ARTS he Michigan Daily Thursday, January 26, 1984 Page 5 ------ - How well do you know the 'U'? All buns but no meat T HE UNIVERSITY prides itself on its fine student orientation program, designed to help newcomers get a feel for a campus of enormous size, numbers, and history. Every semester tour guides point out the im- portant spots on campus, from the East Quad Halfass to the numerous steam tunnel entrances. But how well do students really know the 'U'? Sure, you know about Shakey Jake, the Diag 'M', and Bob Ufer, but can you pass the Daily test? A 25-person poll showed varying degrees of Michigan aptitude, from the engineering student who thought John Kennedy graduated here, to the RC sophomore who listed Avery Hopwood as a University regent. Test yourself (no peeking at the an- swers): 1.sWhat is inscribed over the Diag entrance to the Grad library? This is real subtle. Many 'U' buildings have instructive Latin quips over the portals; but the Grad doesn't welcome those lonely bookheads with Non exitus, as Mr. Montague suggests. The correct phrase carved in the stone, guessed correctly by only two persons, is more pointed: Library." 2. What is the first name of President Shapiro's wife? Toknow Vivian is to love her. Per- sonally, I've never met the lady. 3. What weapon stands behind the President's house? Why? Any library user is bound to pass by the old cannon sometime. This aging green relic points toward the Grad library wind tunnel. What purpose it serves remains unclear. RC student Don Blose offers the following ex- lPlanation: "When the campus was first built there were cows roaming around t'e diag. They were too big to move, and so that's when University food ser- vice was begun." 1. What do the initials A.C. and E.T. stand for? Very creative suggestions on this one, from Adrian College (Myron Hratzauk, guest student) to "academic coun- seling" (Robert Waldzogel, 1st yr. In- teflex) to "air conditioning" and "En- 4ertainment Tonight" (Annette Ruthenberg, 3rd yr. Engineering). Sports fans recognized the sign-ons for Michigan Panther/Michigan alum wide receiver Anthony Carter and basketball extra-terrestrial Eric Turner. 5. What Michigan alumnus became a Upited States President? Thankfully, most everyone got this one. As Andrew-Montague (Soph, LSA put it, "Ah yes - but where did he live in West Quad?") 6. Who was the last Michigan football player to win a Heisman trophy? No, Anthony Carter wasn't even close. TPom "Old 98" Harmon won it in 1940. No, Gerald Ford wasn't even close. 7. How much tuition do you pay? Or, what does Daddy shell out? With rising rates, students are becoming in- creasingly aware of how much oft a burden they are. In-state estimates for one-semester tuition ranged from $800- $1800, with the average very close to the actual value of $1109 (in state juniors 'ind seniors pay $1237; out-of-state pay '3173 during their first two years and $3409 in the second two). S. Whose name is on the plaque at the .entrance to the Union? What is buried 1.bgneath the plaque? John F. Kennedy's bronzed likeness glows at all who enter the Union. JFK dedicated the Peace Crops at the Union in 1960. Buried beneath the plaque are the papers for that dedication, or, one student put it, "the first Peace Core." Get it? 9. What does PSN stand for? The organization which took over Prof. Thomas Senior's radiation lab last November goes by the name Progressive Student Network. Not People's Socialist Network, as frequen- tly derided. 10. What schools are housed on North Campus? The Hinterland is frequented by students of art, music, architecture, engineering, and even biochemistry. ii. Why is the Dennison Building tilted? Another controversy. The Physics and Astronomy building is slowly sinking into the ground because of poor design by, alternatively Ann Arbor or Lansing engineering graduates. Rob, a West Quad sophomore, said the down- ward shift exists "so lab students can have an excuse for their errors." 12. Name one regent. These oft-overlooked people serve the University for 8-year terms, cutting programs, raising tuition, and all that. There are eight regents, but nobody knows anything about them; only Mike Wood (3rd year Inteflex) identified Deane Baker, while Emily S (Fr. LSA) remembered James Waters. The forgotten board members are: Paul Brown, Robert Nederlander, Sarah Power, Thomas Roach, and Nellie Var- ner. . 13. In what building is CRISP located? What is the building's original nam e?he Fans of the familiar Computer Registration Involving Student Par- ticipation recognize Lorch Hall. Only old-timers remember the original name: the Architecture and Design building. 