Page Five Wednesday, Moy 1 1,1977 THE MICHIGAN DAL.Y Wane nsI I May1 17H C AN fPgF I _._,. Screen star Crawford dies By DAVID KEEPS and Wire Service Reports JOAN CRAWFORD, 69, elegant veteran of 80 motion pictures, died at 10 a.m. yesterday in her Manhattan apartment, after suf- fering a cardiac arrest. Crawford's lawyer, Edward S. Cowan said the attack was sud- den and unexpected, as she had never been treated for a heart disease. "It's the end of an era, and a legend," he said.. Crawford's charmed life reads remarkably like a Cinderella tale. Born Lucille LeSueur in San Antonio, Texas on March 23, 1908, she described her first home as_"a drab little place on the wrong side of the tracks." SOME TWENTY years later, then the wife of Douglas Fair- banks, Jr., she secured a foot- hold in Hollywood in the haly- con days of silent films, soon to become one of MGM's highest grossing stars and the inhabi- tant of a 27 room mansion. Her parents divorced when she was only a few weeks old, and her mother married a the- atre owner in Oklahoma, where Joan decided she wanted to be- come a dancer. Btt dancing lessons were an impossibility, as were any prospects of a formal public school education. "I never went beyond the sixth grade," she once told an interviewer, and began work- scrubbing floors - at age nine. She used forged high school rec- ords to enroll at Stephens Col- lege in Missouri, but had to leave because she was "unpre- pared" for college level study. RETURNING to her new fam- ily home in Kansas City, Mo. she realized her childhood am- bition by landing a job as a night club chorine, tripping the boards through Chicago and De- troit, where she was discovered for a Broadway show, "Innocent Eyes." She was signed shortly thereafter by MGM and sent to Hollywood to await assignments. ironically troe to life, playing a chorus girl in the 1926 film Pretty Ladies with Zasu Pitts and Lilyan Tashman. Crawford, always character- ized as a woman of near-manic enerev, was not content to let her film career evolve naturally -she had to mold it herself. And, in her early career, she snent many off-nights between picttres competing against and often beating another Hollywood newcomer, Carole Lombard, in Charleston contests at Holly- wood's Cocoanut Grove. CRAWFORD'S energetic danc- ing won her a flurry of roles laving high-spirited, high-hem- lined flappers in the last days of the Roaring 20s. She was even described by author F. Scott Fitzgerald. who chronicled that era, as the epitome of the flanper."- She made her initial splash in the talkies playing shopgirls in films entitled Paid and Possess- ed, and was a frequent co-star and romantic "item" with Clark Gable, though she married an- other MGM player, Franchot Tone. At the age of 36, with 14 years behind her, the blue-eyed Craw- ford left MGM, canceling - her ironclad contract, with nothing more than a one-picture deal with Warner Brothers. It took her nearly two,years to find a suitable vehicle, but she snatch- ed an Academy Award for her patience and her portrayal of a hardworking mother who is be- trayed by her spoiled daughter in Mildred Pierce in 1945. Throughout her career, she devised screen images and char- a cters to keep the public inter- STRUTTIN 6"1 c-u~~cm A2 99sss 95595 ested in her, including a brief stint as a blonde with a huge painted mouth, and a string of unsympathetic roles in the late forties and fifties with titles like This Woman Is Dangerous and The Damned Don't Cry. IN THE 1960's she teamed suc- cessfully with Bette Davis in Whatever Happened To Baby Jane on-screen, and off-screen became a director of the Pepsi Cola Corporation, succeeding her late, and'fourth husband, Alfred Steele. Crawford was both gracious and grateful to those who helped her shape her formidable 50 year career. She once sent a wire to a fan magazine reviewer who had singled her out in one of her lesser pictures, Paris, pledging to hel him, if ever he needed her. Though the writer threw the cable away, Crawford kept her promise some 25 years later-offering money and em- ployment when he was desper- ate for both. Even at the heigth of her fame she answered all her fan letters individually, and always sent word of her arrivals at Grand Central Station, so that she could meet her throngs of admirers. The late star once said, "I never go out on the street unless I hope and anticipate and wish and pray that I'll be recog- nized!" And though Miss Crawford will be cremated, according to her request, her celluloid image will be recognized, and appreciated, eternally. Florence sends its love a MITTO WITH A DOLPHIN lei rnado da incis mvo Andea del Vsrroc hio Oten caled Florences most popular sculpture Direct from D) toit's sister e i cv thanks to the Renaissance (ster lartnrsh'lit ALSO FIVE OTHER EXHIBITIONS Det troit Collects Aricas rt Titian and the Venetian Woidcut Art of the Voodcut New Italian ,Wing with tRnais-aic Maters Show (through NMy s) ALL FREE Now l.throg ?sat a" The Detroit Institute of Arts 11ata -lit c pan. 9:31 a~m. - >3o pnm AP Photo Crawford Joan Crawford made 80 films and confessed to watching them on late night TV, saying, "A friend dropped by want- ing to talk. I told her 'Shut up! I'm watching myself in 'Flamingo Road' and I find it enchanting.'" Second H it Week Shows Today At 1:00-3:05-5:10-7:15-9:20 T"n,9 All Seats $1.25 Till 5:00 Pt~ 231 NsouthstateNow Showing Complte Showins Todov t1:00-2:55- 4:45-6:40-8:30 All Seats $1.25 Till 5:00 SIDNEY POWIER BILL COSBY Shown At: PG Shown At 1 :00-4:45-8:30 2:55-6:40-Late BOX OFFICE CLOSES AT 9:00 Ends Soon Shows Today A 1-3-5-7-9 Open 12:45 All Seats $1.25 Till 5:00 ACADEMY AWARD WINNER BEST DOCUMENTARY FEATURE r au HARLAN COUNTY U.S.A. Produced and Oirted by Sorbora Kopple PrincpoI Cinematography HartPorry - irector of Editng Nancy Bo ker Rated PG la 12 3 S