U U 7* 9 -f 7 luK Musical group Art Ensemble of Chicago Michigan Union Ballroom 8 p.m., 10 p.m. Friday, November 19 By Mike Belford IT HAS BEEN said that no group embodies the collective spirit more positively than the Art Ensemble of Chicago, who appear tonight courtesy of Eclipse Jazz at the Michigan Union Ballroom. The San Francisco Chronicle described one performance as "A cataclysmic union of natural forces with human creativity achieved through a blend of theatre, dance and music." Cashbox said, "It would be an oversimplification to call it jazz, because the sounds encompass the vast spectrum of black experience-from African tribal music to spirituals, rhythm and blues, funk and beyond." Certainly the Art Ensemble has been widely credited as one of the most im- portant and influential groups of the '70s, both within the jazz field, and throughout many other areas of the broader musical spectrum. The origins of the group center around the Association for the Advan- cement of Creative Musicians (AACM), founded in Chicago in the mid '50s by pianists Richard Abrams and Jodi Cristian, trumpeter Phil Cochran, bassist Malachi Favors and drummer Steve McCall. The association stressed the importance of collective musical activity and were instrumental in originating a completely new approach to improvisation, drawing upon music from all world sources, but particularly from the rich African-American tradition. Art Ensemble of Chicago: Harmony In the words of Richard Abrams, "The AACM came out of the Chicago ghetto and spread around the world." Its foremost luminaries, beside the En- semble, include the Creative Construc- tion Company (with Leo Smith, Leroy Jenkins and Anthony Braxton) and the Air Trio of Steve McCall, Henry Threadgill and Fred Hopkins. The individual achievements of the Art Ensemble are more than im- pressive in themselves; Roscoe Mit- chell (on saxes and flute) has evolved into one of the most original contem- porary composers, while Lester Bowie, who leads his own groups and orchestra as well as appearing with Jack DeJohnette, Staford Davis, Wynton Marsalis and others, is considered one of the foremost new music trumpeters. Ensemble bass player Malachi Favors and percussionist Famoudou Don Moye have both issued solo albums on the band's own AECO label, and t Joseph Jarman, in addition to his 1 musical reputation, is also a highlyr regarded poet. His book Black Case Volume I and II, Return From Exile, was published in 1977. All these achievements and spin-off activities serve to strengthen the Art Ensemble, and are essential to its con- tinuing growth, yet the group charac'ter remains consistently greater than the sum of its individual parts. In the words of trumpeter Lester Bowie, "There is always somebody in the Art Ensemble who knows something about everything. Our group is like that. We have five different people with five different lives and sets of experience which are brought in to make up one music. This isn't a band where the leader dictates the way everything should be done. Everybody writes, brings in material and does ex- tra studies." Joseph Jarman: "Our music is a syn- thesis of all the universal forms-all of black music and elements of European music as well." The groups 1980 album for ECM records Nice Guys, has already become established as one of the most impor- tant records of its time, and during 1981 they followed this up with the highly original Full Force LP. Earlier this year the Art Ensemble released a live album, Urban Bushmen in addition to Roscoe Mitchell's Snurdy McGurdy and her Dancing Shoes, recorded with members of Detroit's Creative Arts Collective, and Lester Bowie's The Great Pretender. All three albums received five-star ratings from Downbeat magazine and the Art Ensemble were also named "Jazz Group of the Year" in a recent critics poll of the same magazine. Friday night's performance will be the only Michigan appearance of the Art Ensemble of Chicago, and is strongly recommended for anyone in- terested in innovative and creative musicianship, free from the formal constraints or biases of any conven- tional musical style.0 served on GEO's Election Committee during the recent contract vote. Mem- bers of the left wing, in turn, accuse Burke and others of "Red baiting." English TA Brian Foley, a non- member but observer of GEO, believes "the union isn't particularly interested in the opinions of its constituency, unless of course they mirror their (the militant leaders') own." Foley also says that the rhetoric of the left has alienated potential GEO members from the union. "It discourages some people from wanting to become actively involved in the union," Foley says. Says Bart Cassad, a non-member natural sciences TA: "Potential mem- bers hear the shit that these guys are throwing at them and decide 'screw the union.'" H ARSH WORDS between the two sides this fall also have contri- buted to GEO's image of disunity. Each side accuses the other of lying, of falsifying figures, of immaturity in dealing with the University, and of general incompetence. So what's the uninvolved TA to gain from all this? "Only that 'I don't need to go listen to this tripe being thrown around,' " says math TA Chris Leary, who supported the contract. Others, particularly those leaning toward the