Page Two THE SUMMER DAILY Tuesday, July 10, 1973 tv.^ tonight Note: Taped coverage of the Water- gate hearings may pre-empt regular programming on some channels this evening. 6:00 2 4 7 11 13 News 9 Courtship of Eddie's Father 20 Stagecoah West 24 ABC News-Smith/Reasoner 50 Flintstones 56 Chan-ese Way-Cooking 6:30 2 11 CBS News-Roger Mudd 4 13 NBC News-john Chancellor 7 ABC New-Smit/Reasoner 9 I Dream of Jeannie 24 Dick Van Dyke 50 Giligan's Island 56 How Do Your Children Grow? 7:00 2 Troth or Consequences 4 News 7 To Tell the Truth 9 Beverly Hillbillies" 11 To Tell the Truth 13 What's My Line? 20 Nanny and the Professor 24 Bowling for Dollars 50 I Love Lucy 56 Fretch Chef 7:30 2 What's My Line? 4 You Asked For It 7 11 Price is Right 9 Wacky World o Jonathan Winters 13 Truth or Consequences 20 Rifleman 24 Adventurer 50 Hogan's Heroes 56 Changing Music 8:00 2 11 Maude 4 13 Movie Incident on a Dark Street (1972) 7 The Littlest Junkie: A Chil- dec's Story-Documentary 9 Sloan Affair 20 Burke's Law 24 Temperatures Rising 56 Evening at Pops 50 Dragnet 8:30 2 11 Hawaii Five-O -7 24 Movie Lieutenant Schuster's Wife (972) 50 Mv Griffin 9:00 9 News-Don Daly 20 There is an Answer-Religion 56 International Performance 9:30 2 11 Movie "Call to Danger (1973) 9 It's a Musical World 20 Seven Hundred Club 10:00 4 13 NBC Reports - Special: The Sinai Peninsula and its inhabitants 7 24 Marcus Welby, M.D. 9 Ascent of Man-Documentary 50 Perry Mason 56 Detroit Black Journal 10:30 56 Legacy-Documentary 11:00 2 4 7 11 13 24 News 9SCBC News-Lloyd Robertson 50 One Step Beyond 11:30 2 11 Movie "On the Town" (1949) Gene Kelly, Frank Sinatra, Ann Miller 4 13 Johnny Carson 7 24 Dick Cavett 9 News 20 New Directions 50 Movie "In the Good Old Summertime" (1949) Judy Garland, Van Johnson 12:0M 9 Movie "The Bachelor and the Bobby- Soxer." (1947) Carl Grant, Myrna Loy, Chirley Temple 1:00 4 13 News 7 Reading Dynamics 1:15 7 News' 1:30 2 Movie. "Espionage in Tangiers" (Spanish; 1963) 11 News 3:00 2 News ANN ARBOR CIVIC THEATER NEEDS EXPERIENCED DIRECTORS, SET LIGHTERS, AND COSTUME DESIGNERS Those interested send resume by July 15th to AACT Box 1993 Ann Arbor 48106 FILM BIAS CITED Perry: 4 EITOR'7 NOTE: To screenwriter Eleanor Pr:, tIo many women are playIng "'ouj.,'0eous" roles in films: "They are u''C, murdered, hacked apart while nude, or they wat on some man." She says she tries to write women's roles with meaning. Problem: To find the actresses to play themo. By EVE SHARBUTT AP Newsfeatres Writer NEW YORK - Screenwriter Eleanor Perry is a small wo- man who has grappled with a big issue for most of her years in film: Where are good roles for women? She's tried to answer it in her Work. "IN THESE DAYS when you hear on all sides that nobody's writing good roles for women, it's all I've ever done." Perry says. Perry, who wrote the screen- plays for "David and Lisa," "Last Summer," "Diary of a Mad Housewife," and "The Man Who Loved Cat Dancing," won an Emmy award this year for her teleplay, "The House With- out a Christmas Tree." She was interviewed in her New York apartment, where stacks and stacks of books line the walls and are piled on end tables A DIRECTOR had just called about her screenplay of Joyce Carol Oates' novel, "Expensive People." He wanted to start filming immediatel. and she was delighted that he saw what she had tried to do in the screen- play. "It's fine. It can have such great scenes for an actress. Noth- THE SUMMER DAILY, summer edi- tion of The Michigan Daily Vol. LXXXII, No. 36-S Tuesday, July 10, 1973 is edited and managed by students at the University of Michigan. News phone 764-0562. Second class postage paid at AnnArbor, Michigan 48106. Published daily Tuesday through Sunday morning during the University year at 420 May nard Street, Ann Arbor, Michigan 48104. Subscription rates: $10 by-carrier (cam- pus area); $11 local mnal (Michigan and Ohio); 13 non-local mal (other states and foreign). Summer session published Tuesday through Saturday morning. Suhscrp- tion rat: d$5. 