, gthemselves to remix the tape at 38 rp- Chrisie soel was outraged at the apparent lakof respect for his work and shortly after Epic released Cold Spring Harbor he became a Piano Man, this time in the California sunshine, instead of the New York dusk. Unless you have lived in a cave for Billy Joel what life is like -as a Piano Man - Joel Office of Ma r Events guese it) "Piano Man."ec n yu Crisler Arena It's been a pretty easy fight ever sin- Saturday, February 4, 8 p m. ce. Streetlife Serenade and Turnstiles followed and made Joel a winner in By Sua auhRound Two. Even though Billy was fin- Susa A'Ikuchding success more and more luminous T HE TRANSFORMATION is cor-reelios tent.rHesti stedethat his plete: Billy Joel is a new man, wife Elizabeth manage his career (they Gone are the sentimental, heartfelt have since broken both business and songs of The Stranger. Joel has marital ties); once she took the reigns, seemingly abandoned his often-melan- Billy literally could not be stopped. choly style (epitomized in "Just the The Stranger proved to be his biggest Way You Are") for a more upbeat, accomplishment to date and Joel was carefree attitude. "Uptown Girl," a now enshrined in the Sentimentalist's nonsensical piece highlighted only by Hall of Fame with lyrics like You 're the fact that Joel's latest squeeze, always a woman to me and Don 't go Christie Brinkley appears in the video, chan gin' to try and please me, I love does nothing for his credibility, which you just the way you are. "Always a until now, has been very good. Woman to Me" may have sounded like " Joel, of the battle-'em-every-inch-of- a Geritol commercial, but the public > . the-way school of success, has come a ate it up anyway. a long way since his Piano Man days. Not Rebellion set in once more with the only was that the title of his first hit release of 52nd Street and Glass Billy Joel: Downtown guy single, but it adequately describes the Houses. Tough rock 'n' roll statements timhdaanadmd tbc o btwsls oua mn h ass beginning of Joel's career. like "Big Shot" and "You May Be triumphed sagainm and madeitbckt butcasess poar-Veamnh m assges Always longing to be a musician, Joel Right" were embedded in these albums the l utagehm ndL as boe cauey o its i-itm mesage.h participated in two group projects in and perpetuated. Joel's image as a ThegNlohn Curtain LPn wsre mor mLsaeJ has saird the el 'with the early '70s, both of them failing with rough guy who rode motorcycles and thghtful ha ueithe5n Strbeer msgeas arevisert tof Fank arl 's the critics and the public. Then success just happened to like music. Geitlas ladciis Hoss h obernesws sntye haisreinscn. "ofn GVrl"i seemed to be knocking on his door when The past couple of years have been deite lys plad citc bt itcwas.. and "te Four Sasons. "t"owrn Girl" Epic records signed him to a production rocky, if not successful for Our Hero. In luitees polanit thkeeord- andu Tell er Abuth I"ae'dep and management contract, between Glass Houses and 1983's Nylon buying tenlhbcnmaeorbeam but terwi ly arurhythmic But Joel the artist battled with Epic Curtain, Billy crashed up his bike and "o-0album.", donettleo etasue foe hn:ay il ol the business conglomerate when some his thumb along with it. Some skeptics "Amlent, ai dowearts t of ret se foed thg: egyll Jel- masterful mixing turned his Cold thought his piano-playing hand was unemapomt it l gthd chats, butdt conceris fild wt eneinergy, en-t Spring Harbor album into a speed race, permanently injured (and would thus nihad aicu"lal goodc betrsn "Gor-ehusamyo ad entrtanet.Wa It seems the engineers, took it upon curtail his touring career)Y but he nih agn a uhbte og oecnyuakfr 'See me,' feel me, Tommy Golden Rose Productions Michigan Theater Thursday, February 9 - Sunday, February 12, 8 p.m. By Barb Schiele F IFTEEN YEARS AGO, The Who's Peter Townshend made rock history when he wrote and composed a- hit "rock opera". It was the first of its kind ever to be written and recorded. Six years after that in 1975, The Who and their rock musical hit the screen; the film featured great stars like Ann- Margaret, Elton John, Jack Nicholson and Tina Turner. Now a combination of rock music, dance, theater, and very special effects brings Tommy to life, on stage at the Michigan Theater. After a year and a half of working to put together this one show, Golden Rose Productions presen- ts the rock extravaganza, Tommy. This show promises to bring its audiences every