Tu~esday. May 24, 1977 THE MICHIGAN DAILY 1Page Seven 1r,,CSiA r r :Mavy 2. 177TH MCHGA DIL P.eSee 0 I Arts I 'Ars' season ends By GERARD PAPE Last Saturday evening, the Ars Musica's closed its 1976-77 season with a concert at St. Claire's Temple Beth Emeth. A local ensemble, the Ars Mu- sica performs only music com- posed between 1600 and 1800. By using period instruments,. the group successfully captures the flavor of an eighteenth cen- tury performance. The concert revealed both the strengths and weaknesses of re-creative performances. The one thing marring the per- formances was that due to the heat, the strings of the vin- tage instruments were constant- ly going out of tune. However, the concert man- aged to come off in spite of this, flaw. The program consisted of Handel's Concerto Grosso Opue 6, No. 4, de Boismortier's Con- certo in E Minor, and two piec- es by Telemann, Overture and Concerto in G Major for viola and strings. The precision play- ing of the group produced per- formances that were steady and enjoyable. The Telemann concerto high- lighted the evening, as violist Robin Wideman's energetic playing enlivened the music and engaged the audience. The performances, in gener- al, were controlled, but highly musical and appealing, proving once again that the Ars Musi- ca is capable of bringing the best out of the music they per- form. 'Southside' scores 'for real' (Continued trom Page 5) from releasing new material of his own. These efforts, "Little Girl So Fine," "Love On The Wrong Side Of Town," and the zany "When You Dance," might have never shown up on a Springsteen album but they are put to excellent use here. Miami Steve Van Zandt, who co-wrote them with Spring- steen, is producing and he gives them a well-defined focus and impact. VAN ZANDT'S direction is invaluable. Without it, the As- bury Jukes may have never made it this far. He supplies three of his own originals in addition to the tunes he co- wrote with Springsteein. Though his strings get a little mushy at times, he knows when the tune should rock - and South- side Johnny is more than ready to let go with, one of his steam- ing vocals. That's the real rub I suppose. Southside Johnny and the .As- bury Jokes arent your ordi- nary hardass rock band though they go out of their way to look like one. When they're actually performing or recording, they sound tight and right - even tough - looking Johnny's sing- ing is nearly romantic. With material as varied and interesting as this, and guest appearances by such greats as the Coasters, the Five Satins and the Drifters, it would be hard for this record not to make its mark. -Kurt Harju $5 million worth of gear NBC used $5-million-worth of electronic gear in televising Super Bowl XI at Pasadena, Calif. The gear included 20 color cameras, five videotape machines and seven slow-motion replay and stop-action disks. Now Icelandic Airlines has a better way for you to go to Europe if you can't go alone: New Horizons escorted group youth tours for young >ple 17 through 25. Each tour includes round-trip air are between New York or Chicago to Luxembourg, private motorcoach transporta- tion, hotel (or pension) accommodations, most meals, sightseeing, full-time escort, all local taxes and more. Special group departures also available. FRANCE 15 days- $24.$842* Features a 7 day stay with a local family. Perfect for the beginning language student. EUROPEAN LANDSCAPES 24 days-$1,234-$1,252* An excellent introduction to 7 European contntries. EUROPEAN EXPLORER 19 days-$1,069-$1,087* A study of lifestyles, from the sophistication of London and Paris to the tranquility of the Swiss Alps. GERMANY 15 days- $829-$847* Features an 8 day stay with a local family. 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Celluloid Storm By OWEN GLEIBERMAN "WHAT I see. in my films is never what most people see in them", says Storm de Hirsch, poet and experimental film maker, who spoke and screened three of her films at the old architecture auditorium, the initial offering of the Inde- pendent Cinema Video Series. de Hirsch started out as a poet, but says that eventually, it reached the point where "I didn't have any words to ac- commodate what I wanted to say." Feeling that she needed a visual medium, de Hirsch chose film, and her resulting works are among the most viv- id and colorfully exotic films I have ever seen. The first film screened, Third Eye Butterfly, utilizes a split - screen technique. Pro- jected onto a giant screen draped across the front of the auditorium, de Hirsch achieves a strikingly large 70 millimeter feeling. At certain points, the screen is divided up into eight "mini-screens", and the effect of the multiple images and colors is overwhelming. SOUND IS an integral part of de Hirsch's films, and she creates all of her own sounds and aural effects. In The Tat- tooed Man, we hear a tabla (an Indian percussion instrument) throughout the 35-minute dura- tion of the film, giving it a flow- ing movement and extremely sensual quality. de Hirsch painstakingly m a t c h e s the sound with every inch of film (a process she says is a "pain in the neck"), so that it corresponds to every cut- and intershot movement. -. Like all experimental or in- dependent film - makers, de Hirsch is responsible for the actual creating of as much of the film as possible. Her vision is planned out beforehand, but is always subject to change. "I know exactly what I want to shoot", she explains, "but when you go out and see a lot of im- agery that you never expected you were going to see, you can't waste it." de HIRSCH emphasizes that in viewing her films, it is ab- solutely up to each individual to see what he wants to. 'I don't want to put any labels on my films," she says. "I never impose on you; you need to find what you have to find." When asked if there were any film - makers or artists that she particularly admired, de Hirscht replied "I can't say who are my favorites because there are too many good peo- See STORM, Page 13 STEVE'S LUNCH 1313 SO. 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