0yb carrier (campu area) $6.50 local mail (Michgan and Ohio); $700 non-local mal (other states and orelig) Bach Club presents RAY SEALEY, Well-known Canadian guitarist Performing 400 years of guitar music, works of Narvaez, Nueserdler, Weiss, Sor, Torroba. Ice Cream with fresh fruit topping served afterwards. donation 50c or whatever you can afford THURS., JULY 12 8 p.m. 730 Tppon (Memorial Christian Church) Further info. 663-4875 or 769-1605 Creating ing is greater than a really good director who sees what you mean," she said. On her way to a holiday in southern France, Perry said she was finishing a film for Academy Award nominee Cicely Tyson in which the actress plays a black congresswoman. "TENTATIVELY, we've called it 'Clout,"' she said. "And it will be something of what I used to love in movies add miss today. Remember those'Tracy-Hepburn films, groovy love stories with ups and downs and characters who swing with them? This will be similar. There'll be an under- current of politics, but the love story comes first. We'll have a television broadcaster and a Portia-like Congresswoman." Perry thinks the situation of women in films today is "just awful, or, to use a stronger word, outrageous." For one thing, wo- men in movies today seem much. alike to her. "They have long hair and great bodies. They get used, murdered, hacker apart while nude, or they wait on some man. They never have impact. "NEVER DO YOU feel, 'This is a human being.' And so many directors are culpable. The new. thing, now, is that women are women supposed to be raped and en- joy it. That's a director's idea. Hal" In recently released "The Man Who Loved Cat Dancing", Perry lost a fight over a rape scene. It was in the novel, but Perry's conception of. the char- acter in the screenpllay did not include rape. "She was independent, a sort of 1880s liberated woman. I thought she would defend herself; she would not be raped. But the director and my co-producer thought otherwise. The rape scene is in the film. One of the men told me, 'Well, rape turns some men on. . The problem she added, is that as a screenwriter she has no au- thority. Even as a co-producer, as she was billed on "Cat Danc- ing," she exercised little author- ity. Perry grew up in Cleveland, Ohio, and had what she calls "another whole life" there. She married young, to a lawyer, and had two children. "WHEN I was growing up, I remember that boys took shop while I studied sewing. I ripped up one towel 38 times, and would have much preferred playing baseball. I hated to sew. My mother used to tell me no man would ever want to marry me. So s roles I married early and might have gone on forever with charity work if the war hadn't come along. I wasn't satisfied or hap- py, but I didn't know what to do about it." What she finally did was flee. She moved to New York, obtained a divorce, began writing, met and married director Frank Perry and spent 10 years working pri- marily with him. Now they are . divorced,. and she has another "new life," which she says is in some ways better than the ones before. "YOUNG WOMEN are so dif- ferent today. I admire them. My own daughter doesn't take anything for granted and I'm try- ing to imitate her. Many things are changing and getting better. Even women my age are more open to change than before. One thing which concerns the screenwriter more today than ever is this: After all those roles for women, real women, are written, where does she find ac- tresses to play the parts? "Have you noticed," she said, "that the new girl in town, this year's 'find', is 18 to 22? But they all look alike, and they're gone tomorrow. Where are those actresses of 30 to 35 to be to- day's women?" 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