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The Michigan Daily Sunday, January 31, 1982 Page 6
Sonata opens
By Don Rubin
Now Playing
"ONCE IN A GENERATION
A MOTION PICTURE
EXPLODES INTO
GREATNESS"
Well, that was nearly a gen-
eration ago. And since most of
you have undoubtedly forgot-
ten the explosion, we've
arranged this special screen-
ing.
.Grab a box of popcorn and
find yourself a seat. We'd like
you to identify the movie, for
starters, then give us the
name of the reunited artists in
the. audience (left to right).
Movie
1
2
3.
4.
5. .
6
7.
a
By Jane Carl
T HE CREATIVE mind knows no
boundaries or deadlines, even
though the rational mind often commits
itself to them. Such was the case With
Alberto Ginastera's second piano
sonata, a work to have been premiered
at the Ginastera Festival held last Oc-
tober, but not completed in time for the
performance.
Apparently, Ginastera found it dif-
ficult to compose a work that would be
equal to, or eclipse, the highly suc-
cessful "Sonata No. 1," written in 1952,
although he did manage to compose two
piano concertos in the interim.
During the summer and autumn of
1981, in Mallorca and Geneva,
Ginastera wrote his second piano
sonata, a work composed for pianist
Anthony di Bonaventure, and com-
missioned and dedicated to Dorothy
and Mario di Bonaventura, brother of
the pianist. The work was premiered in
a special free concert held on Friday,.
January 29, under the auspices of the
University Musical Society, and proved
to be well worth the wait.
In three movement- sonata form, the
"Sonata No. 2, Op. 53," opened with an
allegramente movement. Within its
framework of dissonance .lay( the
driving, relentless rhythms that have
become a trademark of Ginastera's
music, and arevery much a part of his
Argentinean heritage. This movement
introduced the rumbling bass line that
would recur in varied form in the last
movement, and also contained a con-
trasting, jazz-like section. b
The second movement was in three
sections: adagio sereno, scorrevole,
and ripressa dell' adagio. The first
section was a harawi, or mejancholy,
South Americah love song. It was
marked by dramatic silences, and what
Ginastera refers to as "the charac-
teristic vocal inflections of primitive
civilizations."
The scorrevole section was scherzo-
like, intending to depict night in the
lonely Andean plateaus. Its rapid
chromatic passages, which ran the
gamut of the piano's range, were an-
ticipatory and exciting. The ripressa
dell' adagio brought back theltrag
si ea~ces and ornamnited tQ~*e.'.
After the performance, di Bonaven-
tura said that the second movement
was particularly meaningful to him
because of a documentary he had once
seen in which South American Indians
played flute duets. One of the flutists in
the documentarv had been distinctly
The work ended with the Ostinato
Aymara.In toccata form, it once again
incorporated the fiery, impetuous
rhythms and rumbling bass. Both
chromaticism and range were again
exploited with highly successhfl
results. In a piece that is only twdNe
minutes long, Ginastera has maI
more significant statements than svriA
composers manage to do in an hour. °f,
Anthony di Bonaventura, a profes'6
at the School for the Arts of Bos' dh
University and Founder-Director ofh't
Piano Institute at Colby College, Mad,
displayed an abundance of technigbe
and musicality in his masterful infer-
pretation of the sonata, two qualities
that often do not coincide in the most
rekriowned musicians. The baldiig,
banker-ish figure of Ginastera was rot
present for this premiere; but once
again, his music proved that appearti-
ces can be deceiving.
Cockney
star dead
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:
" ...
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a
Fed up with these crazy puzzles?
Would you like to get even with Don
Rubin and win $10 to boot? Then
send your original ideas for The
Puzzle to The Michigan Daily, 420
Maynard St., Ann Arbor, 48109.
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(You only win the big bucks if we
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Send your completed puzzle to the
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random from the correct entries to win
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ci
..
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d
..~
LONDON (UPI) --Stanley HolloWa ,
the actor best known for his portraf4l
of Mr. Doolittle in My Fair Lady, die"H
in a nursing home today. He was 91.
Holloway had been under treatmiint
at the Nightingale Nursing home in LiI-
tlehampton, Sussex for 10 $days, "a
spokeswoman said.
Holloway was 66 before the theme of
his long career became unmistakabl.e
It was enshrined in the title of one of th4
songs he sang as "Mr. Doolittle in thq
legendary musical My Fair L.ady tha
brought what he later described as
"wonderful Indian summer" to hi
professional life.
When Fritz Lowe played his grea
score to him, Holloway knew he had
been given an opportunity to exceed alf
the success'that had gone before: h4
had long since established himself as a
songand-dance man, comedian
straight actor and monologist on stage
and screen and radio and television.
t.,eCompicOI y
present
:fler.. .,y
. Q. , i: if St
LAST WEEK'S SOLUTION:
"Mandrake the Magician,'
"Terry and the Pirates," and
"Krazy "Kat" generally accoun-
ted for most of the errors.
