ARTS The Michigan Dailyr Saturday, April 16, 1983 Page 7 6%2PSoltims6: A happy marriage By Lauris Kaldjian A HARMONIOUS relationship empha- sizes balance and equality. A disparity in ability, particularly in marriages between conductors and or- chestras, leads only to frustration. But when the insight and dexterity of a con- ductor is commensurate to his or- chestra's facility, the result is mutual satisfaction and beautiful music. Such is the fortunate case of Sir George Solti and the Chicago Sym- phony Orchestra, who gave a standing- room-only audience at Hill Auditorium a stellar performance that will not be forgotten easily. As Solti mounted the podium with limber strides, the audience could not help but admire the maestro. His aquiline features and impressive ap- pearance suggest power and self- confidence. And sure enough, with complege control, he masterminded a performance Thursday evening that glowed with brilliance. The music began with those famous Masonic triads from Mozart's Over- ture, The Magic Flute. From the start, the woodwinds played with a homogeneous sound that flowed effor- tlessly in legato scales. The strings played vigorously in the many spiccato- ridden passages, though not quite equalling the energy of their wind colleagues. The brass (and oh what brass!) played their few concluding notes as if they were preparing for the Dvorak ... they were ready. The majority of the first half of the program consisted of Bartok's Music for Strings, Percussion, and Celesta, a complex but finely structured work that can tax the conservative ear. The work is scored for two antiphonal orchestras that accordingly toss thematic material back and forth. There is no doubt that Solti's inter- pretation of this work is a result of his years of study with Bartok himself. The music's difficulty and potential am- biguity were wisely, approached by Solti. His constant, sometimes cautious beating was obvious throughout the work. With pulsating baton and lively cues he provided the structure around which the musicians could build and the clarity which made the music under- standable to the audience. Old war horses never die, they just get revived now and then; sometimes, however, a revival makes both musician and listener oblivious to familiarity. The credit goes once again to Sir Georg who rendered an inspiring Dvorak Symphony No. 9 (The New World). He invited his musicians to join him in a symphony replete with calm, suspense, and excitement. The audience's exuberant applause at concert's end was noticeably ap- preciated by Sir Georg and his or- chestra, who probably did not expect such a warm reception. Had Solti known he would likely have han an en- core prepared. Well, maybe Ann Ar- bor's genial atmosphere and Hill Auditorium's acoustics will hasten their return. Let's hope so. Soli ... happily married The beat goes on African drummer Ema Ema brings a little rhythm to the end of the term with a mini-concert this Tuesday, April 19 in the Michigan Union's Pendleton Room. The event marks the close of the Union's international music series. Aluminum Beach, makes . musica waves By Jayne Hendel SWM ORNING, RUDELY arriving at absurdly early hour, found me sprawled in a mesh folding chair in an alien basement. Very much awake. My aural caffeine replacement was the music emerging from the amplifier my feet rested upon; my visual shot of speed was the four energetic band members of Aluminum Beach jamming before me. The "thrash-bop-surf-a-billy-ska," as the band describes its sound. is com- posed mainly of originals. "I think we're all really creative," drummer Steve Whitcraft modestly discloses of the band's musical talents. Doubling also as students, the four band members find "schoolwork and writing/performing music a com- patable pair. "It doesn't matter how much work we have," guitarist and 'Economics student Paul Sullivan says, 'if we have more schoolwork, we write 'more songs. It's kind of like an outlet." Beyond finding time, Aluminum Beach members easily find the energy to follow their two somewhat divergent roles. "It fits with the concept of Aluminum Beach that we're doing two things at once," maintains lead singer and American culture student John Krivit. "The fact that we're students and a band is integrative, not schitzophrenic." The Jekyll/Hyde syndrome could ap- ply to the band's name, but bassist Tom Spademan negates that theory. He says that the duality of the band is reflected by connecting 'aluminum' and 'beach'-two terms that seem to have nothing in common. They do, however, make sense in the context of the band. Whitcraft came up with the pseudonym while spending time on North Campus as a graduate Architec- ture student. "There's a nuclear power plant up there, and all these trees around it, and it naturalizes these things that could melt down and turn us into nothingness." It was the site of the metallic plant, surrounded by trees, that inspired Whitcraft with the name. Their sound, too, reflects the har- mony of the structure