possible type of enter- tainment the theater can offer, from the sounds of a live ten-piece band belting out The Who's best, to the sights of professional jugglers and a real magician. And of course the show includes the great things performers have to offer, like energetic song and dance. Because the theater production of Tommy includes such a wide spectrum of entertainment, it will be different from anything ever experienced by average theatergoers and concert lovers. Producer Joshua Rosenblum believes that Tommy is different and exciting; it dares to do what no other theater performance has ever done. "It's something I've always wanted to do," said the University engineering The Tommy Cast: Touch me, feel me. student Rosenblum. Rosenblum produced last year's Hair and Runaways. "This is the first thing in Ann Arbor that takes a chance with theater. Nobody's been involved in this type of thing before," Rosenblum said. Michael Goldberg, Rosenblum's par- tner in Golden Rose Productions, and the director of this show, has directed and taught theater here at the Univer- sity and at Carnegie-Mellon University. .Goldberg and Rosenblum chose Tommy because, "Its a show that says something," Rosenblum said. "It will, draw all people - even non-theater- goers. Tommy is the type of show that if you want to just stand up and clap your hands, you can!" In an attempt to describe this theatrical/rock operatic feat, Rosen- blum said, "It's very much like MTV; we're picturizing a bunch of songs." The songs tie together and form the plot. It's The Who's story, only more so. "The one thing that people remember after seeing the movie Tommy is the baked bean scene with Ann-Margaret." Rosenblum hopes that after seeing the theater performance, the theme of The Who's story, rather than just a weird scene, will stick out in the viewers' minds. The tale of Tommy follows the average plotline of a young boy, who, after a traumatic experience, becomes deaf, mute, and blind. Even modern- day remedies cannot cure Tommy's handicaps; however, he discovers his uncanny knack for, you guessed it, playing video games. . . just kidding - Tommy plays pinball. Anyway, after he becomes "the body table king," Tommy miraculously regains his senses. The story continues and. in the end, leaves Tommy won- dering if he was just better off the way he was because the world isn't really that great all the time. Besides the unbeatable music of Pete Townshend, Roger Daltrey, Keith Moon, and John Entwistle, Golden Rose's production of Tommy includes several other outstanding factors. Choreographer John Parks, a visiting professor of Dance here at the Univer- sity, was a choreographer for The Wiz on Broadway. Having the best dance director has attracted "an unbelievable cast." The cast is made up of 34 talented men and women, 75 percent of who are ' Priceless soprano Leontyne Price University Musical Society Hill Auditorium Saturday, February 4, 8:30 p.m. By Gordon Jay Frost A Carousel of Hair Fashions 315 N. MAIN Haircut $9.00 Permanents regularly $35-$45 (including cut) 995-5858 L EONTYNE PRICE has won out against all obstacles. At 57 she is still the leading U.S. exponent of opera. From her 1961 debut at the Met, as Leonara in Il Trovatore, she eliminated the prejudice against black women. in the field. She effectively and smoothly switches between recitals and operatic roles. Also, almost uniquely in an at- See LEONTYNE, Page 5 University Scott M that this is, ever work( pretty mu Maynard Maynard, v production New York- Michael J Maynard i national to Christ Supe "We nee rock singer great for tt commenter Also cor Madelyn R tor. Last ye musical ta star, Hair, coming fro this groun Brooks is the set anc sity of Net design. Th( Arbor exch Don't mi. extravagar to anything Arbor thea matter. Go all the risk the risk of production. Listen t( tickets to I your ticket, Michigan T Come an my. Stew A r rt, I YESj; iS OFN &oRXE ' oN A CU RV l /d 'I, SlAVPO,1 *rv " " r 4A XX", ...... .... ......... (sk 'Desse rT 5 Giteese NJATVRA-NEW VOP~I- STY LE CGHE E5C AI. E -94+ 51653 446 Wi9hmv5~ow, At INDUSTRIAL ARTS/VOC ED... You're Keeded Al the World. Ask Peace Corps industrial Arts/Voc Ed volunteers wt degrees are welcome in the workshops of the world They'l Itell you they want to help people be self-sufficie they ore trading their skills, knowledge and enth experience. Ask them why Peace Corps is the roughe PEACE CORP 1 4 Weekend/February 3 1984 13 W