The Michigan Daily--Wednesday, November 12, 1980-Page 5 Bream: In a world of his own Carter Bush Reagan .U.G1IYL L. L4I .'12il W T lJ 1 .L Ld l lect ion ye ar in review (Continued from Page 7) Spanish-flavored second theme. This was followed by another of Grandos' works, the Danza Espanola No. 10. This was a happier, more lively work than the last, with a mariachi-type lilt. Both pieces displayed the folk-song quality often found in Spanish music. The modern Fantasia (1957) by Gerhard was next. Bream's proficient technique was evident in this piece, especially in the dissonant chordal passages. A short piece, its tonalities were "very modern, though somewhat linked. Rodrigo's Invocation et Danse, writ- ten in 1961, was a much better example of modern music than the Gerhard. The Invocation alternated an ethereal, other-worldly beginning, not unlike Stravinsky, with a short, anticipatory Spanish theme. The Danse combined a moving, tonal section with sudden, unexpected dissonances. Unfor- tunately, Mr. Bream was occasionally accompanied by Hill Auditorium's an- The Gargoyle Punk Edition Soon to be Sold Wher- ever Skinny Ties and Dark Glasses Are Found. Look For It Starting October 27th "Biit" Needs ride out of town? Check the hlailjy classifieds under transportation cient heating system during the pianissimo sections. Two works by Albeniz ended the con- cert, Cordoba and Torre Bermeja. Both were lyrical, unabashedly emotional works with a very Spanish flavor. Bream's intonation between registers of a melody in octaves was nothing short of wonderful. After a tumultuous standing ovation, Bream graciously consented to play two encores, a Mazurka by Brazilian composer Villa Lobos and the Prelude fr6m Bach's first cello-suite. The mazurka was lively and dance-like, full of little rubatos and delays that worked very well. Unfortunately, the piece lacked passion, once again due to the unrelenting constraint. The cello prelude was a very suitable transcrip- tion for guitar. It was presented in a very puristic manner, characteristi= cally precise without being dull or i-% sufficient, but then this quality marked all of Bream's playing. (Continuedfrom Page 2) not entering the race, he was convinced he would do it. IN IDAHO, Frank Church was gearing up for another rough .re- election campaign. It was his fifth campaign. None of them had been easy and this one looked like the toughest ever. Rep. Steve Symms, a conser- vative Republican, was getting help from right-wing organizations that mounted a powerful attack on the chairman of the Senate Foreign Relations for his support of the Panama Canal treaties and of SALT II. Church, chairman of the Senate Foreign Relations Committee, was campaigning when the call came from Secretary of State Cyrus Vance that U.S. intelligence had reported a Soviet combat brigade was in Cuba. The senator called a news conference in Boise to demand the Soviet troops be withdrawn. He linked the troops to SALT II and said, "In my judgment the Senate will not ratify the SALT treaty while Russian combat troops are in Cuba." SUDDENLY CARTER'S hopes for a big victory on SALT was gone. Ronald Reagan also would demand the Soviet troops leave Cuba. But he wouldn't link it to SALT II. He had op- posed the treaty from the beginning. The men around the former Califor- nia governor were busy putting together the organization he needed for one last try for the White1House. ,REPUBLICAN POLITICIANS could smell blood and the field of contenders for the GOP presidential nomination was growing rapidly. Rep. Phil Crane, a conservative Republican from Illinois, had jumped into the race in August 1978. His theory was that Reagan was too old and would be knocked off early, nd then his followers would gravitate to Crane. Of more concern to Reagan was Senate Republican leader Howard Baker of Tennessee, an articulate moderate. John Connally was regarded as a threat but not likely to be able to overcome his ties to Richard Nixon. George Bush was dismissed as lacking any real political base. THE FIRST TEST of the Carter-Ken- nedy contest came in Florida early in October with non-binding precinct