v w w 11 w V V W U V V V V V V q -qF 11 Yesterday: Just a game Footbal from I in recent years for its less than pristine record. Many argue with the notion that a system that breaks rules to recruit players, uses them to keep the football stadiums filled, and then releases them after four years without a college degree and with little more than a few bonus checks from grateful alumni boosters builds much character. College football exploits, the critics charge, and the players are the ex- ploited. But Lewis and his classmates, who played on a Michigan team that was ranked number one for most of their senior year, have a vastly different perspective on their years in school. Now, several years into their various careers-as salesmen, engineers, firemen, pro football players, and even doctors-the seniors of 1976 look back on their days under the protective wing of coach Bo Schembechler with the ut- most admiration and respect for the man who many of them describe as the most important person in their lives. Tomorrow's game is the sixth Homecoming since the 16 seniors left Michigan Stadium in uniform for the last time. The years haven't tempered their feelings; they still love Bo Schem- bechler. They credit Schembechler with giving them the discipline, which they translate into "a competitive edge," necessary to make it in a world without football. "You're out there sweating your butt off on hot August days and running wind sprints-and he's screaming at you because you're not hitting as hard as you can," reflects Roger Szafranski, now in marketing with an Atlanta baking company. "Then you're out there on cold, rainy, slushy days in November, when you're breathing on each other's faces just to keep warm. And he's saying hit harder. Sure there are times yqu hate him, when you want to say, 'Just leave me alone.' " A $1.5 million indoor football complex completed in 1980 took care of the climate problems, Szafranski notes, but the former secpnd-string middle guard is sure the spirit is still the same. "Even with all the pain, you knew if you followed his direction, you'd be cham- pions, you'd be winners. And that just continues through life." T HE MAN they hated at times, he man who yelled at them, rattled their heads, pushed them further than they wanted to be pushed, is now the man they adore. That man and his foot- ball program, says one player, taught them all a work ethic. "You learned personal discipline," says Lewis, "When everybody else was off having fun, going to the movies or other places, you couldn't because you bechler's influence has kept him a pro in the face of a long series of injuries. The coach's attitude that "nobody beats you," Lytle says, is the reason he's been able to come back from five operations. "In pro ball," says Michigan's second all-time leading rusher, "it's just a numbers game. It would be very easy to say I'm not going to work too hard to get back into shape. But Bo taught us that nobody beats you. Even if you're totally outmanned-as we were in the (1976) Orange Bowl against Oklahoma-we never felt it. Some people might think you're cocky, but I think it's a great attitude." Then juniors, Lytle and his classmates lost that Orange Bowl by a 14-6 score, though the game wasn't that close. And they lost their only Rose Bowl to USC the following year. But none expressed disappointment with their experiences at Michigan. Each has his own favorite game, his own special moment. For many, the 1976 season-ending shutout over Ohio State at Columbus was the most impor- tant, the most emotional moment in their careers. Others take the emphasis off the games and, put it more on their lives on campus. Smith says the most important moment for him was meeting the woman he later married. "Look, foot- ball is just a game..." For Jim Hall, who describes himself as a "peon engineer" for a California missile manufacturer, graduating was the high point. And for Lewis, who came back to Ann Arbor earlier this month for the Michigan State game, "it's the sweating, the weight rooms, the con- versations in the locker rooms" that he recalls. "I watched the MSU game, but I couldn't remember too much of the field experience. But walking through the empty locker rooms or across the practice field-those were the times I remembered." Their Michigan careers had low poin- ts, too. They were so used to the vic- tories that each of the few losses and ties stands out a little more sharply. Most, though, remember the rude awakening of their freshman year. For many of them, adolescent dreams of Heisman Trophies and the NFL quickly were dimmed as they moved from high school superstars to reserves on a team filled with stan- douts. Along with that came the realization that football wouldn't make much of a future. "When I was a senior in high school, I didn't give education a thought," says John Ceddia, a highly recruited quar- terback who wound up with fewer than 10 minutes of playing time in four years for Schembechler. "But after becoming 12th string quarterback my first year, some realism set in." Says Hall, who considered himself a pretty good student in high school: "My first semester grades almost gave me a heart attack. I didn't know what I was doing. I was young, stupid, naive, and not getting the help when I needed it." But under Schembechler, the players say, that "young, stupid, and naive" high school star grows up pretty quickly. The coach and