left in the union, perceive these internal relations as nothing more than essential debate. They take pride in the complete democracy of their union, in which everyone has the chan- ce to voice an opinion. GEO Steering Committee member Toni Griffin says she believes such debate is inevitable, if sometimes cum- bersome. "At least our decisions have been made in an open manner. There's no secretive infighting when people come out and make their stands clear," Griffin says. But every addition to democracy of- ten is balanced by a decrease in ef- ficiency, and GEO-structured unlike many large, powerful unions, in which a relatively small leadership council, develops strategies-may find itself to be a bit too democratic. The GEO Steering Committee is made up of 10 members, elected periodically by the membership. In ad- dition, GEO has an organizing commit- tee responsible for recruiting members and a separate election committee. When it came time to negotiate with the University this past summer, GEO elected a 10-member bargaining team to sit down with the administration. Says Dave Calvis, a math TA who voted for the contract: "When you've got 30 people who are needed to do business, you've got a problem. To me, it seems a little bit dangerous to have that many people decide." Despite the left wing's claims for democracy, many GEO decisions tend to be unrepresentative of the member- ship, argue the moderates. Because membership meetings often are rarely attended by most TAs, the militants' ability to "pack" the audience results in minority-supported decisions, they say. "The number of people who are really far left is small, but they have in- fluence beyond their real numbers," says Deborah Solinas, also from the math department. But the leaders of the so-called "vocal minority" believe they have the true interests of the union's member- ship at heart. They don't consider themselves a minority at all and look to the 14-percentage-point margin of vic- tory in defeating the contract as proof of their support. TAs are demanding more concessions from the University, they say, and TAs will stand by their union in seeking those gains. When contract talks resume, the union "will have the strength to change the balance of power in the Univer- sity," says Jon Bekken, a former Steering Committee member and a leader of the left wing. Bekken says the membership currently is seeing dramatic increases since the contract was defeated. "We'll be able to show the University that it can't just push us around," says Bekken, who is working toward his master's degree but is no longer a TA. "If people can get behind the negotiations on a better contract," says Steering Committee member Griffin, "Then it will send signals to the ad- ministration that they'll fight for a bet- ter bargain." And talk of such a fight, or more specifically a strike, is becoming ever more present among the membership, whether they support such a move or not. Bekken and Steering Committee member Joe Graves, who many GEO members identify as the two key militant leaders, have suggested the formation of a strike committee to open the possibility of job action as a means of influencing the University. "The University won't talk to the union in good faith unless the union is willing to fight, so we must show them that we are willing to strike," says Graves. While only 186 GEO members voted against the contract, some of the leadership believe that sentiment against a conciliatory position toward the University is much greater than the vote shows. "Some people who chose not to vote," says Steering Committee member Tim Feeman, "did so as a show of opposition to the contract. They felt that the con- tract wasn't worthwhile, so they were in essence voting 'no' by not voting at all." With its newfound strength, Bekken says, GEO will force the University to give in long before a strike would be necessary. Bekken himself rejects the notion that a division among the leadership is weakening the union's position. He says there isn't a split at all. "We don't view ourselves as some sort of a faction or minority group fighting with another minority group for power," he says. "The oppositio~n is a small, amorphous Teaching fellows: Solidarity The union's position right now is so volatile that both sides agree that without strength, GEO will self- destruct. The difference is that the left wing is almost sure that sufficient clout exists, while the right wing believes the union doesn't have a chance if it con- tinues on its present course. Graves says the University will grant the union economic concessions in the next round of bargaining in order to avoid issues such as an affirmative ac- tion plan. But the union will have to show some spunk soon if the ad- Sunday R.E.M. Joe's Star Lounge Sunday, November 21 By Rob Weisberg B IG THINGS are happening on the new rock and roll front this Sunday night: Not only will up-and- coming Athenian popsters R.E.M. do their thing at Joe's, but at the same time a quadruple bill at the Union Ballroom will showcase some of the best unknown local rockers and possibly kick off a series of independen- tly produced all-ages gigs around town. The Union show, featuring locals the Truth, the State, and Ground Zero, as well as Kalamazoo's Scooter and the Worms, is