caucuses. Largely meaningless, except for symbolic value, the caucuses drew strong attention from White House political operatives who were deter- mined to avoid an embarrassing loss to Kennedy, who had not yet announced his candidacy. Carter won handily. Kennedy dismissed the Florida caucuses and pointed to the Iowa caueuses on Jan. 21, the first real step toward picking national convention delegates. Then, on Nov. 4, Iranian militants oc- cupied the U.S. Embassy in Tehran and took the occupants prisoner. They demanded that Shah Mohammad Reza SPahlavi, who had come to the United States for medical treatment, be retur- ned to Iran for trial. THREE DAYS LATER, in Boston's Fanauil Hall, Kennedy formally laun- ched his campaign. The Kennedy campaign was over- shadowed from the beginning by the hostages. The senator was convinced that the real issue was Carter's han- dling of the economy, but the hostages nevertheless dominated public opinion. Carter said the hostage crisis preven- ted him from campaigning. He pulled out of a debate in Des Moines, Iowa. THE REPUBLICANS did debate in the Iowa-capital-all except Reagan, who accepted Sears' view that the front-running Reagan could only be hurt in such a confrontation. Iowa proved a jolt to both Kennedy and Reagan. Carter, whose standing in the polls had soared after the hostage crisis, trounced the senator. Bush, who had campaigned hard in the state, edged Reagan, who hadn't. The campaign moved to New Ham- pshire, site of the first primary. BUSH CLAIMED Iowa had given him momentum that would carry him to the nomination. Reagan, fighting back, criss-crossed the state by bus, shaking hands, answering questions. When the returns rolled in on Feb. 26, it was Bush's turn to be stunned. It was a Reagan landslide. Once again, Carter trounced Kennedy. From there on, Carter and Reagan never were really challenged. A series of Southern state primaries, followed. by Illinois, gave both men insurmoun- table leads. IN LATE APRIL, Carter ordered a daring commando raid to rescue the hostages in Iran, only to abort the mission short of Tehran when three of eight helicopters failed in the Iranian desert. Primary season prepared to give way to convention time. Carter said the Iranian and Afghanistan' crises were under control and announced he would campaign. When the Republican convention convened in Detroit in July, Reagan had long since locked up the nomination and was moving to close party ranks. CARTER ALSO, HAD enough delegates to win the Democratic nomination in New York City in August, but Kennedy refused to give up. He campaigned for a rule that would per- mit delegates to ignore the primary results and vote for whomever they pleased. He argued that Carter's brief rise in the polls had vanished, that the president was looking like a sure loser to Reagan. Kennedy lost the rules fight, and he and Carter finally made an uneasy peace. The president gave Kennedy what he wanted on the Democratic plat- form and the senator endorsed Carter. SO BEGAN THE general election campaign. Reagan's big lead in the polls began to shrink. John Anderson, the Republican congressman from Illinois campaigning as an independent, was attracting support from young people and disaffected Democrats. Carter strategists feared Anderson would cost them key states in what looked like a close election. Reagna invaded Carter's native South, where the Californian's conser- vative views always had been popular. THE MAIN BATTLEGROUND, though, was the big industrial states of the Northeast and the midwest, plus Texas, Florida, and California. Reagan took dead aim on traditionally Democratic voters, a strategy many thought foolish. He plugged away, trying to keep the focus of the campaign on inflation, high in- terest rates, and unemployment, par- ticularly in the automobile and steel in- dustries. Carter kept the focus on Reagan. He said the Republican nominee was anti- union, that he had opposed civil rights legislation and that he was advocating a nuclear arms race. POLLS SHOWED the race a virtual dead heat. The candidates debated about debating, Carter insisting Anderson be excluded