The Michigan Daily-Friday, April 10, 1981-Page 9 Silence is golden for new '' mime trou, pe (Continued from Page 8) I'm not a clown." ASSISTANT THEATRE Prof. Jamie Reynolds also says mime is an art. "It's unique. A lot of people try to branch it over to acting and dance, but it's an art. Its simplicity is in its beauty. People can't say something unless they can say it simply." :Reynolds, an expert in mime, is ac- ting as an advisor' to the troupe. He belives the study of mime is essential to a theatre program, having taught bourses at the University of North Carolina before coming here to teach. But- he pointed out that not every in- structor feels this way. Drotar hopes the University theatre department will step in and offer funds and artistic alvice and perhaps offer mime courses. "Money does the talking," he said. "The more money you have, the better the show you can have. Money supplements the show." The show is being partially funded by a $300 grant from the Michigan Student Assembly and credit extended it from area businesses. EVEN IF THE University does agree to step in and help the struggling com- pany, Drotar says he is not worried the. department will try to wrest control of the group away from him. "I wouldn't let that happen," he said. "They (the, department) would have a say (in the show) but they wouldn't have the final word. I think it would be good to have faculty (advice). "I hope the Theatre or Dance Depar- tment does look at it (the show) and in- corporates a mime program (into the curriculum)," Drotar added. "I think they need it." IN ADDITION TO co-directing the mimetroupe, Perrault and Drotar co- produced and co-wrote the show. Eventually, Perraultsaid, he would like to see the troupe "form a core group (of actors), and reach out into further avenues for people to get ex- perience in what mime is." A S NG RTE' FSIVL April 11 University Club Terrace 1:30-4:30 Popcorn/Lemonade Free! A Presentation by Soundstage Coffeehouse and UAC 763-1107 Q. What's Available, Acxesble, and Almost Free? A4. A Michigan Daily Rex Number! XTC: Pop with a new ferociousness (Continued from Page 8) of Talking heads, Partridge seems to use the band as a solid framework to provide structures which he can manipulate and contradict. But, as with Byrne, Partridge has also been calmed by success. He now seems more com- fortable with his stage presence, playing more the competent (if somewhat quirky) performer than the tortured artist. Unlike their recent per- formances as a warm-up. act for The Police, this was XTC's show all the way nd they knew it. Since they played only one selection from their first two albums, their two recent efforts (Drums and Wires and Black Sea) were rendered almost in their entirety. This strikes me as a rather dubious decision, since it ignores many of their most brilliant pieces of pop fury 1"Radios in Motion," "Are You Receivi- t1g Me?," "I Set Myself on Fire," et al.) in favor of their less remarkable recent tunes. It is a testament to XTC's live p ower, however, that they were able to transform even their tamest songs (like 'Respectable Street" and "Towers of ondon") into anthems of discordant ( age. STHE EMPHASIS on the two recent albums again reinforced the im- pression that this was Andy Partridge's show, as he was responsible for penning most of the cuts on these albums. This might be another sign that Colin Moulding's stature in the group is diminishing, which would be a great loss. It is against his exquisitely polished pop gems (such as, "Love at First Sight" and "Generals and Majors," his only contributions to Black Sea and not coincidentally the best two pop songs on the album) that Partridge rails most effectively. Let's hope that Partridge doesn't begin to view XTC as a replaceable backing to his sound as apparently David Byrne has begun to view The Talking Heads. Although I occasionally allowed myself the luxury of wondering whether XTC would be able to sustain themselves as a meaningful pop group into the future, any doubt was banished by their first encore, which opened with a blistering version of "This Is Pop?" For the first time the gradual change from the query "This is pop?" to the enraged exclamation "This IS pop!" was unmistakable. This one tune banished from my mind any thought that XTC would not be able to remain at the forefront of the ferocious ex- ploration of pop music that we have come to expect from them. /, i J Oil i XO /mar I'11 i j' w \ 7 -~ U- 60 Pit I I h - PHOBIC? If you have a severe fear of Dogs, Cats, Snakes, Spiders, insects or other small objects or animals, you may qualify for free professional treatment in exchange for participation in a research project. 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