ARTS The Michigan Daily Thursday, February 9, 1984 Page 5 Nembert the Troll visits Radioland Catch a falling star By Bradford Pc THERE ONCE lived a creature T called Nembert the Troll. He was a good little troll - worked hard, ate carefully, kept his snout out of other people's business. Hoping to better appreciate the intricacies of life and reality, Nembert decided to get an education. Nembert was a fine student; he at- tended almost all his classes, read the supplementary texts, shunned his friends in favor of the library, and always kept up. After awhile (in February), the Spartan life began to take its toll on poor Nembert; his whiskers began drooping, his gait became shuffled. He was much disillusioned with being an "up and coming" troll, with a arks with the desire to move his limbs rhythmically. It was very strange, but nice, he decided. Walkman firmly in place, Nembert wandered the streets of Ann Arbor late into the night, listening to a 1983 concert recording of Minor Threat, and then a special live romp with Civilian Fun Group (CFG), everyone's favorite East Quad/Halfass band. By Saturday morning's live broad- cast of the Evaders, the change was virtually complete. Nembert had dug out an old CBN T-shirt, pulled his Converse Hightops out of the closet, and was out, on the prowl. For- tunately, he was appeased by a mid- afternoon blues party featuring Ur- bations/Silvertones drummer Martin Gross and a Rocker's Jamboree special with Jamaican rap virtuoso the Lone Ranger. Sunday finally arrived, and with it a wonderous selection of listening from the disquieted editing of the "Raiser Ed" show to the brilliant beats of "African Rhythms," featuring drummers Sundiata Keita of the Positive Force and Biza Sompa of Biachini Bia Congo. Nembert was bristling as he phoned in his $10 pledge for a T-shirt and Bash ticket. He bristled in anticipation, and rightly so: The Bash line-up is am- bitious indeed. Six main acts will take to the center stage, beginning at 8 p.m.: M'ap of the World, the Cult Heroes, the Buzztones, Willie D. Warren and the Brush St. Blues Band, and the S.W.A.M.M.P. Band (stands for something like Sounds, Words, and Many Musical Powers), with the Lone Ranger on rap. In between sets, the smaller stage will host smaller acts, including the acoustic country duet of Kevin Lynch and Mike Smitty, an African drum trio, and the prize-winning jazz duet of Stephanie Ozer and Kathy Moore. Past Bashes have always been popular to the point of capacity ; Nembert planned to arrive discreetly but early. Nembert thought, I'm going to have a good time. And so he did. promising but dull future and an ear- nest, but dull present. One day, boned Nembert hap- pened to turn on a radio. He was not particularly enthused about the prospect of hearing top-40 noise such as is propagated on commercial stations, but he was too bored to much resist. Came the voice from the box: "This is- Cecile Cloutier and Patty Rice broadcasting live from 342 E. Madison and this is the annual WCBN fundraiser coming to you at 88.3 FM." Nembert looked at the box. Sure enough: The dial read 88.3. How did it get there? Nembert wondered. Somebody must have been fiddling with the thing while he wasn't looking. Hmm, what's this they're playing? Jazz-food music? Fats Wallers' "You're My Dish"? Sounds like they're having a good time. Wow, it's time for class. Guess I can skip one for a special occasion like this.. . Nembert never knew much about WCBN, the University's student-run radio network. He never knew much about their unique brand of alter- native airwave broadcasting. But by the time the jazz-foodshow ended and the live Aluminum Beach concert began, he knew all about the annual benefit, whereby said radio station derives about half of its yearly budget. For 88.3 consecutive hours, starting at 9 a.m. today, WCBN asks its listeners old and new to help keep such favorite programs as "Syn- 'thescapes,'' "Hemispheres,'' "Rockers Jamboree," and the like on the air. To encourage support, the station puts together a bunch of special programming liberally spiced with live shots, rare clips, and strange. spots, all capped by the big Bash on Sunday at the Union Ballroom. Monetary pledges are also rewar- ded by premiums which range from the infamous CBN T-shirt (this year's model is reported to glow in the dark) to massages, home-cooked dinners, haircuts, hang gliding lessons, and hotel weekends for two. Many premiums include admission to the Sunday Bash. All of which .fascinated Nembert, who skipped all his classes and ended up sprawled on his couch, listening dumbfounded to Arwulf and his Wind/Thought/Action Ensemble make strange tweedles and thumps, followed by the jazz of Stuart Cun- ningham and Bruce Dundero. A change was being affected in old Nembert; some ancient troll charac- ter rooted back several generations began to emerge. He experienced a number of bizarre sensations, coupled LOOK - I like sex and violence just as much as anybody else. But what I cannot stand is whining. Coinciden- tally, that is all Paul Snider (Eric Roberts) does in Bob Fosse's new Star '80. He whines, he wheedles, he waxes dull, dull, dull. I ask you - How can you enjoy a good healthy dose of s & v with this guy whining all the time? Star '80 is a semi-fictional account of the rise and obliteration of Playboy Playmate Dorothy Stratten. She went from nowhere to