his boss, Don Canham, may refer to their athletes as "kids," but the players report they were never babied. And Schembechler pushed them as hard to earn their degrees, they say, as he did to make them perform better on the field. "He always told us if-we were there just to play football, we weren't doing anything," sayd Hall. "Bo pushed to the point where it was like living with your parents-which is good," adds Smith, who didn't earn his degree in his four years at Michigan before turning pro. Smith returned in recent off-seasons and graduated in 1981. It recently was revealed that many of Schembechler's most successful athletes-almost a third of his players still in the NFL-don't have their diplomas. Those were the players Schembechlerscouldn't motivate academically. Oneof those players, 1970 Michigan All-American and St. Louis Cardinal Dan Dierdorf told his old coach "to go to hell," Schembechler jokes, "because he's making twice as much money as I do." (While not uncommon for a professional athleteuthat's not doing badly, considering Schembechler's combined University and television salary reportedly exceeds $150,000.) But most of Schembechler's former players regard a degree much more Losing out By Michael Baadke Dead-Eye Dick by Kurt Vonnegut Delacorte Press, 240p. THERE AREN'T very many happy life stories in Kurt Vonnegut's tenth novel, Dead-Eye Dick. Then again, life isn't always happy on this planet. Vonnegut would probably be v:. 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L}::w::::: +"+:'. :{'+.: iY:y ?......... r.... }.....r ....... : ..................................x..h...........r,........:.....................h,,:.,...,.,..,,,,,...,,, ::,.... :..: : ......:.......... w:::::::::: ::": :ash:."."::x.v."}:.:L"::.": .::":":..:.-E-::xah":r r.'rrf'a'.rtt i+ar?3.u...}? ": ii::":+Sf d i one of the first to acknowledge that fact. Most of Dead-Eye Dick takes place in Midland City, Ohio. One of the minor characters in the book sums up the citizenry of Midland City by saying, "Everybody here is a fake." In some ways that is a fairly accurate statement: no one in Midland City suc- ceeds at much of anything. And most of them die. About one hundred thousand people die in Dead-Eye Dick. Some of them have their own individual death scenes. Most of them all die together, in one big flash. Long-time fans of Vonnegut's writing may already be familiar with Midland City, Ohio; it was the setting for a novel he wrote about ten years ago, Breakfast of Champions. Some of the characters from that book appear again in Dead- Eye Dick, including Swayne Hoover, owner of Exit Eleven Pontiac Village, and Dwayne's wife, Celia Hildreth Hoover, who dies by ingesting drano. Their lives weren't particularly happy in Breakfast of Champions, and they aren't particularly happy in Dead-Eye Dick. Rudy Waltz, the narrator and prin- cipal character, is, in fact, "Dead-Eye Dick," a cruel nickname permanently pinned on him at the age of twelve, when he accidentally shoots and kills a pregnant woman named Eloise Met- zger from six blocks away. This in- cident transforms Rudy's life; he becomes what he terms "egregrious." Outside of the herd. He is a sexual neuter, and a virtually emotionless narrator of the happenings around him. As such, Rudy is the best possible narrator of the proceedings. We see the hollow lives of the citizens of Midland City through Rudy's objective gaze, and we also see their constant sadness. Rudy's parents are oblivious to the realities of life, even when Rudy and his father are taken off to jail as a result of Rudy's careless marksmanship. Rudy's brother Felix tries to find suc- cess outside of Midland City, but seems unable to shake the family's curse of failure. AndRudy sees all the other failures as well. Dwayne and Celia Hoover, his English teacher Naomi Shoup, who is "old and alone," and of course, Eloise Metzger and her unborn child. Even that "double murder," which he refers to so frequently, he seems to view with detachment, unable to fathom the emotion the reader is forced to feel for him. Rudy's life is also an unhappy one, beginning with his sadly lost parents, the shooting incident, and continuing on through his adult life. He's a success as an all-night pharmacist, but a disastrous failure as a playwright. He never finds love in the course of his life, but he never went looking for it either. The one person who claims to love him, Celia Hildreth Hoover, is an aging crazy, trying to obtain from Rudy's stock of drugs some Pennwalt Biphetamine, "black beauties." And that love turns quickly to hate when he denies her request. For all of his own failures, Rudy ends up more fortunate than most of the citizens of Midland City. He survives. And considering what he has to live for, he may not be all that lucky. But Rudy survives fairly nicely, with a hotel in Haiti which he runs with his brother. And perhaps it is this which Vonnegut wishes his readership to realize; that despite the emptiness life might hold, it's better than no life at all. The message isn't clear, but it seems to hover over the book from beginning to end; it's Vonnegut's concept that life is sacred, and it's a point he has made before. Other messages are made clear in the book. Guns are bad. Bombs are bad. And walking through life with an empty head seems bad too. These are fairly simple messages, but Vonnegut presen- DI E Dead-Eye Di( ts them in a wa; like very