Page 8-Tuesday, October 20, 1981-The Michigan Daily
RACKHAM STUDENT GOVERNMENT ELECTIONS
TUB. -9:00-11:00 a.m. DIAG
12:00-3:00 p.m. School of
WED.-9:00-3:00 p.m. DIAG
6:30-8:30 p.m. Rockham
THURS. -9:00-11:00 a.m. DIAG
12:00-3:00 p.m. School of
Art & Arch.
with the addition of a melodic piano and
synthesizer. Also, Mas' passionate,
pleading vocals are much stronger than
Martin's. "I Waited All Night," an
honest, compelling rocker, is
ameliorated by the subdued
desperation conveyed through Mas'
voice, and augmented by the emphasis
on the percussion section. Side one ends
with the album's weakest songs: "Lit-
tle Baby of Mine," a ballad, and "Dirty
Lying," featuring the petulant, nasal
vocals of Mas.
Side two offers as much to relish as
the preceding side. Especially notable
is "Love Like a Stone" with its neo-
Motown sound and lyrics to match
("I've got a love like a stone/such a
There are a few other styles present
on side two, as well. "What Is It About
You Baby" is a beautiful ballad with a
country and western feel. "Under One
Banner" is reminiscent of the folk-rock
anthems of the late '60s, with Mas'
vocals sounding similar to those of Joan
Baez as she sings, "Now is time/to lay
down your cloak and your dagger/Don't
you see that we are under one banner."
The talent and energy of Carolyne
Mas compare favorably with that of
any of the current reigning rock 'n' roll
queens, and it is unfortunate that she
hasn't received any noticeable amount
of public acclaim. Modern Dreams
should finally garner Mas the
recognition she deserves.
Sil-lum Hunger Kung-Fu
When odhidhorma, on Indian warrior
priest, entered the Chinese Shaolin Temple,
he found the monks in an emaciated state
and unable to stay awake during medita-
tion. The Indian master introduced a series
of exercises to condition their minds and
bodies. These exercises are said to have
been the forerunners of the Shoolin fighting
system of Kung-fu.
The Asian Martian Arts Studio also offers
programs in: Shorin-ryu Karate-do, Aikido,
O BSCURE NEW York rocker
Carolyne Mas has released her
third album to the anticipation of vir-
tually nobody. Too bad, because as her
voice and songwriting ability mature,
Mas is establishing herself as one of the
premier female rock 'n' roll artists in
Her latest release is enhanced by the
addition of an experimental synthesizer
and producers Jon Astley and Phil
Chapman, both of whom have worked
with artists such as the Who, Eric Clap-
ton and David Bowie.
Side one begins with the hard driven,
intense "It's Important," which sets
the tone for the whole album. Mas
follows with a cover of Moon Martin's
"Signal for Help." She has given this
song a softer edge than Martin gave it,
ASIAN MAAATIR R.TS STUDIO
City CenterBldg., 220 E. Huron, Ann Arbor, Mich.
(Entrahce on Fifth Ave.) 994.3620
(Continued from Page 7)
other. Even in facsimile form, much is public at
won in reuniting word and image. Yet proper f
when the gain is measured, the books poetry
on display still seem to occupy a realm illumina
not quite real. plate hi
The processes used to create these knowledg
reproductions vary and lead to certain solute un
noticeable differences in quality. The situation
three publishing houses involved with House/S
the exhibition are Trianon Press, Ran- have setf
dom House/Shambala, and the Scolar Unfort
Press of King's College, Cambridge. Press th
The best work is that of the Scolar Blake wa
Press. Both Blake's vivid colors and his of the ot
pliable, smooth line are well accounted enough i
for in these prints, which are proofs for really cl
an edition not yet released. Trianon, on
the other hand, employs a stencil
technique to apply paint and thus often G o
destroys the outline that is so important
to Blake's art."
The ultimate argument for in "
mechanically reproducing Blake's
prints is that doing so will present to the
B LONDIE'S kingpins, Debbie Harry
and Chris Stein, have moved intp
experimenting with pop-funk in a major
way on this collaboration with Nile
Rodgers and Bernard Edwards, the
main men behind Chic. Given thle
pioneering work both these bands have
done in that sub-genre, it would seem
that they could have made the
definitive pop-funk album. Instead,
they made Koo-koo.
Don't get me wrong-it's a fine
album. Far more listenable than Blon-
die's last LP, Auto-American. The sad
fact remains, though, that this is hardly
good pop or good funk. The beat is dan-
ceable but sort of desexed-adequate
but rarely really funky or soulful. Pop
is represented exclusively by inane
lyrics and Harry's coldly studied
vocals. Somebody should have told"
them that this was supposed to be. a
collaboration, not a compromise.
Still, a nice record to listen to and oc-
casionally worth dancing to, but absent
of all the magic you might have expec-
ted from this meeting of the minds.
least a part of his vision in its
ashion. We still have texts of
with no notice of his
tion, and many who contem-
s imagery have only partial
ge of his words, and of the ab-
nity of the two. Rectifying this
is a job Trianon, Random
hambala, and the Scolar Press
unately, it is only the Scolar
hat adequately reveals what
as showing. The good intentions
her publishing houses are not
if the result is a facsimile not
ose to the original.
nastera going strong
(Continued from Page )
aticism and sensual Latin
rw rna ntc-Pntir Fan
We buy and sell used records.
Jazz Classical Soundtracks-
Rock, Soul, Rand B.
Tickets available for
all Prism Productions
375 N. MAPLE
SS2 TO 6:00 PM
ROBERT DE NIRO
Two brothers trapped Midnite
by a murder... Fri. & Sat.
One hid behind his vows.
The other behind his badge.
Bargain Hours--No $1 Tuesday
"Two hours of
-Rex Reed 1:45
J F . ' 4:15
LOST ARK 9:30
in nree movements-rgetico,r an,
tastico, and Dramatico-the Serenata
retains its early meaning of "night
music." It is alternately passionate and
calm, transparent and stormy. Soloists
will be baritone Leslie Guinn and cellist
Aurora Natola-Ginastera, with the Con-
temporary Directions Ensemble.
The final work of the concert is the
Concerto No.1 for Piano and Orchestra,
Op.28, performed by Anthony di
Bonaventura and the University Sym-
phony Orchestra. A virile and colorful
piece, it was commissioned in 1961 by
the Serge Koussevitzky Music Foun-
dation in the Library of Congress. An-
thony di Bonaventura, a child prodigy
who gave his first professional concert
at age four, has had many compositions
written especially for him, including
works by Berio and Persichetti.
A professor at the School for the Arts
of Boston University and Founder-
Director of the Piano Institute at Colby
College, Maine, di Bonaventura pe
formed the concerto last year to grea
Ginastera himself has been present
for the production of his works and has
been a volatile force in their rehearsal.
Now a balding, rather retiring figure
who speaks English haltingly, he does
not match the passions delivered in his
music. But as Bartok said, "I cannot
conceive of music that expresses a
solutely nothing." The music of AlbertF
Ginastera cannot be faulted for lacking
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TO PLAY ANY OF THE