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Also include your free illustrated Q Please send free illustrated bro- y brochure describing 11 different chsre only, without any obligation I! types of condoms. whotever.E Subscribe To *THE MICHIGAN DAILY Watts plays at Meadowbrook By JOHN HARVITH Heat, humidity and an un- daunted, s p r a w l i n g audience greeted this tardy reviewer as he more-or-less successfully manag- ed to wedge himself into a post- age stamp plot of grass at a Meadowbrook Music Festival concert featuring conductor Six- ten Ehrling, pianist Andre Watts and the Detroit Symphony Or- chestra. As this relentless search for a patch of green ensued, the pro- gram had already begun with Carl Nielsen's Third Symphony ("Espansiva"). This most acces- sible of the twentieth-century Danish composer's six sympho- nies was a cause for keen expec- tation since Ehrling and his or- chestra have long established themselves as being among the outstanding Nielsen interpreters of our time. Unfortunately, P&R men of the recording industry haven't caught on yet, relying on big-selling names with lesser interpretive Powers (i.e. Leonard Bernstein) to steal the national spotlight with their Nielsen re- cordings After this glowing promo for Ehrling's Nielsen, it's not a lit- tle embarrassing to confess that Saturday night's Espansiva was somewhat disappointing: the en- semble simply lacked cohesion in the first two movements. Sloppy string entrances and limping pizzicatti frustrated Nielsen's carefully wrought architectural plan, and the "heavenly" non- verbal soprano - baritone vocal cantilena in the Andante move- ment sounded more perfunctory than anything else. Mercifully, the orchestra suddenly snapped to attention for the concluding two movements so that Ehrling was able to exhibit his rare tal- ents as a Nielsen exponent. The impish humor, vigorous ath- leticism and soaring lines of the Espansiva finally shone foth through Ehrling's smooth handl- ing of tempo changes, his inps- tence upon clarity of melodic lines, and his idiomatic grasp of the work's dancelike ch rector. Recalling Andre Watts' virtuo- sic, muscle - botggling imp through the Rachmoanin'tf Third Concerto at the 1969 Moadow- brook Festival, this nyemtbty of the Saturday evening tudience fully expected similar s rfng- snapping calisthenics in the Brahms Second Concerto. Whiile making the most of the con- certo's more extroverted mo- ments, Watts stunned this listen- er by the unexpected subtlety and refinement of his playing his finesse with echo effects in repeated phrases, his controlled ear-ravishing pianissimi in the slow movement, his graceful, lilting account of the final move- ment, where he displayed play- fulness and delicacy worthy of a great Mozart pianist. lecorded suckers (Continued from Page 5) it once, they'll go for it again. group looks like they fit right See, things don't change that into the CSNY, Van Morrison, much. Band Schtick; and since that's Maybe all this won't happen. what's happening, United Artists UA is pretty poor at promotion can give them some big promo- and they might be incapable of tion about their creativity and getting this product hot. I hope relevance to today's music, the so.Buttasyprdthov.nifhou same way the Magoos were pro- never hear of Klatu Berrada Nik- moted in '66, and the people will neveriheaflatuerrdan fall for it, just like they fall for tou again, at least you've been Elton John. Never mind that the brought up to date on the Blurs Dependables are just as phony Magoos. and pretentious in this scene as And didn't Carole King write a the Magoos were in the acid- lot of crummy Top-40 hits in the hippie scene; if the people go for early 60's. I x Also in stock - he great new Canon F TIb We invite you to inspect this completely new, versatile 35mm SLR system. Compare it to anything on the market today. The Canon Fl. We're very excited. We feel it will win the approval of the most critical and demanding user. Our professional salesmen are eager to show it to ___________ you so please stop in soon. Stste stroetrtatoae Unvsty.an aroorM, chgn e s tadsium nasiLbetyAn Aro Mchi aoeneMondetayot bsou saTrsdaa aot ay o : 00 O enayettrug da y i ty l 9sO.Sas 'toraI .. e 0 0 y ont 9 .00 POsam 7i . Phoe i-l2