ARTS The Michigan Daily Burmese group ends its mission Sunday, March 20, 1983 Page 7 By Rob Weisberg ARTIN SWOPE and Roger Miller are local boys, nurtured in the early 1970s Ann Arbor "Destroy All Monsters" mini-scene. But they ran away from home, discouraged, winding up in Boston - site of a thriving post- punk scene. And they put together a band, named it Mission of Burma, put multi-instrumentalist Miller on guitar, Clint Conley on bass, Peter Prescott on drums. Swope? He fiddled around with tape loops and electronics, adding gut- level applications of high tech. They played their first gig on April 1, 1979. By the end of the year they were being hailed as the "Next Bit Thing." Miller wasn't happy, though. He recalls that he felt the band was too stylized. He was bent on releasing the "primal energy" and "animalism" of rock and roll, in distinctive fashion. They had almost achieved the goal when they released their debut EP Signals, Calls, and Marches on Ace of Hearts records in the Spring of 1981. And when they released their only album, Vs., last fall, there was no longer room for doubt. Mission of Bur- ma was one of the few musically talen- ted, unique, and exciting rock and roll bands in the country. Tonight at the City Club in Detroit, Mission of Burma will make their last area appearance. The band is breaking up because too much loud music has left Roger Miller with an incurable ringing in his ears that can only get worse the more he plays. It's sad to see Burma go, especially considering they were one of the few bands threatening to break through the sea of commercial mediocrity. But at least they'll never have a chance to go stale the way so many bands do. We'll be able to romanticize about what might have been instead of cajoling them for hanging on. - - - - - - - - - - - - . m - - - - - - - -------------- -------------.- * . . . I . - I - - . a- - ----------. ----------. -. ~. - - - - - ~. - -- .- I~ - ~ - a- - - - .~T. .~. - . - CRUISE SHIP JOBS! Great income potential, all oc- cupations. For more information call: 602-837-3401 Ext. 992. 09H0322 SOMEONE TO PREPARE or assist with preparing inner from March 21 to March 31. Could lead to nger employment. Central Campus area. 663-4729. 72H0322 TYPING - Fast, quality work, campus pickup and delivery. 665-0337 15J0331 TELEPHONE ANSWERING SERVICE: 24 hour service. $24/month. 9-6 service: $15/month. 761- 2022. 02J0325 TYPIST, 75° per page. IBM 2 type styles, rofessional, accurate, affordable, Sally 663-7253. 24J0416 TYPING-EXPERIENCED LEGAL SECRETARY- REASONABLE RATES- Gretchin 662-9102. 63J0413 FREDERICK J. HOOD: Hope you're in a good mood 'cause you've just won two free tickets to the State Theatre. Come on down to the daily to pick them up! dJ0320 MTS users! Typesetting for $2.00/MS page. Send us your pre-typed files via phone and receive phototypeset galleys within 48 hours. Experienced Skshop. Call Delmas at 662-2799. 21JO326 TOMORROW'S JOBS know what is and will be available through this indispensible booklet of current government studies covering all industrie& and states including Alaska and Hawaii. $8.75 LYN- TEL RESEARCH dept. TA2225 P.O. Box 99405 Cleveland, OH 44199. Satis. Guaranteed. 40J0405 MASSAGE - A good massage gently stretches muscle fibre, relaxes muscle tissue, promotes good circulation and enhances movement. Massage also may provide relief from muscular aches and pains. And it is a pleasant way to reduce stress and anxiety because massage is very relaxing. 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GAYNER-Jump for Joy and do a DOUBLE GAINER-you've just won two free tickets to the State Theater so come down to the Michigan Daily and pick them up. dM0320 HAVE YOU done it? Have you ordered your 1983 Michigan Ensian? Stop by our office at 420 Maynard and order yours today! dP0320 BIKE EUROPE IN '83 For Details: BIKE EUROPE INC.' 234-A Nickels Arcade; 668-0529 cPtc Miller ... ends his reign Endings are also nice because they create an excuse for looking back. In those Ann Arbor days Miller played with his brothers Ben and Larry (who then played drums), now members of the up-and-coming local trio Non- Fiction. Recalls Miller, "Some of the things we did back then were just as wild as anything I did with Burma." Their first original band, with Harold Kurtchin on trumpet, was called Sprotin Layer - never was a Miller, brother to play in a band with an ob- vious name. Unfortunately, points out Roger Miller, "that happened in 1969 and 1970 and it was a little too late to catch the psychedelic thing." Dismayed by the turgid state of mid- '70s rock 'n' roll, Miller says that he "kind of half lost interest." He attended music school for a while, getting his jollies from free jazz and working on composition and his piano technique. He was back in Ann Arbor, though, for the onset of "punk," offered a spot in Destroy All Monsters along with his brothers, who acceeded, but he recalls that the Monsters' basic post-Stooges metallic punk (this writer's inter- pretation, not his) "wasn't really my style." He therefore declined the offer and instead found himself in a series of artsy bands that he admits "didn't gell." Of course much of the problem had to do with the Ann Arbor audience, which prefers its rock'n'roll generic. So he and Swope fled, and the rest is history. Another great thing about endings is that they make new beginnings possible. Thus we are greeted with Bir- dsongs of the Mesezoic, and avant- garde group that Miller says employs elements of rock, classical, free jazz, and funk; structured music and im- provisation. The new group is heavy on keyboards, with Detroit's Rick Scott on organ, Eric Lindgren on synthesizer and rhythm, Miller on piano (and some guitar) and good old Swope twisting knobs again. The all-instrumental band has an EP due out in April, and they've already had some success gigging at artsy spots in Boston and offers to play in avant- hungry New York. They're a low- volume ensemble by necessity - because of the demands