14. What traditional 'U' activity takes place on April 1st? Depends where you come from. At the Daily, the 1st means the April Fool's issue. Fraternity friends recall the Greek Week acitivities. But aging radicals and area high school kids know the 1st as the Hash Bash. 15. Why do the panthers in front of the Natural History museum never growl? This age-old (non-virginal) tease at the sexual experience of Michigan students is non-denominational, and therefore not "chauvinistic" as alleged by several West Quad women. West Quad resident Jim A. suggested the stone felines have "castration anxiety". Ouch. 16. Who is Billy E. Frye? The Vice President for Academic Af- fairs and Provost might be distressed to learn that, of those who recognized his name, the majority thought he was either the athletic director or the basketball coach (including freshman engineering students Andrew Dixon, Bill Stratton). Sorry, Bill Frieder. 17. What is the May Festival? No this has nothing to do with running gaily-colored ribbons around a pole; neither, as was suggested, does the festival involve The Apn Arbor Art Exhibit or the Ann Arbor Art Fair. The May Festivl is an annual celebration of spring organized by the University Musical Society. The Philadelphia Or- chestra, under the direction or Eugene Ormandy, are traditional guests. 18. What color-is the rock? Buried beneath layers and layers of paint, the rock at the corner of Hill and Washtenaw is probably grey. Curren- tly, it's chiefly painted chiefly white. 19. Who is the curent editor-in-chief of The Michigan Daily? Only one person knew this illustrious person's true identity (1st-year med student Debby M.) - and she was briefed. But it doesn't matter anyway; old what's-his-name concludes his term as big boss man on February 1st. By Emily Montgomery THE TITLE for Hotdog is half right. The movie is a dog, but it's not very hot. In fact, the bulk of the film consists of warmed over, old, OLD jokes and a bunch of half-baked actors, if I can even call them that. Hotdog is based on the "Triple 'S''" theory of movie making. The first "S" stands for sex, the second stands for skiing and the third I'll get to later. First the sex. I knew that would please some of you (most likely the T & A crowd this movie was designed for). Although the film is supposed to be about skiers, mostly males, it manages to exploit a bevy of brainless, breasty beauties, with one-word vocabularies. And that word, of course, is "yes." Playboy centerfold Shannon Tweed is in it, both of them. It's a good thing she isn't expected to act. Now I know this type of movie is expected to show a bit more skin, but let's keep it within the real of reality, shall we? A wet t-shirt contest I can accept, but when eight to ten girls (They were young, but all over 40. Know what I mean?) strip off their shirts in a public bar and begin to dance around, I draw the line at its believeability. In short, this Hotdog has a few too many buns. Now for the skiing. There's no doubt that Hotdog has some' really spectacular skiing in it, high jumps with twists and an exciting display of downhill ballet, all flawlessly executed. work on the theory of never paying for something I can see for free, though. If I'd wanted to see ski stunts, I could have waited for the Winter Olympics. Afterall, they're on T.V. and I wouldn't have had to suffer through the tediously over- worked plot, cliched jokes, and unjustified vulgarity of Hot- dog. Speaking of plot, Hotdog does have one - which is more than I can say for the majority of these type of flicks. Unfor- tunately it's the old "Bad guys vs. the Good guys" routine, highly predictable and blatently unoriginal. The setting is a world-cup freestyle ski meet, with enough competition for scenes both on and off the slopes. The competetors? Well there's the "Rat-pack" (a.k.a. the Americans and the good guys) and the "Rudettes," (a.k.a. the Austrians and the bad guys). Throw in more than a few crude sex scenes and you've got Hotdog. An added disappointment was the discovery of former ac- tor, David Naughton (best known as the singing spokesman for Dr. Pepper, but also starred in American Werewolf in London) in this obvious loser of a film. He doesn't even have a lead. What possessed him to accept such a role? Are parts really that hard to come by these days, David? Basically, Hotdog lacks relish. And, oh yes, the third "S"? Well, that stands for stupidity. Clear enough? Symphony Orchestra strikes out, Skiing ... one deadly 'S' of 'Hotdog' By Pamela Starrett O N TUESDAY night house lights dimmed, Concertmaster Tony Huang made his way to center stage, soon followed by Conductor Gustav Meier. If the audience could see but not hear, they'd wonder if all the members of the University Symphony Orchestra were alive. There were vital signs of life; the melodic, choreographed movements of the violas, the pulsing activity of the double-bass section, and the prepared attacks of the percussion. Unfor- tunately, throughout most of the Pops, concert, the audience reflected the lifeless orchestral players, a little bored, stiff in ther seats. The opening work, Overture to Die Fledermaus, began a little unsteadily. But the Orchestra's lack of rhythmic stability was recovered by the basses and the melodic entry of the oboe solo. After his tenuous beginnings, Strauss' Dance of the Seven Veils revealed the warm playing of Nancy Ambrose, oboist, and Jeff Zook, flutist. This dan ce requires fluidity through transition which the ensemble never quite at- tained. The first half of the