impor Lest the read should be mei Dick is not ne novel. Although lead seemingly still Vonnegut's the reader thr( one of the prem comedy school face of overwh4 out between t] scenes, and it tinue through'it Dead-Eye Di best Vonnegut honor probably known work, Si it is a carefully proves that at negut is still or gifted contempo Vonnegut: Gunfighter 'You have those people who thought the athletic department supplied you with women the night before the game . . I think it's jealosy or insecurity on the part of a lot of ex-jocks.' -Roger Szafranski former football player Getting smart By Steve Miller My Wisdom by Jean Thompson Franklin Watts, 360p. JEAN THOMPSON'S My Wisdom is a presumptuously-titled look at one woman's life in the turbulent '60s. Mary Ann Edwards lives her life in a deter- mined effort to be part of that turbulen- ce. But her efforts only reveal the banality behind the political activism, the drugs, the sex, marriage, everything. She starts the quest for her wisdom by going away to college, not with any goals or questions in mind, not even particularly open-minded about the whole experience, but simply to get away from home. Quietly and almost inexplicably, she gravitates into the company of a small crowd of dopers and wordy revolutionaries. She never has much to say to them, and they wouldn't listen to her anyhow. She's only there to observe the sordid uselessness of other people's lives. Soon enough she decides to blow the college scene and head for California. It's a stock decision for students in the '60s, but she needs the change as much as anyone. Red and Bunny, two more examples of vacuous banality, though this time minus the ideological nonsense, give Mary Ann a lift. Her spirits should have been lifted too, because she's finally leaving the Midwest, but Mary Ann manages to see the worst in any situation. She tries to enjoy herself, but once again she is trapped with people who can barely talk, and who certainly have nothing in common with her. It is difficult to say who is really to blame for Mary Ann's inability to communicate with anyone. She is not a sympathetic narrator at all. Besides, the people around her would have to be mind readers to figure out what, in fact, she does want to talk about. She cannot explain her problems to others, she cannot explain them to herself; it makes for a lot of frustration and bickering. Back on the California trail, Red's truck makes it as far as Colorado before it dies. Red, Bunny, and Mary Ann don't quite make it out of the Mid- west, leaving them stranded. They split up to hitchhike the rest of the way. For the first time in her life, Mary Ann is completely on her own. No more teaming up with revolutionaries, no more Red and Bunny to complain about-nothing but the empty road ahead. This lasts for about five minutes. A truck comes along and gives Mary Ann a ride, and she's teamed up again. Graham Green, as typically Midwest as they come, enters her life. Fortunately for him, he doesn't have much to say, so Mary Ann can't complain. Maybe that's why she ends up marrying him. He's handsome, devoid of personality, and safe. It doesn't take long before the nondescriptness catches up with Mary Ann, though. She can't explainher problem to any of the small- town folks around her, and she finds it harder and harder to play the wifely role. Frustration, futility, and bleakness build up daily. When her neighbor goes insane and murders his family right in front of her, Mary Ann takes it as a sign to pack up and leave. Underneath the thin layer of small-town security, she realizes an ab- sence of any challenges in her life, so she goes to California. She visits her sister in San Francisco, and ends up back in the world of politics that she left at college. People trying to change things are all around, but the endless political discussions seem as empty as before. Her life doesn't change. Who's to blame for Mary Ann's troubles? What does it take to satisfy her? Mary Ann has no answers herself, she can't even decide on the right didn't have time to study when everybody else was." And those constraints on time can apply to anything one does, says Lewis. "As a physician, there are times I have to do certain things to make myself bet- ter-Maybe read another medical jour- nal." Performing in front of 100,000 people was character-building in itself, Lewis adds. "At Michigan, there were a lot of successes, but we had our failures too. You learn to accept that." For Rob Lytle-one of two '76 seniors still playing professional football (at least until the strike began)-Schem- their collegiate careers. Even Lytle, who played in the 1980 Super Bowl, and one-time Michigan wide receiver Jim Smith, who plays for the former NFL champion Pittsburgh Steelers, say nothing can compare to their college years. "In the pros, we play these games and make money for something we en- joy doing," says -Smith. "The college years are far more memorable. There was no money incentive-we were just playing for each other and the school." As for the rest of the team-all those who played only a few years in the pros or never made it there-none regrets My Wisdom: I questions to as with don't help first-person n other characte cannot be objec Mary Ann throughout the effective than t alternative vie life nor a dar happy, undern banal, pointless Like Mary A nowhere and e an exercise in I pect to find any ~6. .WekendOtberl%18 15 Weel