sidered research productivity to have greater weight than teaching ability in both the University criteria for promotion and their own judgement." BROWN says one of the major com- plaints he hears at the University concerns students unhappy with their TAs. But Brown finds some of the criticism unwarranted. In the psychology department, where most introductory courses are taught by TAs, he says they often make better teachers than senior professors. Some students also find TAs more approachable than professors. "I've gotten more of my money's worth from my TAs," says LSA senior Sandy Valentine. "They had more review sec- tions before midterms : and finals and passed around dittos to help you out. Professors don't usually care." But Valentine is an exception in a University where most students feel they aren't paying thousands of dollars to hear a teaching assistant. The number of teaching assistants in lower-division LSA courses has drop- ped from 54 percent to 49 pereent over the last 10 years and horror stories are uncommon-but they're not unheard of either. One LSA freshwoman, who asked that her name not be used, recalls a calculus class she'had last term, with a TA who hadn't had calculus since his senior year in high school and was dif- ficult to understand. The department closed the section two weeks before the midterm and placed the students into other sections. The Graduate Employees Organization, which represents TAs, is trying to ensure that TAs know something about teaching before they step out in front of a class. Under the terms of their December contract with the University, departments must provide 13 hours of TA training starting in the fall. Beverly Smith, director of TA training in the Center for Research on Learning and Teaching, says the program is long overdue. Some depar- tments, like English and classical Studies already offer excellent training sessions, she says, but many T-As begin teaching cold. "I've spent a lot of time talking to graduate students, and a lot of them go before their classes with absolutely no training-of course, so do professors. "Most of the departments are set up to be reactive rather than proactive in training TAs," Smith says. "People don't get credit for training TAs. It's time-consuming and takes away from research. The rewards system is not set up to train TAs." One of the biggest barriers between students and TAs is language, par- ticularly in math and sciences. Despite LSA's English proficiency requirement, established in 1982, Nan- cy Konigsberg, a chemistry lecturer who oversees a number of sections, says TAs who have difficulty com- municating in English still end up teaching classes. After receiving complaints about foreign teaching assistants in several of her classes, she said she called the English Language Institute (ELI) which administers the exams and found that many of the TAs in question had either failed the exam or received a borderline rating in English proficien- cy. "Somehow, going through the .i I bureaucra said Konig Sarah research stitute can it is up to I will teach. Of 62 gr fall, 37 p spoken Er borderline would ben English; large clas ded for lir grading a recommen teach at al In looki from fall t significan of sections assistants assistants Briggs chemistr students t of one to f and one be In 32 o ranking wa courses w percent teaching a Some Un as James of the ma the barrie with a littl "We get of the tern after a few ,"When y say "subsi at first, 1: funny acce Konigst proving th would be I University before tea She say has an obi opportunit American adds that offered dergradua "The Li phasize graduates Sue Bar The core of our program is the Visual Production Laboratory which emphasizes practical work in cinematography, directing, editing and screenwriting within a strong technical and conceptual framework. A background in Film and Videotape is not required for admission to the program. Columbia College has a preeminent reputation, outstanding production facilities and a celebrated faculty of working professionals. For further information contact: Director of Graduate Division, Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Full tuition fellowships are available for specifically selected applicants with outstanding qualifications. Columbia College Chicago 600 South Michigan Avenue Chicago 60605 312/663-1600 Columbia College admits students without regard to race, color, sex, religion, physical handicap and national or ethnic origin. 4 Weekend/Friday, March 9, 1984 13 Weekc 13 Weeke