program concluded with Copland's Rodeo, a ballet made famous by the "Ballet Russe" of Monte Carlo. Zuohuang Chen conducted Rodeo with an energetic, precise technique. Yet even with such concise conducting, the violins managed to anticipate en- trances and the Orchestra's rhythm lost clarity. During the "Corral Nocturne" the in- tonation of the strings markedly im- proved, and the ensemble came together in a moment of relaxed war- mth. "Hoe-down," the last movement of Rodeo, has the potential to bring the house down. The Orchestra lacked the vitality that Chen exhibited. In fact, the energy of Chen and the anticipation of Beverly Rinaldi held the audience in Hill Auditorium through intermission. Off to another shakey start;the cello section began the Overture to William Tell by Rossini. Yakov Kreisberg con- ducted the symphony with great authority. Solo performances by Michael Byrne, obnoeist, and Jeff Zook, flutist, along with the precision of the strings, gave the audience a glimmer of hope. Then "life" in the form of Beverly Rinaldi paraded to center stage. As she performed Rossini's Una voce poco fa, and Bernstein's Glitter and Be Gay, the characters of Rosina and Cunegonde came to life. Poor ensemble in the violins during the Rossini was soon obliterated by the delicate violin and viola solos in the Bernstein, and by the inspiring musicality of "Pops" flavor that Rinaldi gave to this concert. When Gustav Meier returned to con- duct selections from West Side Story, the audience was finally in a "Pops" frame of mind. Although the harpist seemed unable to follow an arpeggiated rhythm at a crucial moment, the soun- ds of muted brass and strings crooning Maria, saxophones, celli and brass ,singing Tonight along with the strong percussion section and the flamboyant conducting of Meier, there was a nostalgic animation of Bernstein's musical. During the conclusion of Stars and Stripes Forever, the piccolo and brass sections rose while the audience clapped to the music. Obviously these musicians are well- trained, but are they truly obsessed with recreating music, or are they sim- ply going through the motions of per- forming? Stage presence seems to dic- tate audience reaction, and at a "Pops" concert such as this, enjoyment and a relaxed, yet exciting atmosphere exhibited by all of the performers might have given more vitality to this performance. 7 HAIRCUTTERS * NO WAITING DASCOLA STYLISTS Liberty off State 668-9329 Maple Village.. ..761 -2733 1' Records The Parachute Club - Rise Up' (RCA) What is The Parachute Club - just another new band with a catchy English name? Synth/Pop with a luscious vocalist, peut-etre? Not really. So what does happen with Rise Up, Parachute Club's nouveau 12" single? Not much, except for explaining "Overpowered by Funk." With Rise Up, those trite criticisms about new synth/beat seem to fit too well. The rhythm section, for example, resem- bles nothing so much as a wayward Ap- ple II pumping sine waves into a woofer. Mindless, redundant pop - this thought inescapably synchopated the rhythm into my cortex. I was redunan- tly possessed by violent apathy. Don't steam - I love Orchestral Maneuvers in the Dark and wallo in the creativity of Soft Cell's pseudo-symphonic sound, but Rise Up just doesn't mix the Mar- tini. Though it might make decent dan- cing at the Rubaiyat (if you had a cute date), to the sedentary ear its as stimulating as hemlock. I dropped the word "mindless,' and not unintentionally, but that may have been unfair. Though I have no faith in earthly justice, I will play Devil's ad- vocate for a second: There are lyrics, of course. Rise Up evokes sedition, of course. And there is a theme, of course. It's trite, of course: Talking about change/Talking about building the land of our Dreams. Spirit's time has come/Woman's time has come. Oh that original Parachute Club - they pack the subtilty of a fire alarm with the spice food-service omlette. Why waste time on the Diag? You could be recording. Rise Up is not really worthless. RCA records has had the creativity to put the song on a 12" 33 rpm single, which makes it somewhat pleasing to the eye. It also gives Rise Up the potential to sound a bit-like up-beat Duran Duran, NOON LUNCHEON FRIDAY, JANUARY 27 Tom Marx and Steve Austin, MSA: "STUDENT POWER IN THE '80s" at GUILD HOUSE - 802 Monroe optional lunch available for $1 (Homemade soup and sandwich) as you can switch the turntable to 45. All the Parachute club really needs is a little energy to get it moving. - Bob King I to d p - 1~~W e T Ijy *0 *jF PERF -. OMER k Join the Daily Arts Staff! AN 1.At 1 1l INDIVIDUAL THEATRES 5th Ave at Liberty 761-9700 DAILY MATINEES! Coninuous Sal R Sun 1:00 pa. onlty -Mon. Tue. Wed1Thurs. Fri $2.00 SHOWS BEFORE 6:00 P.M. "EFFERVESCENT" Vincent Canby, NEW YORK TIMES S HE Attention: GRAD STUDENTS Celebrate contract ratification! PARTY Free to union members $1.00 to non-members SATURDAY, JANUARY 28, 1984 You can. . . advertise your skills, S e get rid of an U find fulfillment, f,.: qif, /" iinwnnted net. and mtAVfthAn it rn v .:.--. Ua" V i si y~l~ 11n A1 V