ARTS Thursday, September 30, 1982 Page 7 The Michigan Daily Altman's latest film is a benefit for opera By Richard Campbell ROBERT ALTMAN'S latest work, Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean-The film version of his stage play-previews at the Michigan Theatre, October 23, at 8 p.m. Altman, appointed visiting professor at the University, will be stage direc- ting the opera The Rake's Progress for the University's School of Music, November 4-7. Proceeds from the film's preview will go toward the opera production. The original Broadway cast of Come Back to the 5 and Dime stars in the film version: Sandy Dennis, Cher, and Karen Black. The plot centers on the members of a rural Texas fan club for James Dean over a 20-year period. Best known for films such as M*A*S*H, Nashville, McCabe and Mrs. Miller, and A Wedding, Altman's second feature was a documentary on Dean featuring the actor's friends and relatives. Tickets cost $5 and are available beginning October 11 at the Michigan Theatre Business Office, inside the lob- by, from 9 a.m. to 5 p.m. Monday through Friday, and beginning at 7 p.m. October 23 in the theatre box office. Altman ... sneak previews I Niagra, Destroy All Monsters' lead singer, sings her heart our Monday night at the Chance. Lookin By Robert Weisberg N MONDAY night, when Destroy All Monsters, the Cult Heroes, and Ragnar Kvaran played the Second Chance, and Tuesday, when Non- Fiction and Glassings David performed at Joe's Star Lounge, Ann Arborites had a rare opportunity to catch five distinctly original bands. If nothing else the two nights were proof positive that there are some very good and creative musicians working in our midst, and also-judging by the sparse crowd at Joe's-proof that not many of us are daring enough to go see what they're up to. First to appear before ~ the predominately darkly-clad crowd was the recently expanded Ragnar Kvaran Group. They played their. usual in- teresting and diverse set, shining on renditions of the commercially unac- ceptable "Upstairs" (a poetic- apocalyptic romp that's awfully hard to dance to), the near-funky but sweet "Kilroy Was Here," and their encore and most popular song, "Wrecked on Love." The Cult Heroes' set was at least as good as their AAMP performance, and was augmented by the appearance of former Rational singer-guitarist and current Hero co-songwriter Scott Morgan on guitar for sparkling perfor- Wances of his own "Pirate Music" and "Long Live the King." The Monsters, featuring Rob Stemera on drums, Niagra on vocals, ex-Stooge Ron Asheton on guitar and ex-MC5er Mike Davis on bass, may not have been in top- form-they've only been practicing for a couple of weeks- and Niagra, a bit under the weather, * didn't sound very good at all. But it was _ . 1 _ _ g at ioce still fun just to see them and endure their vintage 1969 punk assault. Niagra was dressed for the occasion as usual, wearing a black cape which she soon removed to reveal a skimpy black outfit complemented by long black gloves. She also had her traditional bottle of Tab, something that accompanies her at every gig. They were still using projections ("Visuals by Illuminatis," it said under the pyramid's evil eye), although these didn't come off particularly well. And they played all their big ones, most of the singles' sides down to an encore of the manic. "You're Gonna Die," demanded by a persistent few die-hard fans. Non-Fiction played an infinitely more interesting set than they did at the AAMP taping, forgoing the exclusively poppy dimension they took on then to demonstrate what they really can do. All I can say is that if the only time you ever saw them was at AAMP, go see them again. They are witty and diver- se, more so than Ragnar Kvaran and with a sharper edge to their playing as well. Despite Larry Miller's illness that, forced him to stay with the bass instead of alternating with twin brother Ben on guitar, the band was at no loss for energy. We may be seeing at least one single from them in the near future besides the AAMP cut, and if it wounds half as good as they did Monday it'll be interesting to see what happens. Glassings David also feature twin brothers in Duane and David Sheer, as well as Darryl Sims on drums and Al Combs on bass. Invited by Non-Fiction to open the show, they responded by treating the small, but appreciative audience to a set drawing on sixties pop, punk, and psychedelia. David 1I bands Sheer's blue violin actually worked, which is rare in rock and roll bands. His sustained waves and organesque solo in "Misprint" were excellent; his em- bellishments fit perfectly in "21st Cen- tury Man." The band sounded a bit shoddy at times, but they were also tire funniest of all the bands, maintaining good humor in the face of adversity. We'll be seeing more from them, too: They're hoping to do some recording and said they'd like to play in town again. If you are one of those precious 'few willing to take a chance you might want to check out a band from Madison, Wisconsin called "Sometimes Y" that's slated to play tonight at the Mile High Club (located atop the Heidelberg). Guitarist and songwriter David Reis says he likes music that's "clean and not processed," and that's how the band sounds on their cassette: Not rough, but /the music has that edge. They're fairly upbeat and very listenable, but more consistently serious and investigative lyrically than most of our local bands. Though he's a bit wary of going up against The Who concert, he looks at the bright side, hoping that "maybe the Clash will show up at the Mile High Club." Even if they don't, judging by their tape and the good response they've received in New York and from the music press, it should be a fun show. 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