The correct solutions are:
1) Doonsbury.
2) Li'l Abner
3) The Katzenjammer Kids (al-
though we accepted The Cap-
tain and The Kids)
4) The Wizard of Id
5) Pogo
6) Beetle Bailey
7) Peanuts
8) Andy Capp
9) B.C.
10) Dick Tracy
11) Nancy
12)*Blondie
13) Terry and the Pirates
14) Garfield
15) Popeye (or Thimble Theatre)
16) Mandrake the Magician
17) Krazy Kat
18) Shoe
The following people answered
last wek s a rectly:
Bruce Jaquays
Richard DiPietro
Christine Mather
Erik Larsen
A
"F
on,
Ch
yel
p1
re
LAC UUGULL AL~t. L1.t* J *t4A ' A 4AAI...s...j- IHIANTEAR
Holocaust survivors reunited in England auntin secndoement eBox onale
arrtineoe nt ove cmpn ofthe MicigneaeBoa'Officketsp . o.Sat
Pbrother were accosted by soldiers I thought I was never to get here. I'm ters by saying she and Chaim, a builder
wearing swastika armbands on a so excited. Now I have a big brother in this north England city, wanted to be
NEWCASI'E-UPON-TYNE, bridge in their home town near the again - and a big new family." alone.
For 39 years, I thought I was the only Russian border. And later, in heavily accented "After 39 years, there's a lot to talk," E 1 . 375 N. MAPLE
e left," said Auschwitz survivor She recalled that she grabbed her English, she excused herself from repor- she said. A69 1300
haim Nagelsztayn as he was reunited young brother's arm and shouted: .LLAGE SHPG CTRARANSHOs.Bf mMnfroremst-t
terday with Manya, the sister he "Run, it's the Gestapo." sheON THE STREET ai
(ought diedI in the Nazi gas chambers. "I CAN'T RUN anymore, she 'E~ ~ nf E THE RAL TRICK I S k AMsk:05
"As soon as she stepped out of the remembered him saying. "They're PUT EM AW AY STAING ALIVE. i 0
ane, I knew it was 1sister. I going to kill me
cognized her , straight away, Both were taken to Auschwitz. *..a. .y07:15-9:15111. 90
Nagelsztayn said. "Isn't she lovely.
I'm over the moon. This is very hard to
believe."
Manya Kornblit, 57 and a resident of
Ponca City, Okla.; stepped off a jumbo
jet from Washington, bearhugged her
56-year-old brother, pinched his cheek
and whispered, "We made it."
tMANYA LAST saw her brother when
they were captured in their native
Poland by Nazi troops in the early
years of World War II and sent to
Auschwitz.
Until four days ago, each thought the
other had died in the Nazi concentration
camp.
But a recent visit to a cousin in Israel
and alchance conversation about family
victims of the Holocaust changed all
C that.
THE COUSIN told Manya he had
received a Scotland-postmarked letter
from Chaim after the war which men-
tioned something about Newcastle. A
fast check of the telephone directory
quickly led to travel plans for London..
Kornblit was 17 when she and her
But when the World War II drew to a
close, Chaim was liberated by
American troops - as was Majir Kor-
nblit, Manya's husband, at a different
camp. Manya at Auschwitz was freed
by the Soviets.
AFTER THE war, both Manya and
Majir made their way back to
Hubrieszo, where they were married a
short time later. Thinking Chaim dead,
they emigrated to the United States in
1950, and Majir opened a store in Ponca
City.
Chaim, thinking his sister dead, went
to Britain, set up a building business
and maried his English wife Cecilia.
Manya called the trip from
Washington "the longest trip of mylife.
U tOes
JUST FOR
0
r cliartIes for one
y' yout 11j hfhill yoi
Walt Disney's, =3I,1,3W
515 LIVE!
8:45 in concert 9:'30
A DAY.
Aee
Guest Artist Workshop
Photography of Art Objects:
m -
o-
INDIVIDUAL THEATRES
5* Aveo fLbey 761-4700
7 GOLDEN GLOBE
NOMINATIONS
p15
WED " SAT * SUN
$1.50 TI 6:00 pm (Except "REDS")
i
RICHARD DREYFUSS
JOHN CASSAVETES
Whose life is
it anyway?
%wWww"
RVN
Making Slides for Your Portfolio
mmmlqrmm
ww"aVIVG
BEST-PICUET
N , RIIC WAb-NAIN . R O E E.AWR
p.
"The miracle of this movie is that it
sends us home in a state bordering on
elation. "-Cosmopolitan Mag
. This intensive 2-day workshop is designed for
artists, craftsmen, teachers, and selected University
students. Maximum ot ten participants. A basic
knowledge of your camera's operation will be
a necessary prerequisite.
Wednesday, February 3, 7-9 pm
Iz Ffl):;
I . t .. . "