of the "genre" (if that word is applicable) as well as Miller's ears. Still, Miller says there is still lots of excitement in what they do - only instead of going exclusively for the jugular, as rock'n'roll does, he suggests that Birdsongs mixes the Dionysian and the Apollonian. The animal element may be missing, but Miller says they're still seeking to con- jure up the primal. Primal art? It sounds quite in- triguing. But for those still in search of the Burmese animal, tonight is the last chance. Reader' By Ellen Lindquist IT'S NOT much like an evening at the theater. The Reader's Theatre Guild opened William Faulkner's As I lay Dying Friday night in the R.C. Auditorium. But if I hadn't been infor- med that I was watching a finished production, I would have thought I had got caught in the middle of a rehearsal. There's no room for character development in a production where cast members do not wear costumes and keep their eyes rivetted on large notebook-sized scripts. With no in- dications for scene changes, the audience was left struggling to make transitions between scenes. Before the play started, the audience was kindly informed that the Reader's Theatre Guild, an alternative, indepen- dent student group affiliated with MSA, is a "theater of the mind." The "actors read from scripts without sets, props or other theatrical conventions," we were told. Already my insides curdled. What the Theatre Guild presented, having paid copyright fees to Random House Publishing Company, was an edited version of Faulkner's novel about a family's struggle to transport the corpse of their mother, Addie, across southern America by wagon. David P. Wahr, brother of Philip A. Wahr, president of the Theatre Guild, chose which passages of the novel to present. The result was a series of dialogue scenes interspersed with lengthy narrations. Changes from scene to scene were not indicated in any way. The audience was left to deduce from the context of the reading where the scene was taking place. Occasionally the lighting changed, or the actors rearranged themselves on stage, but overall the audience was thrust from s.Theatr major scene to major scene without the courtesy of conventional theatrical prop or set transitions. Picture this: a group of people, men in untucked flannel shirts and jeans, women in skirts unrealistically short for the time period portrayed, standing around on stage reading from their large black scripts. Instead of being, immersd in their characters, they self- consciously read. This is not theater. It would have been more interesting if the production had actually been about a play in the making, but the Reader's Theatre Guild was serious in its attempt to re-enact the Faulkner novel. The only dramatic presentation (and the best of the performance), was by Brian McGraw who while holding his script without reading it, well por- trayed a usurious country pharmacist. His witty characterization was com- plete with facial expressions, ap- propriate hand gestures and genuine feeling. The other actors seemed to think that getting up on stage and reading a script can engage the atten- tion of an audience. It is difficult for an audience to feel anything for charac- ters who do not seem alive, who seem to be lost in the pages of a book being read by some miscellany of people on stage. The Reader's Theatre Guild is a good. idea in essence, although perhaps' a deplorably retroactive one, resembling a radio presentation more than a theatrical one. But a radio show, through the use of sound effects, better conveys the images within a story that the Reader's Theatre Guild did. A radio show might effect the sound of horse hooves, while the Reader's Theatre Guild did nothing more than mention the presence of a horse on stage, in no way fueling the imagination of the spec- tators. All the Reader's Theatre Guild has e dies done istake impromptu type of reading up on stage and charged admission for it. Even some of their reading is rough. They attempt to imitate Southern accents, but some of them come out sounding like= glorified valley girl twanges. The Reader's Theatre Guild is not for the theater because it is completely stripped of theatrical conventions such as costumes, makeup, set designs and even line memorization. The theater is a creation of illusions. Completely stripped of illusions, it is nothing. The Reader's Theatre Guild has limited it- self to this nothingness on stage. Actors do not even vividly gesticulate, many do not raise their variegated southern drawls above a whisper, much less put expression into their speech. Such a rigid limitation to a rough reading of the novel can only bring back memories of reading plays out loud in the classroom. Then it was fun if you had a part, but the kids left out of the reading were bored. So it seemed was the audience of As I Lay Dying. The audience sat dying to leave. A theater production can work only if it captures the trust and attention of the audience. But the Reader's Theatre Guild comes on the stage as if armed for battle, carrying unsightly, bulky scripts, imposing themselves on stage with as much subtly as a staged protest. Well, the Reader's Theatre Guild is funded by MSA - student government. Perhaps there is a connection there. Just because we have an actor for President. does not mean all the political types in the world should try to jump on stage without undertaking the discipline, acting, directing and producing the theater requires. They should not expect to come up with anything less than an offense to artistic sensibilities. Politicians are so idealistic. PAPER MATEo LETS YOU WRITE AT ANY ANGLE ... EVEN UPSIDE DOWN S04OFF " Hew3 PAPER MATE PROFILE PEN with this ad Now through March 30, 1983 Available At: Distinctive Styling in the Paper Mate Tradition F OLLETT'S MICHIGAN BOOK STORE 3 22 SO U TH ST A TE STRAE ET A NN AR BO R TYPING, IBM WORD PROCESSING, PROFESSIONAL, ALL TYPES. Call Noelle any time, 971-2364. 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