of the music. Something like our name which doesn't seem to go together. The same is true with our rhythms that don't seem to go with the lyrics . . . The combination is really interesting," Sullivan says. Aluminum Beach, winners of the 1983 Battle of the Bands, is excited with the progress its made so far in their musical careers, and is looking for fame in the future. "We're still sear- ching for the artistic moment," says Spademan. The band views their music as in- tegrative, not imitative. "We're inter- preting the nature of the music. A lot of people play high-tech stuff. We play the Caribbean beat, something with a lot of feel to it, as opposed to this very high- tech stuff. People become physically involved with our music," Whitcraft says. Today's music, accoring to Aluminum Beach, is escapist. The band feels that there is a current wave of contrasts within our culture. The mem- bers see their "happy music" as a positive influence on the mood of their audience. Aluminum Beach is next appearing at Joe's at a benefit for the University Women's Varsity volleyball team Sun- day night. Had I been a neighbor, my reaction to the hour and volume may have been less appreciated, but my private con- cert sure beat the usual morning routine. And, lead singer Krivit, crooning the slow ones to just me and the Ramone's poster on the wall com- pletely salvaged my day. I think I'm a groupie. In the Dvorak, top honors to to the English and French - horns that is. The placid English horn solo in the Largo was rendered patiently, with a perfect sweet touch of sorrow. The French horns, as expected, were con- sistently superb, hitting notes in the stratosphere with the ease and con- fidence of picking grapes. The rest of the brass followed suit, at times roaring and cracking like thunder. The strings shone with a rich, particularly bright tone that contrasted well with the gusto of the winds. Medical School Tampico, Mexico What Makes Oa A Quality Medical School? A ,1. Fine Faculty 2. Good Facihties 4. Quality Student Body 4. Has N.Y. State Educuion Deportment approval for the purpose of placing 3rd or 4th Year medical students in clinical clerkships in teaching hospitals in N.Y. State. Noreste offers a 4-year program, has small classes, is W. H.O. listed. Universidad Del Noreste 120 East 41 StNY, NY 10017 (212) 594-6589 683-6566 INDIVIDUAL THEATRESI S ^A "A'of Lsbry 7019700 $2.00 WED., SAT., SUN. SHOWS BEFORE 6:00 P.M. ACADEMY AWARD WINNER BEST ACTRESS MERYL STREEP "POWERFUL"New York Times "MOVING"tos Angeles Times "GRI PPING"Newsweek ENDS SOON SOPH I E'S CHOICE FRI., MON. 6:50, 9:10 (R) SAT., SUN. 1:10, 3:55, 6:50, 9:40 A FUN ACTION FILM IN THE TRADITIONAL HOLLYWOOD STYLE TOM SELLECK (sBESS ARMSTRONG HIGH ROAD T CHINA FRI., MON: 7:10, 9:10 (PG) SAT., SUN: 1:10, 3:10, 5:10, 7:10, 9:10 Daily Photo by DEBORAH LEWIS Aluminum Beach rhythm guitarist and lead singer John Krivit rolls off a few licks while Paul Sullivan strolls with his bass at the recent Michigras Battle of the Bands. MayFestival blooms April showers bring May festivals. The 90th Ann Arbor May Festival, that is. The popular event returns to Hill Auditorium this year April 27-30, cour- tesy of the University Musical Society. Once again, the guest ensemble will be The Philadelphia Orchestra, under the direction of Riccardo Muti. The four-night festival features a wide variety of classical music, from r ui ii . UZ F4 Adam Ant tries again The ants go marching one-by-one hoorah ... at that pace it's no wonder it took Adam Ant so long to get to Ann Arbor-but he finally made it. Adam rolls into Hill Auditorium Friday, April 22 at 8 p.m. so forget those finals and come dance to the beat of Ant Music. Subscribe to The Michigan Daily 764-0558 Tickets for the cancelled March 2 con- cert will be honored, or refunds can be obtained from the place of purchase. Call 763-2071 for more info. / I (l* * 1000 THIS IS AHEILOFAWAY 1215 TO MAKE ALIVING. 2:30 Tootsie 4:45 DUSTIN 7:10 HOFFMAN 9:30 A COLUMBIA IIL E PICTURES RELEASE 10:00 GANDHI 1:30 The Man of 5:00 the Century. 8:30 PC°UHSPU5ASE No $1 Tues. WINNER 8 OSCARS or Discounts inc. BEST PICTURE 10:00 12:15 4:45 $tallionl 1turIS ------A-1 7:00 MEL 9:30 CIBSONa 1:00 MAX 230 DUGAN 5:00 t RETURNS 7:15 ~ 9:15 Ar PG , Liszt piano solos by Krystian Zimer- man to a performance of Robert Schumann's violin concerto Flamenco guitarist Carlos Montoya will give a special performance of his own "Suite Flamenca" on Friday, April 29. As always, the festival promises to be a fitting and dulcet conclusion to the semester. Stick around. -Ben Ticho e :00 ASH 3:00 5:00 7:15 9:30 FRI & SAT 11:30 tot alythmotfn 3:00 a couple of bodies 5:00 an have. You know? 7:15 GO 9:30 R M Fri. & Sat P ICTURESRE EASE Theet"'" 1:00 the Great 3:00 Adventure.7:15 OF THE 9:30 Outiers 30 Theynwere 71 belong. -.: 0 THE MICHIGAN UNION Summer Dinner Theater AUDITIONS Cast & Crew May 6 7-10pm May 7 2-5pm May 8 2-5,7-10pm Student Theater Arts Comnlex rNWIrAq M- w4wmlwmvlmlppqwqwol" i ~i .b li LA I* -I£ 'd . . .-