the brainchild of State guitarist Art Tendler. Tendler has been trying to get something together since the StateHouse, with which he also had a hand in organizing, was shut down last March. Both the State House and the Liberty Loft were created by local music fans, last winter to give people of all ages music outside the rather restricted bar scene. Unfortunately, they both collap- sed-the former when scheduling of the popular Gun Club brought attention to their improper zoning; the latter because of insufficient fire exits and similar problems. This time around Tendler isn't using a permanent space; instead, he hopes optimally to present one benefit a mon- th with PIRGIM at the Union, and one a month at the Armory downtown. So far, besides Sunday's show, he has reserved January 14 at the Union and has a ten- tative date of December 11 at the Ar- mory. If all goes well, those gigs will mix local bands with nationally known hardcore groups. According to Tendler, who has a Detroit band manager and promoter working on bookings, Chicago's Effigies are a good bet to come in and other bands such as Boston's SS Decontrol and the Freeze and Washington's Discharge have ex- pressed interest. Tendler, who has a bit of a nostalgic side, hopes to revive a little of the rock and roll spirit he says is missing in the bar scene. "I'm convinced what really is the difference between rock and roll now," he says, and what it was back in the sixties, "is that it wasn't just side entertainment while people got drunk. The emphasis was on people being there to hear music." Indeed, he had visions of tearing down the walls at the State House and turning it into a big dance hall reminiscent of the old ballrooms. Tendler and other local music people are also irked by the age constraint at bars that keeps a lot of the kids in front of the .tube instead of out sucking up some pop culture. And then, of course, there's the intangibles: Says Truth bassist J.B., "Bars almost always have an uptight atmosphere." Tendler's plans represent just one op- tion. Local bands still occasionally play at East Quad's Halfway Inn, where the Truth will appear on December 4, and a musician's co-op currently coming together in that dorm may extend the performance opportunities of local ar- tists. And locals like the Truth still talk about getting together and finding a permanent space and turning it into what the State House might -have become-not just a rock and roll hall, but a self-supporting multimedia center available to artists of all types. Back in clubland, Joe's is giving townies a rare chance to see a developing out of town group in R.E.M., who were spawned by the same Univer- sity of Georgia party scene that en- dowed us with bands like the B-52s and Pylon. They got their break when I.R.S. signed them, and they're now touring vigorously in support of their debut E.P. "Chronic Town." The record is fairly basic synth-free pop, with intentionally muddy produc- tion, particularly on the vocal track that makes it tough to figure out what the singer is saying. Which is just as well, according to the band's drum- mer--they're looking more for the sound of the syllables than for any profound verbal inspiration. Sounds good to me, so I'm afraid at least one local fan will be running around town looking for the best of both worlds on Sunday -night. And whatever your preference is, you're not likely to be disappointed. 'The union isn't particularly interested in the opinions of its constituency, unless of course they mirror their (the militant leaders') own.' -Brian Foley non-GEO English TA intention-it o the bargainin agreement. GEO may fa within its ow University, ho tee member believes m Graves/BekkE than no unior sidering callir of GEO. "(Bekken a TAs-they dor of TAs," cla tifying the un people who we lot of trouble f( Westwood graduate sti dissatisfied w can reorganiz( was first fo "most TAs ar Marty Burk for 'survival Ii bers to wake Once a strike fails, Burke s we better get c Most memb ability to bec adequate sup) University to : pay them bett( The questioi whether a grc staff assistant themselves t professionals, The militant the latest organization. ] win the war. Barry Witi Daily staff wi group whose power base never laid within the union. Our people are com- posed of those who have been with GEO from the start." In noting a certain duality in the membership, Graves says such a split is not uncommon among unions. He believes TAs develop a certain respect for a group that is willing to openly fight out its disputes. The recent struggle over the proposed contract has actually .strengthened the union, Graves says. Whether or not such strength exists is really the central issue. ministration is to budge from its present position. Failing such an effort, Graves says, "the union will be destroyed." Leaders of the opposition, mean- while, believe the union already is on the brink of destruction. They believe a left-wing bargaining team will have no success in squeezing more money from the University and that militant stands will give the University a chance to question before state authorities the union's status as a representative body. The administration says it has no such 4 Weekend/November 19. 1982 11 W eeket 'T TTyyyiwaawi a..:n w. s+ a..wa ar# a. svs