t oi0Td 01 rnsUo51D HEAR )+T sAM CA"M 6 I' \ -1 THE Michigan Daily Edited and managed by Students at the University of Michigan Thursday, July 25, 1974 ------ -- ----...-. News Phone: 764-0552 Justfice 8, Nixon 0 IN KEEPING WITH their latest barrage of obscenity rulings, the highest court in the land has finally reached a decision about the greatest ongoing obscenity flick of them all, "Behind the Oval Office Door" and like their decision on "Carnal Knowledge," it appears to be the right one. The film stars the nation's favorite unindicted co- conspirator who is thus far 99 and 44/100 per cent pure; and it is chock full of so much political repugnance and authoritarian audacity it to make even the devil blush. The 8-0 decision of the Supreme Court that the film's action is of no redeeming social merit proves that the far reaches of this vile plot have not been enough to undermine all the minds of the nation; and there is a buzz in the air that the film may be taken off the mar- ket, thus ruining the star's career forever. Thus far, star Richard Straightace has had no com- ment about the decision and the nation waits anxiously to see if his career, like that of so many other stars, will be ended by a bottle of sleeping pills. gURPRISINGLY ENOUGH, the Knights of Columbu, who have been waging a wicked war against the unabashed pernicious pollutants of so many minds in America. was disappointed with the decision. Local Knights snokesman Harvey Bunker on hear- ing about the decision vesterday said, "I just don't un- derstand these robed subversives. They just don't see that there is bad obscenity and then there is good ob- scenity. Straiehttace's actions were never obscene to me." Bunker admits he has seen the film "a couple hun- dred of times" and says he would see it again and again. He added that he stronstv believes the American public enjoys being taken for a ride. "It's time they took ob- scenity off the streets and left it in the government where it belones," he said. On the other hand, local adult theatre owner Jesus "Greaseball" Jones says he hopes the decision will boost his business. "I think it's great," he said. "Obscenity, be it political or otherwise, has no right being on prime time T.V." Jones says he has bid to obtain the rights to "Behind the Oval Office Door" in hopes of retiring at an early age. -BARBARA CORNELL Sloflier S/af JUDOY RUSKIN Editor MARNIE HEYN Editorial Director KEN FINX Arts Editor Political onsumerism: Candidate as product By BETH NISSEN IERIODICALLY THROUGHOUT each y e a r American voters are asked to curtain them- selves into a voting booth and pull a lever or check a box next to the name of the candidate striving for some public office. Each election day is the final move in the uniquely American game of political campaigning. The textbook description of the political cam- paign has aspiring and perspiring candidates ear- nestly shaking hands and convincing prospective constituents of their Ivory Soap political motives. The paradigmatic voters lend an attentive ear to the candidates' claimactic speeches and com- prehensively examine their campaign litera- ture. Having gathered all pertinent information necessary to make an informed choice, the de- cisive citizen polishes their voting registration card and awaits the opening of the polls. Yet when the public is scrutinized through a cold and clear statistical lens, the Informed Vot- er becomes an almost mythical creature. HUGE CHUNKS of our citizenry stay cemented in front of the Movie of the Week on election day; of those who do manage to walk through a polling gate, only a statistical thimbleful are satisfactorily "informed." The rest of the voters are either confirmed political party-goers, voters who have heard from spouse, friend or co-work- er who the best candidate is, or relatives of the candidate. The object of the political campaign game - especially in local and state elections - is to extract from this yawning moronic public enough approving votes to send the player to the office of their choice. The moves of the game toward that object have been revised since the early days of talking to over-alled neighbors from the gnarled vant- age point of a tree stump or the height of a soap box. Today's campaign is a hybrid of an adver- tisement for a product and a beauty contest. THE SUCCESSFUL candidate is marketed like a new breakfast cereal and selected like a pag- eant contestant from a field of throne contenders. The political contestant with the biggest cam- paign spending chests and best personal income tax figures or the packaged candidate with the largest advertising exposure will most often win the attention and the subsequent votes of the bovine public. Public standards for political choice are high- lv infuenced by projected image. A sleek and at- trative candidate has a far better chance of naking it to the Senate floor than pit-faced and flabby one, just as an imaginatively packaged product has a better chance of making it into the cupboards of the consumer than a drably boxed one. Like a manufactured product, the candidate re- lies on promises, claims and distinctive adver- tising for voter attention; like a beauty contest- ant, the candidate attempts to show their best side, smile constantly, and play flirtatious cat and mouth with the voting audience. CANDIDATES in our unenlightened age of poli- tics do not compete with other candidates so much as they compete with the rest of the world for that all-important second of a voter's un- divided attention. Campaign money, the life of the party, is spent to plaster the candidate's name on the rusted crome of local bumpers, tack it to neighborhood telephone poles, wave it on the air waves, somehow manage to file it into the electorate's embryonic political recall so that confused or undecided voters may try a 'vell-promoted candidate in the polling booth just as they might put a well-advertised new product into their shopping cart. Skin deep analysis of a candidate does not give a voter real insight into the candidate's moral or politcal character. And a voter cannot exercise consumer power by not continuing to buy a product that has failed to live up to its advertised promises; once a politician is elect- ed, the voter can do little about a poor choice except regret it. THE BUSINESS of politics demands more than the meager amount of attention Americans give it. The American mind is continually nagged with The business of politics de- mands more than the meager amount of attention Ameri- cans give it. The American mind is continually nagged with demands for attention, and the predictable reaction is the gradual turn-down of the volume and apathy toward the drone of all incoming bids for time or interest. demands for attention, and the predictable reac- tion is the gradual turn-down of the volume and apathy toward the drone of all incoming bids for time or interest. Though inundation of demandS for our atten- tion and our short political attention span, we have lost our ability to be discriminating and shrewd political shoppers. We rationalize by say- ing that all politicians can be bought for the same price, or that all brands are alike. To preserve some modicum of a responsible govern- ment we must first find and revive a respon- sible or at least moderately awake public. Voters are intrinsic to the political campaign game, yet seem unaware of the very existence of the game. Instead of complaining because the political product bought by miscast votes is in- ferior or over-rated, voters can take the time to read the political fine print on a candidate's packaging and refuse to be so readily persuaded to award their valuable vote to the candidate with the Day-Glo campaign poster, the most Redford face or the most delectable political -surface ap- pearance. GORCOON ATCHESON,. CHERYL PILATE .... ... ,... JEFF SORENSEN BARBARA CORNELL ......., DELLA DIPIETRO .......... BILL HEENAN ANDREA LILLY ................. STEPHEN HERSH ...a........... DAVID WHITING ............... KEN FINK ........ . a 1EvE KAGAN ... .. .................. Night Editor Night Editor .Night Editor ...... . Asst. Night Editor ........................ Ass't. Night Editor ...................... Ass't Night Editor ...... ........ .Asst. Night Editor Ass't. Night Editor .Asst. Night Editor ...................... ... Photographer .... ...., ..........,...:.... Photographer