having a staple in her navel, and when her trip to stardom left playboy Snider waiting at the airport he seethes, and boils (and whines) until finally he just can't take it anymore and blows her pretty little face all over the carpet. Now this tragic story is an interesting premise for a movie that could have said a lot about America - about our obsessions with beauty, tasteful sex, 'our hunger for fame and recognition, blah blah blah. Not to mention we could see Mariel Hemingway and her brand new breasts right out there in the open and feel O.K., because we're watching art, not sleaze, and as we all know, art cleanses. That is, all art except Star '80. If there's a bad movie heaven, you can be sure they show Bob Fosse films day and night, and this one is no different. Whatever story there might be, whatever cool sex and misogyny, is literally blown away by Fosse's struc- turing the movie as a series of inter- view/flashbacks, every predictable moment telegraphing itself minutes in advance because, even without the awful music, we know the top of Dorothy's head is already all over the wall. But Bob Fosse doesn't care about movie structure anyway. All Bob cares about is telling us how cool it is to be Bob Fosse. It's no coincidence that Snider talks to himself in the mirror the same way Joe Gideon did in All That Jazz and probably the same way Fosse himself does when he's trying to con- vince himself that yes, he is a great ar- tist, no matter what all those jealous critic-types think. And if Fosse's great, you know what that makes us. That's right. The whole movie is one big finger pointing out of the screen down your throat saying: "Silly you, don't you see how demeaning sexual tittilation is, don't you see how many people believe what they read in Playboy, don't you see how Dorothy Stratten was exploited?" Well, Gee, Bob - thanks for your concern. Fact is, while Paul Snider might have believed the Playboy philosophy enough to be frustrated and ultimately homicidal about it, Paul was a psychotic, and we're not. We can tell the difference between reality and fan- tasy. We don't find posing nude demeaning (after all, what Dorothy wants to do is her business). Hell, some of us even subscribe. If you think I'm pressing the point, then look at the only sympathetic character in the film - the man who gives Dorothy a chance to show her real talents, the one who understands her when no one else tries - the movie director. (Subtle, eh?) In case you're interested, the movie director is actually Peter Bogdonavit- ch, but all the names have been changed A) To protect the "innocent" (though, of course, nobody's innocent - right Bob?), and B) So Fosse could change a story about living, thinking, breathing, feeling human beings into a cardboard cut-out philosophy lesson about how terrible we are to realize that Bob is a kind of god. Get it? Special mention must be made of Mariel Hemingway and Eric Roberts. With what Fosse gives them ("Just act pathetic. Ok, Rolling!"), they do remarkably well. Paul Snider is Paul (Eric Roberts) desperately tries to hang on to Dorothy Stratton's (Mariel Hemingway) rising star in Bob Fosse's 'Star '80.' WNW basically a one-note performance - he was one emotion, but he feels it very in- tensely. Hemingway seems like a woman who would pose for her boyfriend and believe the things people told her. There is a great American tragedy to be made from the Dorothy Stratten story. Star '80 doesn't even come close. 7 HAIRCUTTERS " NO WAITING DASCOLA STYLISTS Liberty off State..... 668-9329 Maple Village. ......761 -2733 Kw ''I ISSUES ON CAMPUS THURSDAYS 7:30 - 9:30 P.M. FEBRUARY 9 Alcohol: Use and Abuse LEONARD SCOTT-Psychological and Religious Counselor, U of M Counselling Services; Member: Housing Task Force on Alcohol Speakers: ALEXANDER WAGENAAR-U of M Transportation Research Institute; Author: Alcohol, Young Drivers, and Traffic Accidents- Effects of MinimurmAge Laws 16 Student Code for Non-Academic Conduct VIRGINIA NORDBY-Executive Assistant to the President of U of M Policy Advisor ALAN LEVY-Director of West Quad Speakers: JONATHAN ELLIS-Co-Director of Canterbury Loft MARY ROWLAND-President of Michigan Student Assembly CAMPUS CHAPEL 1236 Washfenaw Court (one block north of South University and Forest; one block south of CCRB) . .. "How to ace a test by making a phone call. February 14th is the big test. 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Interested III devcoping and snlgthcning skills in grd) Iae l-ship and iadvisins' In i(crst((l I ivll ( lpj ins I l 3 i 11131 Il g i )i a di vlsc si t3'l(3 Intcreste(d( indevelopingi tw skills an talntcis lot a litinc. POSITIONS AVAILABLE: i U ions, Inc. Golden Rose prods nts: and W .t A Rcsid('3nt )i 1('(lt< s I I('1( I .Il)3dridlS P's itlc m :I ;\AIiscfIS Rc,,Iicnt FI'tlIoxvs (:S"1'a Rc'sid'3iIml'lloxx Qt1~ALIFI(;ATIONS: Mulst le a 3(gistkd()l olNI student(11can1thet':Ann arbor Campuj)Ls dur inugIt'e p''iOxl(A emp'11Iloyment.1 Muist have t rcll~lt'tcl'( i i111113i1 l Aoultersc! I , equ'jtivalent Iand 18d unthgtaula l('c(1(11 1h1u3s lowam iti r)iogt; I IIIby)the en(3f)l Ithe Spn g 1Toni 19831. Ulldhf alf'3~(ua.tc aplicants( lls have I.Iat leiast a 2.50 c(1311 hld i tA( gl-atif'c xfipo (intvr g('ii I lhe schl cat') ( )11(. f lg(.ill lh e air' 3if U ledl ('e nd'11 the lf'Spiintg I kim 198 1. 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