from the first debate, Reagan insisting the independent be included. With the war-and-peace issue begin- ning to hurt Reagan, his advisers decided he would have to debate Carter to show a huge audience that he was a reasonable man who wouldn't blow up the world. THEY DEBATED Oct.. 28 in Cleveland, a week before Election Day. Reagan accomplished exactly what he wanted. Post-debate polls indicated Carter's momentum was halted. REAGAN SEEMED on his way to the White House. The only thing left that. could stop him was what he often called an "October surprise," some Carter ac- tion that would free the hostages and rescue the president at the polls. It came Nov. 1. The Iranian Parliament announced its terms for release of the Americans and the Tehran government appeared anxious' to resolve. the standoff, partly to get military spare parts and funds frozen in the United States. Both were needed for Iran's waf- against Iraq. But the hostages didn't come home by Election Day, and the hopes that had built for two weeks only fanned the voters' frustration. Carter's dream of a second term was over. II CINEMA GUILD Presents Tonight ANGEL CITY Playing down from an academy leader base, this film probes the Byzantine surface of Los Angeles. Masked in, detective genre clothing, it self-destructs customary narrative fors to eat into th6 heart of Hollywood: Capitalist motivations of money, split book, the diversions of fiction the falsifications of mass media. It skitters between Dragnet and Godraul. 7:00 & 9:00 at LORCH HALL OF FILM. Thursday: Hitchcock's I CONFESS Rarely Shown and Well-Done Cinema 11 presents PERSONA (Ingmar Bergman, 1966)* When an actress (Liv Ullmann), who has recently become mute, is put in the care of a nurse (Bibi Andersson) at a lonely beach cottage, the relationship between the two women de- velops into a desperate dual of identities. "Bergman's film is profoundly upsetting, at moments terrifying. It relates the horror of the dissolution of personality . . ."-Susan Sontag. Swedish, with subtitles. (81 min.) 7:00 and 9:00 WED., NOV. 12 MLB 3 TARANTULA (Jack Arnold, 1955) One of the best monster movies ever made. A typical story of radiation-mutation giants, Tarantula features an intelligent script, plus amazing special effects, to make a fun, but scary movie. Leo G. Carroll (of Man from Uncle fome) is the mad scientist who unleashes the giant arachnid on the world. (80 min.) 7:00 and 10:20 CREATURE FROM THE HAUNTED SEA (Roger Cormon, 1957) A put-on of both monster movies and Casablanca, Creature from the Haunted Sea is a story about thieves in Cuba who invent a "monster" to scare away prospective victims ... only to fing1 a real monster looking for them. In the some realm as A Bucket of Blood and Little Shop of Horrors. (72 min.) 8:40 ONLY - FRI., NOV. 14 ANGELL HALL ADMISSION: $2 SINGLE FEATURE, $3 DOUBLE FEATURE This weekend: EYES OF LAURA MARS ZERO FOR CONDUCT MAEDCHEN IN UNIFORM Coming Dec. 6: BEST BOY h - NVEJWTYccfMUSICAL'8OCIETY AlurrayNr.%aia* P iainist TI'1urisdlayjNov.13i "At least 99% of the time he makes you feel that you are finally hearing the perfect per- formance of whatever he may be playing. There is no aggressiveness, no affectation; it is simply all there, with everything per- fectly in place and precisely fitted together." Los Angeles Times. Thursday, 8:30. Rackham Auditorium A. Soloist, recording artist, teacher and musicologist, Kenneth Gilbert enjoys an en- compassing career recognized throughout the international concert world. Of his many recordings, notable are the Six French Suites of Bach, the Eight "Great" Suites of Handel, and the complete works of Couperin and of Rameau. Saturday, 8:30. Rackham Auditorium LA\EUAYET NI G VLIBERT ISAT U R)A NMOV 5S * The Feld Ballet Mon. Tues. Wed., Nov1718.19 "Although Feld's style changes from ballet to ballet his creative character remains con- sistent. Similarly, although the personnel of his troupe may vary from time to time, the basic image of the Feld dancer - individual, athletic, musical and zippy - remains the same." Clive Barnes, New York Times. Monday, Tuesday, and Wednesday at 8:00. Power Center i F